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The library was destroyed by fire on 23 May 2014, though many metal and glass fragments from the lights were subsequently salvaged. Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. This complete light, constructed from multiple, original parts salvaged from the library was made by Rodney French of Lonsdale and Dutch, Edinburgh. This was the first light reconstructed as part of the restoration of the Library and provided valuable evidence as to how the original lights had been manufactured between 1907-09.

A series of 12 facsimile armchairs were commissioned by GSA in 2005 to replace the original armchairs (from 1906) that remained in situ and in daily use within the Board Room of Glasgow School of Art.

A series of 12 facsimile armchairs were commissioned by GSA in 2005 to replace the original armchairs (from 1906) that remained in situ and in daily use within the Board Room of Glasgow School of Art.

A series of 12 facsimile armchairs were commissioned by GSA in 2005 to replace the original armchairs (from 1906) that remained in situ and in daily use within the Board Room of Glasgow School of Art.

A series of 12 facsimile armchairs were commissioned by GSA in 2005 to replace the original armchairs (from 1906) that remained in situ and in daily use within the Board Room of Glasgow School of Art.

A series of 12 facsimile armchairs were commissioned by GSA in 2005 to replace the original armchairs (from 1906) that remained in situ and in daily use within the Board Room of Glasgow School of Art.

A series of 12 facsimile armchairs were commissioned by GSA in 2005 to replace the original armchairs (from 1906) that remained in situ and in daily use within the Board Room of Glasgow School of Art.

A series of 12 facsimile armchairs were commissioned by GSA in 2005 to replace the original armchairs (from 1906) that remained in situ and in daily use within the Board Room of Glasgow School of Art.

A series of 12 facsimile armchairs were commissioned by GSA in 2005 to replace the original armchairs (from 1906) that remained in situ and in daily use within the Board Room of Glasgow School of Art.

A series of 12 facsimile armchairs were commissioned by GSA in 2005 to replace the original armchairs (from 1906) that remained in situ and in daily use within the Board Room of Glasgow School of Art.

A series of 12 facsimile armchairs were commissioned by GSA in 2005 to replace the original armchairs (from 1906) that remained in situ and in daily use within the Board Room of Glasgow School of Art.

A series of 12 facsimile armchairs were commissioned by GSA in 2005 to replace the original armchairs (from 1906) that remained in situ and in daily use within the Board Room of Glasgow School of Art.

A series of 6 facsimile armchairs were commissioned by GSA in 2003 to replace the original armchairs (from 1904) that remained in situ and in daily use within the Director's Room of Glasgow School of Art.

A series of 6 facsimile armchairs were commissioned by GSA in 2003 to replace the original armchairs (from 1904) that remained in situ and in daily use within the Director's Room of Glasgow School of Art.

A series of 6 facsimile armchairs were commissioned by GSA in 2003 to replace the original armchairs (from 1904) that remained in situ and in daily use within the Director's Room of Glasgow School of Art.

A series of 6 facsimile armchairs were commissioned by GSA in 2003 to replace the original armchairs (from 1904) that remained in situ and in daily use within the Director's Room of Glasgow School of Art.

A series of 6 facsimile armchairs were commissioned by GSA in 2003 to replace the orginal armchairs (from 1904) that remained in situ and in daily use within the Director's Room of Glasgow School of Art.

A series of 6 facsimile armchairs were commissioned by GSA in 2003 to replace the original armchairs (from 1904) that remained in situ and in daily use within the Director's Room of Glasgow School of Art.

Poster features a grey Mackintosh portrait focusing on his moustache, grey and orange in colour. Also features line drawings of Mackintosh chairs. The exhibition of twenty Mackintosh chairs from the Glasgow School of Art's collection formed part of the opening celebrations at Norway’s newest cultural attraction, the Jugenstilsenteret (Art Nouveau Centre), in Ålesund, from the 6th June to 12th Oct 2003. Similar to Glasgow, this city is one of the founding partners of the EU-funded Réseau Art Nouveau Network. The School’s contribution was hoped to inspire further cultural and artistic ties between the two countries.

