The Magazine: Volume 1 (Page 27)
- MC/A/15/1/p27
- Part
- 1893
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The Magazine: Volume 1 (Page 27)
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The Magazine: Volume 1 (Page 25)
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The Magazine: Volume 1 (Page 23)
The Magazine: Volume 1 (Page 22)
The Magazine: Volume 1 (Page 21)
The Magazine: Volume 1 (Page 20)
The Magazine: Volume 1 (Page 2)
The Magazine: Volume 1 (Page 19)
The Magazine: Volume 1 (Page 18)
The Magazine: Volume 1 (Page 17)
The Magazine: Volume 1 (Page 16)
The Magazine: Volume 1 (Page 15)
The Magazine: Volume 1 (Page 14)
The Magazine: Volume 1 (Page 13)
The Magazine: Volume 1 (Page 12)
The Magazine: Volume 1 (Page 11)
The Magazine: Volume 1 (Page 10)
The Magazine: Volume 1 (Page 1)
There are 4 known surviving volumes: The Magazine 1893, The Magazine April 1894, The Magazine November 1894, The Magazine 1896.
The Magazine was a publication of original writings and designs by students from the Glasgow School of Art, Glasgow, Scotland, and their friends. Appearing in 4 volumes between November 1893 and Spring 1896, The Magazine contains text from contributors handwritten by Lucy Raeburn, editor, accompanied by original illustrations. These volumes are the only known copies of The Magazine. In addition to rare, early watercolours and designs by Charles Rennie Mackintosh, the volumes contain early designs by Frances MacDonald and Margaret MacDonald, at a stage in their development which has been labelled 'Spook School', and two sets of photographs by James Craig Annan, when he was beginning to establish a reputation at home and abroad. Among other contributors were Janet Aitken, Katherine Cameron, Agnes Raeburn and Jessie Keppie, all of whom enjoyed lengthy careers in art and design.
The Magazine is similar to an album amicorum such as those which originated in the middle of the 16th century among German university students, who collected autographs of their friends and notable persons, sometimes adding coats of arms and illustrations. The Magazine resembled the album amicorum in that contributions were by a close group of students and their friends and is all the more interesting because the illustrations were produced by young people who had a common social background, were trained at the same school, and subjected to the same artistic influences. The contributors were closely linked, some by family, some by romantic attachments and had close social connections. Other contributors include C Kelpie, John M Wilson, Jane Keppie, and Ethel M Goodrich. Source: Jude Burkhauser, Glasgow Girls: women in art and design (Edinburgh : Canongate, 1990).
Raeburn, Lucy
The Glasgow School of Art tea towel
Printed tea towel of The Glasgow School of Art with an image of the Mackintosh building, in red on white background. Tea towel is made of two pieces of fabric sewn together and then printed.
Chalmers, Sylvia
Abstract design for fabric.
Mackintosh, Charles Rennie
Table for the Library, Glasgow School of Art
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
One of nine readers' tables for the Library at Glasgow School of Art. Like the vertical stretchers on the periodical desk, MC/F/73, none of the patterns on the legs (variations on these themes of the gallery pendants) are repeated.
Mackintosh, Charles Rennie
Table for the Library, Glasgow School of Art
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). One of nine readers' tables for the Library at Glasgow School of Art. Like the vertical stretchers on the periodical desk, MC/F/73, none of the patterns on the legs (variations on these themes of the gallery pendants) are repeated.
Mackintosh, Charles Rennie
Table for the Library, Glasgow School of Art
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). One of nine readers' tables for the Library at Glasgow School of Art. Like the vertical stretchers on the periodical desk, MC/F/73, none of the patterns on the legs (variations on these themes of the gallery pendants) are repeated.
Mackintosh, Charles Rennie
Table for the Library, Glasgow School of Art
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
One of nine readers' tables for the Library at Glasgow School of Art. Like the vertical stretchers on the periodical desk, MC/F/73, none of the patterns on the legs (variations on these themes of the gallery pendants) are repeated.
Mackintosh, Charles Rennie
Table for the Library, Glasgow School of Art
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
One of nine readers' tables for the Library at Glasgow School of Art. Like the vertical stretchers on the periodical desk, MC/F/73, none of the patterns on the legs (variations on these themes of the gallery pendants) are repeated.
