Showing 394 results

Poster reading 'Art Nouveau Stock on Display in GSA Lending Library'. Poster designed by Ewan A Macdonald. The date of the poster is unknown but is thought to be late 20th century.

This poster was used to advertise courses available at The Glasgow School Of Art. The poster invites potential applicants to write to the school's academic registrar.

This poster advertised an exhibition held in The Mackintosh Museum at The Glasgow School Of Art that showcased the work of graduating ceramics students from across Britain. The back of the poster lists exhibiting students along with details of where they studied. The exhibiting graduates included: - Jane Frankland: Manchester Polytechnic - Liz Astbury: Wolverhampton Polytechnic - Nicola Marrison: Crewe Alsager College Of Higher Education - Maria Lindemann: Central St. Martins College of Art And Design - Mark Hailley: Loughborough College of Art And Design - Madeleine Child: Camberwell School Of Art - Susan Wade-French: Glasgow School Of Art - Rob Richard: Bristol Polytechnic - Julian Smith: South Glamorgan Institute Of Higher Education - Zoe Whiteside: Staffordshire Polytechnic - Helen Hitchcock: Leicester Polytechnic - John Alliston: South Glamorgan Institute Of Higher Education - Susan Ross: Duncan of Jordanstone College Of Art And Design - Michael Green: Bath College Of Higher Education - Dale Butroid: Bristol Polytechnic - Michael O'Connor: Goldsmiths' College - Susan Room: Middlesex Polytechnic - Marie Bonlokke: Pederson Royal College Of Art - Bryony Seymour: Staffordshire Polytechnic - Brigitte Winsor: Birmingham Polytechnic - Philomena Pretsell: Edinburgh College Of Art - Frankie McKenna: Grays School Of Art The exhibition ran from the 6th to 27th of October 1990 and was funded by Potterycraft Ltd and The Glasgow District Council's Festival Budget for The Glasgow 1990 Culture Capital of Europe.

This poster advertised a seminar lead by Dr. John McHale which focused on a theme entitled "The Future Of The Future". He did this seminar three times, twice at The Glasgow School Of Art on the 4th and 5th of November and once at The University Of Strathclyde on the 4th of November 1976. McHale was the Director of the Centre for Integrative Studies and School of Advanced Technology for the State University of New York. He is credited as the founder of the Independent Group, a London based artistic movement which kickstarted British Pop Art. Members of the group included Richard Hamilton, Eduardo Paolozzi, and architects Alison and Peter Smithson. The poster was designed and printed by Bob Stewart, who was a senior lecturer in textile design at this time.

This poster advertised a retirement party arranged in honour of David A. Donaldson. Donaldson grew up in Coatbridge near Glasgow. He received a place at The Glasgow School Of Art at the age of fifteen despite having no formal qualifications and went on to become the head of drawing and painting in 1967. He was recognised for his portraiture, notably his portrait of Queen Elizabeth the Second in 1967. Donaldson remained at The Glasgow School Of Art until his retirement in 1981. The retirement party was held in The Glasgow Art Club on Bath Street in Glasgow on the 24th of June 1981. The poster was printed by Bob Stewart who was head of design at The Glasgow School Of Art at this time.

This poster advertised a debate which dealt with the positive and negative aspects of studying at The Glasgow School Of Art which was held in the Mackintosh Lecture Theatre on the 8th of December 1976. Speaking for the school in the debate included Roger Hoare, Mike Roschlau, Tom Lyden and Vladimir Soukoup. Speaking against were Dugald Cameron, Julian Gibb, Colin McNaught and Jim Cathcart. Harry J. Barnes was the chairperson. The poster states: "The Motion: This house believes that this art school creates no prospects, no jobs, no firm conclusions, no hopes, few aspirations, little money, nothing but nostalgia..." The poster was printed by Bob Stewart who was a senior lecturer in design at The Glasgow School Of Art at this time.