This poster showing an image of a Mackintosh chair advertised an exhibition of the work of Charles Rennie Mackintosh at the Museum of Applied Arts in Helsinki from 10th December 1982 to 16th January 1983.

This poster advertises a Japanese exhibition of Charles Rennie Mackintosh's work.The poster is white, has pink and navy writing and includes an image of a Mackintosh chair. From Art Today, the poster is a design by Ikko Tanaka for 'Gurafiku: Japanese Graphic Design' in 1979.

This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Designed for The Dug-Out, Willow Tea Rooms, Glasgow. One of a set of tea tables for the Dug Out. Such a table can be seen in Mackintosh's design for the Rest Room.

Designed for The Dug-Out, Willow Tea Rooms, Glasgow. Mackintosh's watercolour designs for the Dug-Out show a very similar settle (painted yellow) in the staircase vestibule and presumably this is where the piece was originally placed. It is a smaller variant of the Derngate hall settle. Whilst the property of the Grosvenor Restaurant, it was probably painted black, but when it was returned from exhibition in Helsinki (early in 1983) damage to the surface revealed yellow paint-work underneath. When the black paint was stripped it was clear that the entire settle had been painted yellow, and on the lower surfaces the original paint-work was intact, allowing accurate colour matching for repainting. In the winter of 1983-84 the settle was repainted and reupholstered to match the original design. This item was assessed for conversation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010), and then again in 2018 following the fire in the Mackintosh Building in June 2018.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Designed for The Dug-Out, Willow Tea Rooms, Glasgow. Cube and bobbin legs are a traditional motif not used by Mackintosh before this date. Several of the pieces made for the Dug-Out, however, incorporate such traditional features, e.g. the round table with bobbin legs and the stepped ladder-backs of the chairs (Roger Billcliffe). Repaired, and badly scratched top resurfaced in 1985.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Designed for The Dug-Out, Willow Tea Rooms, Glasgow. Mackintosh designed similar ladder-back chairs for the guest bedroom for Bassett-Lowke at 78 Derngate in Northampton. All chairs reupholstered 1985. Three repaired 1984-85.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Designed for The Dug-Out, Willow Tea Rooms, Glasgow. Mackintosh designed similar ladder-back chairs for the guest bedroom for Bassett-Lowke at 78 Derngate in Northampton. All chairs reupholstered 1985. Three repaired 1984-85.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Designed for The Dug-Out, Willow Tea Rooms, Glasgow. One of a set of tea tables for the Dug Out. Such a table can be seen in Mackintosh's design for the Rest Room.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Designed for The Dug-Out, Willow Tea Rooms, Glasgow. Mackintosh designed similar ladder-back chairs for the guest bedroom for Bassett-Lowke at 78 Derngate in Northampton. All chairs reupholstered 1985. Three repaired 1984-85.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Designed for The Dug-Out, Willow Tea Rooms, Glasgow. Mackintosh designed similar ladder-back chairs for the guest bedroom for Bassett-Lowke at 78 Derngate in Northampton. All chairs reupholstered 1985. Three repaired 1984-85.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Designed for The Dug-Out, Willow Tea Rooms, Glasgow. Mackintosh designed similar ladder-back chairs for the guest bedroom for Bassett-Lowke at 78 Derngate in Northampton. All chairs reupholstered 1985. Three repaired 1984-85.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Designed for the Dug-Out, Willow Tea Rooms, Glasgow. One of a set of tea tables for the Dug Out. Such a table can be seen in Mackintosh's design for the Rest Room.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Designed for The Dug-Out, Willow Tea Rooms, Glasgow. Mackintosh designed similar ladder-back chairs for the guest bedroom for Bassett-Lowke at 78 Derngate in Northampton. All chairs reupholstered 1985. Three repaired 1984-85.

A round and commercially available brass clock installed into the Board Room of the Mackintosh Building and linked to the electrical circuit of Mackintosh studio clocks introduced in 1909/10. The brass clock can be seen illustrated in the background of Francis Newbery's painting of the GSA Building Committee meeting in the Board Room which dates from 1909-1914.

Designed as individual lights within the Library at Glasgow School of Art. Very similar in design to the thirteen lampshades which make up the central light fitting in the Library.