Showing 310 results

Featuring two seated, semi-clothed female figures integrated amongst swirling plant forms.

Featuring male and female figures in front of oversized artist's palette.

Invitation for a social event held in the Institute of Fine Art Galleries, Sauchiehall Street, Glasgow, 25 November 1893.
Featuring two seated, semi-clothed female figures integrated amongst swirling plant forms.

Glasgow School of Art Club diploma.

Design for a School Diploma. Front of mount labelled 'SILVER MEDAL. FOR SET.'

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.

Designed for original board room at Glasgow School of Art. The chairs were designed for the original Board Room in the East wing (now the Mackintosh Room). The Governors never used this room for meetings and it was initially used as a studio while space was short in the half-finished building. When the new Board Room was built in the second phase of the building, Mackintosh designed a more elaborate version of this chair for it, MC/F/61. Six chairs reupholstered in brown horsehair 1985, very similar to the original fabric found on one of the chairs. Two remaining chairs reupholstered in 1986. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

Illuminated manuscript documenting the opening of the first stage of GSA, 20 Dec 1899.

Montage of costume designs for the Masque of the City Arms.

Designed for the Director's Room, Glasgow School of Art. Twelve chairs were made in 1904 for the GSA, but William Davidson acquired a further two, with six of MC/F/58 for use as dining chairs in the hall at Windyhill. Twelve chairs reupholstered in brown horsehair 1984. One chair on loan from Glasgow University, returned 1984. These items were assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

Designed for the Director's Room, Glasgow School of Art. Twelve chairs were made in 1904 for the GSA, but William Davidson acquired a further two, with six of MC/F/58 for use as dining chairs in the hall at Windyhill. Twelve chairs reupholstered in brown horsehair 1984. One chair on loan from Glasgow University, returned 1984. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

Copper etching plate for Glasgow School of Art diploma.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Designed for the (new) Board Room, Glasgow School of Art. A more elaborate version of the chairs designed for the original Board Room in 1899 (MC/F/18).

This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014 and was conserved in 2018.

Illuminated manuscript documenting the opening of the second stage of GSA, 15 December 1909.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Designed for the Library at Glasgow School of Art. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). A more elegant version of the windsor chairs designed for the Dutch Kitchen at Argyle Street (Billcliffe 1906.49). These chairs proved much too delicate for their original purpose; only eight of approximately forty have survived, and all of these have had to be reinforced. They were replaced in the GSA Library c1950 by the much sturdier chairs originally designed for the Ingram Street Tea Rooms, MC/F/67. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.

Annotated by artist.

GSA Diploma certificate awarded to Isabel Stewart for Drawing and Painting and featuring various figures including St Mungo.

Illuminated manuscript page mounted on paper. Written in upper right corner is 'D. Doddrell No. 101'. Lower right corner has a The Glasgow School of Art student work tag which dates the piece to 1914-15, and ascribes the work to Dorothy Doddrell. Annotation beneath the mounted calligraphy states that it is copied from an old vellum.

Originally located in folder (DC 094/1/2/1).

Sample of an illuminated initial. The Glasgow School of Art tag in the lower right corner dates the work to the academic session 1915-16, and the artist as Dorothy Doddrell.

This poster advertised two dramatic performances of 'Le Dieu Nusku' and 'Narcissius' which were produced by Miss Dorothy Carleton Smyth and performed by students at The Glasgow School Of Art. The performances were in aid of raising funds for a war memorial to honour students and staff who served or were killed in action in World War One. The memorial was eventually commisioned in 1925 and was designed by former student Dorothy Doddrell. The image on the poster is a stone lithograph drawing by Maurice Greiffenhagen who was a tutor at The Glasgow School Of Art from 1906 until 1926. The reverse of the poster is annotated with the words "See Box".

Print of three images which comprise the First World War Roll of Honour of The Glasgow School of Art, designed and executed by Dorothy Doddrell.