Mackintosh, Charles Rennie
Table for the Library, Glasgow School of Art
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). One of nine readers' tables for the Library at Glasgow School of Art. Like the vertical stretchers on the periodical desk, MC/F/73, none of the patterns on the legs (variations on these themes of the gallery pendants) are repeated.
Mackintosh, Charles Rennie
Table for the Library, Glasgow School of Art
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). One of nine readers' tables for the Library at Glasgow School of Art. Like the vertical stretchers on the periodical desk, MC/F/73, none of the patterns on the legs (variations on these themes of the gallery pendants) are repeated.
Mackintosh, Charles Rennie
Table for the Library, Glasgow School of Art
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
One of nine readers' tables for the Library at Glasgow School of Art. Like the vertical stretchers on the periodical desk, MC/F/73, none of the patterns on the legs (variations on these themes of the gallery pendants) are repeated.
Mackintosh, Charles Rennie
Table for the Library, Glasgow School of Art
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
One of nine readers' tables for the Library at Glasgow School of Art. Like the vertical stretchers on the periodical desk, MC/F/73, none of the patterns on the legs (variations on these themes of the gallery pendants) are repeated.
Mackintosh, Charles Rennie
Table for the Director's Room, Glasgow School of Art
Designed for Director's Room, Glasgow School of Art. 'This large table may well have been designed for meetings of the Board of Governors, who rarely used the original Board Room which was eventually taken over as a studio. It was designed with two high backed armchairs and twelve low backed armchairs and was photographed in 1910 in the new Board Room which Mackintosh had provided for the Governors, and not in the Director's Room for which it was designed. The square is again the dominant motif in this group of designs. The table legs are square, but they are hollow, and square cut outs in them indicate the construction.' (Roger Billcliffe). This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Mackintosh, Charles Rennie
Table for Room de Luxe, Willow Tea Rooms
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Designed for the Room de Luxe, Willow Tea Rooms, Glasgow. Contemporary photos of the Willow Tea Rooms do not show where these tables would have been placed, the edge of one seems to be visible between the bow windows, but the legs are identical to those on the square or oblong tables for the Room de Luxe. Probably while the tables belonged to the Grosvenor Restaurant, they were over-painted black (like the yellow couch from the Dug-Out, MC/F/84). In 1986 the black paint was removed and the tables repainted silver with an aluminium paint similar to the original (paint sample analysed by Kelvingrove conservators). At the same time missing glass insets were replaced. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Mackintosh, Charles Rennie
Table for Room de Luxe, Willow Tea Rooms
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Designed for the Room de Luxe, Willow Tea Rooms, Glasgow. Contemporary photos of the Willow Tea Rooms do not show where these tables would have been placed, the edge of one seems to be visible between the bow windows, but the legs are identical to those on the square or oblong tables for the Room de Luxe. Probably while the tables belonged to the Grosvenor Restaurant, they were over-painted black (like the yellow couch from the Dug-Out, MC/F/84). In 1986 the black paint was removed and the tables repainted silver with an aluminium paint similar to the original (paint sample analysed by Kelvingrove conservators). At the same time missing glass insets were replaced. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Mackintosh, Charles Rennie
Designed for use in Mackintosh's own flat in Mains Street, Glasgow.
This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Mackintosh, Charles Rennie
Designed for the Willow Tea Rooms, Glasgow. These chairs do not appear in any contemporary photographs but the provenance suggests that they came from the Willow Tea Rooms as the Grosvenor Restaurant owned Willow furniture. Reupholstered in blue horsehair 1985. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Mackintosh, Charles Rennie
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Designed for the Willow Tea Rooms, Glasgow. These chairs do not appear in any contemporary photographs but the provenance suggests that they came from the Willow Tea Rooms as the Grosvenor Restaurant owned Willow furniture. Reupholstered in blue horsehair 1985. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Mackintosh, Charles Rennie
Square tea table for The Dug-Out, Willow Tea Rooms
This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Designed for The Dug-Out, Willow Tea Rooms, Glasgow. One of a set of tea tables for the Dug Out. Such a table can be seen in Mackintosh's design for the Rest Room.
Mackintosh, Charles Rennie
Square tea table for The Dug-Out, Willow Tea Rooms
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Designed for The Dug-Out, Willow Tea Rooms, Glasgow. One of a set of tea tables for the Dug Out. Such a table can be seen in Mackintosh's design for the Rest Room.
