Self portrait, tonal pencil drawing of head and shoulders. Also features sketches at the side, working out proportions of nose. Dugald and his classmates were required to produce a self portrait once a week as part of their drawing class lead by W Drummond Bone.
Self portrait, tonal pencil drawing of head and shoulders. Small sketch of lips to the left side of the drawing. Dugald and his classmates were required to produce a self portrait once a week as part of their drawing class lead by W Drummond Bone.
Self portrait, tonal drawing of head and shoulders. Dugald and his classmates were required to produce a self portrait once a week as part of their drawing class lead by W Drummond Bone.
Black and white photograph of a bronze male head sculpture sitting on a box. Male figure has a chin strap beard and prominent nose. Says ""Jack Dalziel" - by Helen Biggar - c. 1939" written in blue pen with "92B" circled verso. Jack Dalziel (real name "John") was likely a friend of Helen's.
Black and white portrait photograph. Believed to be Sydney d'Horne Shepherd, wearing a white dress shirt, light coloured tie, and darker coloured suit jacket. A stamp reads "Howard Coster, / Photographer of Men, / 9, Sackville St., Piccadilly, W.1. / Regent 4561.", with an "A" drawn in pencil below it verso.
Study of a female nude, seated and leaning over a desk. This item bears a label for The Glasgow School of Art, listing the 1916-1917 session, and D F Wilson as the teacher.
On the reverse of this item is a drawing of a female nude, standing, in pencil - possibly a sketch for DC 110/1/1/5.
Originally located inside portfolio folder (DC 110/1/4).
Study of a costumed male, standing. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Mr Robinson as the teacher.
Originally located inside portfolio folder (DC 110/1/4).
Study of a costumed male, standing. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Mr Robinson as the teacher.
On the reverse of this item is a sketch of a female figure.
Originally located inside portfolio folder (DC 110/1/4).
Study of female. This item bears a label for The Glasgow School of Art, listing the 1914-1915 session, Mr Mainds as the teacher, and Jessie Wilson as the artist.
Originally located inside portfolio folder (DC 110/1/4).
Study of male nude, from behind. This item bears a label for The Glasgow School of Art, listing the 1917-1918 session, and Professor Greiffenhagen as the teacher.
Originally located inside portfolio folder (DC 110/1/4).
Study of seated woman in robes. This item bears a label for The Glasgow School of Art, listing the 1916-1917 session, and Professor Wilson as the teacher.
Originally located inside portfolio folder (DC 110/1/4).
Study of standing male. This item bears a label for The Glasgow School of Art, listing the 1917-1918 session, and Professor Greiffenhagen as the teacher.
Originally located inside portfolio folder (DC 110/1/4)].
Study and sketch of seated girl. This item bears a label for The Glasgow School of Art, listing the 1917-1918 session, and Professor Greiffenhagen as the teacher.
Originally located inside portfolio folder (DC 110/1/4).
Study of female nude, seated and holding a cross. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Mr Ogilvie as the teacher.
Originally located inside portfolio folder (DC 110/1/4).
Study and sketch of female nude, seated. This item bears a label for The Glasgow School of Art, listing the 1916-1917 session, and D F Wilson as the teacher.
On the reverse of this item is a sketch of a female nude.
Originally located inside portfolio folder (DC 110/1/4).
Study and sketch of female nude, seated. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Mr Ogilvie as the teacher.
Originally located inside portfolio folder (DC 110/1/4).
Study of a costumed female, seated. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Mr Robinson as the teacher.
Originally located inside portfolio folder (DC 110/1/4).
Study of a costumed female, seated. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Mr Robinson as the teacher.
Originally located inside portfolio folder (DC 110/1/4).
Study of girl, standing. This item bears a label for The Glasgow School of Art, listing the 1917-1918 session, and Professor Greiffenhagen as the teacher.
On the reverse of this item is a portrait of an unknown figure.
Originally located inside portfolio folder (DC 110/1/4).
Study of female nude, standing, from behind. This item bears a label for The Glasgow School of Art, listing the 1917-1918 session, and Professor Greiffenhagen as the teacher.
Originally located inside portfolio folder (DC 110/1/4).
Study of female nude. This item bears a label for The Glasgow School of Art, listing Mary Ramsay's Register Number as 421 and her teacher as Mr Law. The date is not recorded, but is estimated to be from the 1914-1915 session based on information from the Alphabetical Register of Students 1903-1919 (GSAA/REG/2/3).
Originally located inside portfolio folder (DC 110/1/4).
A sketchbook of notes and artworks by Mary Ramsay produced during her first year at The Glasgow School of Art, around 1914-1915. This item consists of portraits and life drawings, children's illustrations, lettering, costume designs, studies of ceramic samples, floral patterns, a list of reference books about art and design, and a Little Willie rhyme. Most artworks are in pencil, while some are in ink or paint on paper. Some illustrations have been pasted in from other sources. A number of loose ephemera items are also included in the sketchbook, including postage stamps and a newspaper advert for paint tubes.
A sketchbook of notes and artworks by Mary Ramsay believed to have been produced during her second year at The Glasgow School of Art, around 1915-1916. This item consists of portraits and life drawings, children's illustrations, floral patterns, religious illustrations, and sketches of her lessons. It also includes transcriptions from two poems, Christina Rossetti's 'Goblin Market', and William Cowper's 'The Task', alongside notes listing reference books about art and design.
Most artworks are in pencil, while some are in ink or paint on paper. A number of loose drawings are also included in the sketchbook.
A sketchbook of notes and artworks by Mary Ramsay produced between 1916-1917 during her second year at The Glasgow School of Art. This item consists of portraits and life drawings, interior illustration, lettering design for A Midsummer Night's Dream, religious illustrations, book cover designs for The Language of Flowers, sketches of ceramics, and a list of reference books about art and design. These artworks are primarily in pencil, with some using ink and paint. Four pages from this sketchbook are loose from the spine.