Print on photographic paper containing two images of student work. Left: close-up of sample of embroidered cloth depicting a woman bent to water a plant in blue, green and cream thread, bordered with various decorative marks, shapes and images in multicolour. ‘1932’ and ‘JEAN WILSON’ are embroidered above and below the image in lilac thread. Right: image of a page of illuminated poetry (by Janet Begbie) hand-written in black ink and bordered by coloured ink illustrations relating to the poem’s themes of adventure, youth and travel at sea, in blue, green and red, as well as a decorative border in gold, blue, red and black.

Printed page featuring three scanned black and white photographs. Top left depicts five women, likely GSA students, posed and smiling on a set of stairs; top right depicts two women wearing artists smocks stood next to a plaster bust; bottom right depicts fifteen women, likely students, and one man, likely their teacher, posed on the same stairs. The page is captioned ‘Diploma June 12th 1934 in Design & Decorative Art GSC’.

Printed tea towel of The Glasgow School of Art with an image of the Mackintosh building, in red on white background. Tea towel is made of two pieces of fabric sewn together and then printed.

Poster for 'Exhibition of Crafts', Scottish Craft Centre, Acheson House, Edinburgh, 08 Jul 1953-22 Jul 1953. The exhibition featured the work of students of Aberdeen School of Art, Dundee College of Art, Edinburgh College of Art and Glasgow School of Art.

A brief history of The Glasgow School of Art, listing directors and departments of the School.

This piece was entered by the artist into a summer competition for students. It was then chosen by Director DP Bliss to be framed and displayed in the entrance hall of the Mackintosh Building. It was removed following redecoration of the entrance hall in 2006-2010.

Roman-themed design, listing 26 types of dance.

This poster advertised a lecture given by architecture critic Rayner Banham which was held in the Haldane Building on the 21st of February 1962. Banham was also a prolific writer and is best known for his theoretical treatise 'Theory and Design in the First Machine Age' (1960) and for his book 'Los Angeles: The Architecture of Four Ecologies' (1971). The poster states "Come on babey, do the mega structure" which is a pun on the 1962 pop song 'Loco-Motion' by Eva Boyd.

Fashion Show poster (in aid of War on Want) for March 1963

This poster advertised an exhibition of drawings by Danny Ferguson who was a lecturer at The Glasgow School Of Art. The exhibition was held in the Newbery Lounge in the Newbery Tower at The Glasgow School Of Art.

This poster advertised a lecture given by the London based illustrator David Gentleman. It was held in the Mackintosh Lecture Theatre on The Glasgow School Of Art campus and was a Gordon Huntly and Kit Grant Memorial Lecture.

This poster advertised a performance of medieval music in the Mackintosh Lecture Theatre. According to Jimmy Cosgrove, the previous deputy director of The Glasgow School Of Art, the poster features images of a textiles student's work from this period.

This poster advertised an event featuring the New Music Group which was held in architecture studio 30 in the Mackintosh Building. According to previous deputy director of the school Jimmy Cosgrove, the New Music Group was a fusion of medieval and modern musical styles. This event is believed to be associated with Neil Morrison who was a tutor at The Glasgow School Of Art. Morrison was known for making his own lutes and playing numerous concerts at both the Third Eye Centre and The Glasgow School Of Art.

Poster for lecture and slide show 'Paolozzi "Images & Media"', Haldane Building, Glasgow, 11 Feb. The year is not given but is believed to be c1970s.

This poster advertised a lecture given by the artist Ian Breakwell that was held in the Mackintosh Lecture Theatre at The Glasgow School Of Art. Breakwell is well known for working in a variety of mediums including print, installation, film and photography, however he is best known for making work based around his diary entries. He is also associated with The Artist Placement Group, an organisation set up in 1966 to bring art practice into hospitals and prisons. This particular lecture focused on work made between 1965 and 1967. The reverse of the poster is annotated with "J.Cosgrove".

This poster advertised an experimental dramatisation and adaptation of Alice In Wonderland written by Malcolm Lochhead and Joan Palmer. Performances were held in The Glasgow School Of Art's lecture theatre and ran from the 11th to the 15th of March 1968. Tickets were priced at £6 with a discounted price of £3 for concessions.