This poster advertised an exhibition associated with Scotrail and The Glasgow School Of Art Enterprises. It featured work created on location at railways across Scotland by visual communications students at The Glasgow School Of Art and was organised to celebrate the Railtracks Station Regeneration project. The poster was designed by Patrick Macklin who later became the head of Interior Design at The Glasgow School Of Art.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Kim Diamond has designed a poster for Jack Clayton's 1967 film 'Our Mother's House'. Diamond has used screenprinting and collage techniques to create the poster.

This poster advertised a farewell dinner held for the retirement of Kath Whyte. Whyte taught in The Glasgow School of Art's textile department from 1949 to 1974 and was highly regarded for her work in embroidery and weave.The event took place in the Newbery Tower on the 12th of June 1974. The poster was designed and printed by Robert Stewart who produced a number of the posters in The Glasgow School Of Art's poster collection. Stewart was acting Head Of Design in 1974.

This poster advertised a retrospective exhibition of work by Bob Stewart which ran between the 4th and the 31st of October 1980 at The University Of Strathclyde. Stewart is a leading figure in The Glasgow School Of Art's history. His role progressed from lecturing in textiles to Head of Design before he became Deputy Director of the school. He was highly regarded by staff and students and also designed and printed many of the posters in The Glasgow School Of Art's poster collection.

This poster advertised the retirement party of William Drummond Bone which was held in the Mackintosh Board Room on the 12th of January 1973. Bone was part of both The Royal Society of Arts and The Royal Scottish Society of Painters in Watercolour and taught drawing and painting at The Glasgow School Of Art between 1934 and 1973. The poster was designed and printed by Robert Stewart who was a senior lecturer in design at this time.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Grace Gallacher has designed a poster for the Adam Curtis documentary 'Century of the Self: Happiness Machines'. The poster has been created using screen printing techniques.

This poster advertised a lecture given by architecture critic Rayner Banham which was held in the Haldane Building on the 21st of February 1962. Banham was also a prolific writer and is best known for his theoretical treatise 'Theory and Design in the First Machine Age' (1960) and for his book 'Los Angeles: The Architecture of Four Ecologies' (1971). The poster states "Come on babey, do the mega structure" which is a pun on the 1962 pop song 'Loco-Motion' by Eva Boyd.

This poster advertised a lecture given by illustrator and animator Bob Godfrey, as part of the Distinguished Lecture Series. Godfrey is known for his cartoons such as Roobarb, Noah and Nelly and Henry's Cat. The lecture was held in the Mackintosh Lecture Theatre at The Glasgow School Of Art and was open to the public. The poster was designed by Mick Manning and Jimmy Murray Illustration/ Graphic Design. It was printed at M&M Press Ltd.

This poster advertised a retirement dinner for Lennox Paterson. Paterson worked at The Glasgow School Of Art between 1964 and 1979, occupying various roles including Head of Design and Deputy Head of the school. He was highly regarded for his wood engravings of animals and the poster features elements of this style. The event was held in the Bourdon Hall at The Glasgow School Of Art on the 20th of December 1979. The poster was designed and printed by Bob Stewart who was a senior lecturer in printed textiles at this time.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Janine Shaw has designed a poster for the Barney Platts-Mills film 'Bronco Bull Frog'. To create the poster Shaw has used collagraph printmaking techniques.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Mi Lin has designed a poster for the Jean Luc-Godard film Vivre Sa Vie. Lin has used screen printing techniques to create this poster.

This poster advertised a lecture by Thomas Joshua Cooper which was organised by The Glasgow School Of Art's graphic design department. Cooper works at The Glasgow School Of Art as head of fine art photography and is regarded as an authoritative figure in his field. The talk was held in the Mackintosh Lecture Theatre within The Glasgow School Of Art on Friday the 29th of October 1993.