Mackintosh, Charles Rennie
Square tea table for the Dug-Out, Willow Tea Rooms
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Designed for the Dug-Out, Willow Tea Rooms, Glasgow. One of a set of tea tables for the Dug Out. Such a table can be seen in Mackintosh's design for the Rest Room.
Mackintosh, Charles Rennie
Square table for The Dug-Out, Willow Tea Rooms
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Designed for The Dug-Out, Willow Tea Rooms, Glasgow. Cube and bobbin legs are a traditional motif not used by Mackintosh before this date. Several of the pieces made for the Dug-Out, however, incorporate such traditional features, e.g. the round table with bobbin legs and the stepped ladder-backs of the chairs (Roger Billcliffe). Repaired, and badly scratched top resurfaced in 1985.
Mackintosh, Charles Rennie
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Designed for Miss Cranston's home at Hous'hill, Nitshill, Glasgow. A white table was originally placed at the window of the music room in Hous'hill. It was purchased at the 1933 exhibition and loaned to the GSA by the same family who purchased half the White Bedroom suite. In 1920 (after the death of her husband) Miss Cranston sold the property with its furniture to Mr Gamble, who took much of the furniture with him when he left. In 1927 the house was leased to John Henderson, and in 1934 extensively damaged by fire and purchased by Glasgow Corporation for demolition; all the interior fittings were destroyed. It is not known where the black table was originally used in the house, or even if it indeed came from Hous'hill.
Mackintosh, Charles Rennie
Smoker's cabinet for Mains Street
Designed for 120 Mains Street, Glasgow. An exact replica of the cabinet made in 1899 and sold at the Vienna Secession exhibition in 1900, made to replace this for the Mackintoshs' own use. This item was assessed for conversation in 2010 as part of the Mackintosh Conservation and Access project (2006-2010), and then again in 2018 following the fire in the Mackintosh Building in June 2018.
Mackintosh, Charles Rennie
Sheet of postage stamps of the Mackintosh Building
Sheet of 100 x 20p stamps featuring an image of the Mackintosh Building produced to commemorate Glasgow 1990, European City of Culture, designed by Paul Hogarth RDI. (Stamp designs Copyright Royal Mail)
Hogarth, Paul
Settle for the Willow Tea Rooms
Designed as the order desk, at the Willow Tea Rooms, Glasgow. 'One of the most impressive and novel of Mackintosh's chairs, it stood in the centre of the ground floor saloons, isolated and defining the point at which the white Front Saloon became the dark Back Saloon. Designed six months before the curved screen at Hous'hill, it plays the same role in acting as a transparent division between two spaces which are actually part of the same room... The front of the seat also serves as a small locker or chest... The chest was provided for the supervisor who took orders from the waitresses and passed them to the kitchen by dropping coloured balls, coded to each dish on the menu, down a tube to the kitchen below.' (Roger Billcliffe). Reupholstered in brown horsehair 1984 (the settle was originally upholstered in a green and gold striped horsehair, matching the Willow armchairs).
This item was assessed for conversation in 2010 as part of the Mackintosh Conservation and Access project (2006-2010), and then again in 2018 following the fire in the Mackintosh Building in June 2018.
Mackintosh, Charles Rennie
Settle for The Dug-Out, Willow Tea Rooms
Designed for The Dug-Out, Willow Tea Rooms, Glasgow. Mackintosh's watercolour designs for the Dug-Out show a very similar settle (painted yellow) in the staircase vestibule and presumably this is where the piece was originally placed. It is a smaller variant of the Derngate hall settle. Whilst the property of the Grosvenor Restaurant, it was probably painted black, but when it was returned from exhibition in Helsinki (early in 1983) damage to the surface revealed yellow paint-work underneath. When the black paint was stripped it was clear that the entire settle had been painted yellow, and on the lower surfaces the original paint-work was intact, allowing accurate colour matching for repainting. In the winter of 1983-84 the settle was repainted and reupholstered to match the original design. This item was assessed for conversation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010), and then again in 2018 following the fire in the Mackintosh Building in June 2018.
Mackintosh, Charles Rennie
Settle for Glasgow School of Art
Designed for entrance hall, Glasgow School of Art.
This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Mackintosh, Charles Rennie
Settle for Glasgow School of Art
Designed for the board room, Glasgow School of Art. Basically, a compilation of three examples of MC/F/18 with the pierced motif repeated three times on each back rest. Reupholstered in brown horsehair 1984. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Mackintosh, Charles Rennie