This poster advertised an event showcasing jazz and poetry which was held in the Haldane building at The Glasgow School Of Art. There were a number of notable performers at the event including Liz Lochead, Tom Leonard, Tom Buchan, Edwin Morgan and The Billy Kyle Quintet.

Poster for show 'Irony in Dorking' by Smith and Goody, Third Eye Centre, Glasgow. The dates of the show were 26 Apr-27 Apr, no year is given but it is believed to be either 1979 or 1984.

Source: http://first-night-records.co.uk/catalog/product_info.php?products_id=189

This poster was used to advertise a lecture given by the art critic and director Charles Spencer. The lecture focused on the use of print and multiples in art practice and was held in the Mackintosh Lecture Theatre as part of The Glasgow School Of Art's annual activities week. Activities week was an important part of the school's curriculum during the 1970s. All classes stopped and students were instead required to attend lectures and film screenings.

This poster advertised a concert by both Neil Morrison and Ian Strang. Morrison taught at The Glasgow School Of Art and was known for making his own lutes. A number of concerts associated with him took place at The Glasgow School Of Art and the Third Eye Centre during his time at the school.

This poster advertised an event held in the staff lounge at The Glasgow School Of Art in honour of maintenance staff member Bob Mitchell. The poster features a caricature of Bob Mitchell illustrated by Danny Ferguson who was a lecturer at The Glasgow School Of Art. Although his main duty was maintaining the school's boiler system, Mitchell was also a reliable handy man. He is credited for constructing huge billboards which were errected in front of The Glasgow School Of Art's Newbery Tower to advertise events happening during Activities Week. These various talks and events were advertised on large scale posters, many of which can now be found in The Glasgow School Of Art's poster collection.

This poster appears to advertise a lecture and discussion by Dendler, Dendler and Dunlop which took place on Wednesday the 9th of December. The poster is annotated with ‘Sandy Prentice processed by Chuck Mitchell’.

Poster for screening of film 'Orlando', by Sally Potter in the Bourdon Lecture Theatre. Screening date is 08 Mar, year unknown but believed to be late 20th century.

One third section of a poster advertising a series of films that were shown in The Mackintosh Lecture Theatre at The Glasgow School Of Art. Screening were documentaries about artists including Mackintosh, Rousseau, Klee, McLaren, Giacometti, Hamilton, Paolozzi, Jones, Kitaj, Bosch and Spencer as well as a film entitled 'A Short Vision'. This section screenprinted in CMYK inks using both drawn elements and half dot images.

This poster is believed to advertise a lecture by Theodore Roszak entitled 'Conscience and Consciousness in the Art of Mackintosh'. It is believed to have been designed and made by Sandy Prentice and Chuck Mitchell.

This poster advertised a lecture given by BBC film maker Tom Cotter. The lecture was held in the Newbery staff lounge in the Newbery Tower at The Glasgow School Of Art on Wednesday the 25th of October. The poster also advertised a film competition that would take place during the art school's activities week.

This poster is believed to advertise a screening of James Scott's 1971 documentary The Great Ice Cream Robbery which was held in the Haldane Building on Friday the 5th of November. The documentary featured Claes Oldenberg and Rene Margritte and was part of International Art Films.

Unfortunately, there is no contextual information regarding this poster.

This poster advertised one of the masters of design end of year degree shows. The exhibition was held in the Mackintosh Building on The Glasgow School Of Art campus.

This poster advertised the opening times of The Glasgow School Of Art student union, which is often referred to as The Vic Bar. The bar continues to be a large part of The Glasgow School Of Art community with a number of club nights, concerts and exhibitions being held there. The poster reads: "In the beginning there was darkness, and much dryness of many throats. Until a voice from the void said let there be cheap drink and the sound of many feet bopping it out on the floor. It gave us seven weeks to accomplish this task. Out from the depths came the chosen ones who stripped and screwed until on the seventh week came!!! A place of greatness. The hip, the hop, the thee place to be THE VIC. Hours of boozing service 11am - 2.30pm, 5pm - 11pm, with a licence to kill at the weekends - till 2.00am."