This poster advertised an event to mark the retirement of Robert Begg which took place on the 31st of May 1975. Begg was on the Board of Governors for The Glasgow School of Art between 1970 and 1975. The poster was designed and printed by Bob Stewart, who was a senior lecturer in design at this point.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Catriona Hood has designed a poster for the Jan Svankmejer film 'Little Otik'. The poster has been created using off-set lithography techniques.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Eva Dolgyra has designed a poster for the Dario Argento film 'Inferno'. The poster has been created using collagraph printmaking techniques.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Oliver Pitt has designed a poster for the James Marsh film 'Wisconsin Death Trip'. The poster has been created using screen printing techniques.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Tu Lang has designed a poster for the Richard Linklater film Slacker. Lang used photo-lithography techniques to create the poster.

Poster for exhibition 'Scozia a Cassina Milano' by The Glasgow School of Art students held in Milan, Italy, 23 Mar 1984-06 Apr 1984. The exhibition included ceramics, embroidery and fabrics, design for furniture, furnishings and industrial products, silverware and jewellery, graphic art, illustration and printed fabrics.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Robert Heatherington has designed a poster for the Carl Dreygar film 'The Passion of Joan of Arc'. Heatherington has created the poster using screen print techniques.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Essi Kimpanyaki has designed a poster for the film 'Kapurush'. To create the poster Kimpanyaki has used screen printmaking techniques.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example student Li Lui has designed a poster for the Japanese film 'Tampopo', using collograph printmaking techniques.

This poster advertised a Glasgow School Of Art fashion show that ran from the 24th to the 29th April 1978. Tickets for this event were priced at £1 and could be purchased from the registrar's office at The Glasgow School Of Art as well as The Design Centre on St Vincent Street. This particular print is number five of ten editions.

This poster advertised two exhibitions happening coherently at The Glasgow School Of Art in early 1977. The main feature was an exhibition of work by John O'Connor which was held in the Mackintosh Museum and featured pieces in a variety of mediums including drawing, painting, wood-engraving, graphics and illustration. O'Connor spent a brief period lecturing at The Glasgow School Of Art in the graphic design department from 1978 to 1979. The second exhibition was entitled 'The National Book League Exhibition Of Book Design and Production' and was held in the Mackintosh Library. A duplicate of this poster can be found under reference number GSAA/EPH/10/193.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Annie Ricard Strauss has designed a poster advertisting a screening of avant-garde films, the poster has been created using screen printing techniques.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Aileen Crossley has designed a poster for the Virrorio Di Sica film 'Umburto D'. Crossley has created the poster using lithography techniques.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Emily Harding has designed a poster for the John Schlesinger film 'Billy Liar'. Harding has created the poster using screen printing techniques.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Oona Brown has designed a poster for the Wim Wender's film 'Alice in the Cities'. Brown has used screen printing techniques to create the poster.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Kate Costigan has designed a poster for the Robert Day film 'The Rebel'. To create this poster Costigan used screenprinting techniques.

This poster advertised the work of graduating embroidered and woven textiles students which was showcased in The Glasgow School Of Art degree show from the 14th to the 19th of June 1985. It was held in the Newbery Tower which housed the design departments within The Glasgow School Of Art before it was later replaced by the Reid Building.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Aaron McLaughlin has designed a poster for the Roy Andresson film 'You, the Living'. McLaughlin used Typeset printing techniques to create this poster.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Jess Copsey has designed a poster for the Sergei Parajanov film 'The Colour of Pomegranates'. The poster has been created using screen printing techniques.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Luo Tao has created a poster for Werner Herzog's film Nosferatu, using two etching plates in black and red inks, created in an edition of five.

The poster advertised an exhibition held in the Mackintosh Museum at GSA, showcasing the work of Paul Peter Piech. Piech is known for his work in graphic design and predominantly working with linocut techniques.

This poster was used to advertise an exhibition of work by Glasgow School of Art students held at Glasgow Green as part of the Glasgow Mayfest in 1994. Poster design by Lyn Jarvie. Illustration by Rosalind Venet.