The Magazine: Volume 3 (Page 48)
- MC/A/15/3/p48
- Part
- Nov 1894
The Magazine: Volume 3 (Page 48)
The Magazine: Volume 3 (Page 49)
The Magazine: Volume 3 (Page 5)
The Magazine: Volume 3 (Page 50)
The Magazine: Volume 3 (Page 51)
The Magazine: Volume 3 (Page 52)
The Magazine: Volume 3 (Page 53)
The Magazine: Volume 3 (Page 54)
The Magazine: Volume 3 (Page 55)
The Magazine: Volume 3 (Page 56)
The Magazine: Volume 3 (Page 57)
The Magazine: Volume 3 (Page 58)
The Magazine: Volume 3 (Page 59)
The Magazine: Volume 3 (Page 6)
The Magazine: Volume 3 (Page 60)
The Magazine: Volume 3 (Page 61)
The Magazine: Volume 3 (Page 62)
The Magazine: Volume 3 (Page 63)
The Magazine: Volume 3 (Page 64)
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The Magazine: Volume 3 (Page 67)
The Magazine: Volume 3 (Page 68)
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The Magazine: Volume 3 (Page 70)
The Magazine: Volume 3 (Page 8)
The Magazine: Volume 3 (Page 9)
The Servants of the Queen (from Salome)
Costume design for performance of Salome.
Smyth, Dorothy Carleton
Three abstract pattern designs
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Three abstract compositions of organic like shapes. Painted in ink, gouache and metallic ink on white paper. Similar in design and application of media to DC 089/1/2/4/10.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Tintagiles (for The Death of Tintagiles)
Costume design for Maurice Maeterlinck's The Death of Tintagiles.
Meikle, Dorothy
Two Roman soldiers (from Salome)
Costume design for performance of Salome.
Smyth, Dorothy Carleton
Wall hanging designed for The Dug-Out, Willow Tea Rooms, Glasgow
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. The canvas relates to smaller watercolours in the Hunterian collection, formerly thought to be textile designs, and to their painted canvas, 'The Little Hills' by Margaret Macdonald. It is likely that they were intended for 'The Dug-Out', though it is not known whether they were ever installed there. Jessie Newbery recalled in 1933, that 'He (Mackintosh) and his wife spent the winter of 1914 painting two large decorations for Miss Cranston'. This would have been in Suffolk, after they had left Glasgow. Although The Dug-Out was not created till 1917-18 it is not unlikely that Miss Cranston was considering the project some years earlier. The canvas was found in the GSA in a single roll in 1981 and was cleaned and mounted on two stretchers.
Mackintosh, Charles Rennie
Wall hanging designed for The Dug-Out, Willow Tea Rooms, Glasgow
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. The canvas relates to smaller watercolours in the Hunterian collection, formerly thought to be textile designs, and to their painted canvas, 'The Little Hills' by Margaret Macdonald. It is likely that they were intended for 'The Dug-Out', though it is not known whether they were ever installed there. Jessie Newbery recalled in 1933, that 'He (Mackintosh) and his wife spent the winter of 1914 painting two large decorations for Miss Cranston'. This would have been in Suffolk, after they had left Glasgow. Although The Dug-Out was not created till 1917-18 it is not unlikely that Miss Cranston was considering the project some years earlier. The canvas was found in the GSA in a single roll in 1981 and was cleaned and mounted on two stretchers.
Mackintosh, Charles Rennie
"Josephine Haswell Miller" (in person), bottom right.
Miller, Josephine Haswell
Woman with yellow dress and hat
"Josephine Miller" (in pen).
Miller, Josephine Haswell
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton