Note from the artist: This print is part of the collection Wank!, a series of six posters for various sources - such as essays, video clips, movies or performances - all dealing with the taboo subject of female masturbation. Acting like a curator of these references, I aim to highlight that any attempt to represent feminine masturbation through a feminist eye still finds its limits where a branded masculine interpretation of feminine sexuality starts.
One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. Installed in the new Mackintosh Furniture Gallery following restoration in 2013. This item was assessed for conversation in 2010 as part of the Mackintosh Conservation and Access project (2006-2010), and then again in 2018 following the fire in the Mackintosh Building in June 2018.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Installed into the Mackintosh Library following restoration in 2013.
One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Installed into Studio 45 following restoration in 2013. Following the fire in the Mackintosh Building in May 2014 it was assessed and conserved in 2019.
One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Installed into Studio 31 following restoration in 2013. Following the fire in the Mackintosh Building in May 2014 it was assessed and conserved in 2019.
One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Re-installed into Room 2 (Woodworking shop) following restoration in 2013. Following the fire in the Mackintosh Building in May 2014 it was assessed and conserved in 2019.
One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Installed into Studio 38 following restoration in 2013. Following the fire in the Mackintosh Building in May 2014 it was assessed and conserved in 2019.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Installed into Studio 44 following restoration in 2013.
One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Installed outside the Lecture Theatre following restoration in 2013. Following the fire in the Mackintosh Building in May 2014 it was assessed and conserved in 2019.
One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Installed into Studio 39 following restoration in 2013. Following the fire in the Mackintosh Building in May 2014 it was assessed and conserved in 2019.
One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Installed into Studio 40 following restoration in 2013. Following the fire in the Mackintosh Building in May 2014 it was assessed and conserved in 2019.
One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Installed into the Museum following restoration in 2013. Following the fire in the Mackintosh Building in May 2014 it was assessed and conserved in 2019.
The front cover image features two men fighting. The back cover features a list of new books and editions by Blackwood. The spine features the book title, author and publishing details. The front inner cover shows a range of reviews of 'Blackwood's Magazine'. The back inner cover an order form for 'Blackwood's Magazine'.
This poster advertised a film screening of both Pier Paolo Pasolini's 'Arabian Nights' and Otto Preminger's 'Laura' on the 2nd of November 1975. The event was organised by The Glasgow School Of Art's film society and was held in the Mackintosh Lecture Theatre in The Glasgow School Of Art's Mackintosh Building.
This poster advertised two dramatic performances of 'Le Dieu Nusku' and 'Narcissius' which were produced by Miss Dorothy Carleton Smyth and performed by students at The Glasgow School Of Art. The performances were in aid of raising funds for a war memorial to honour students and staff who served or were killed in action in World War One. The memorial was eventually commisioned in 1925 and was designed by former student Dorothy Doddrell. The image on the poster is a stone lithograph drawing by Maurice Greiffenhagen who was a tutor at The Glasgow School Of Art from 1906 until 1926. The reverse of the poster is annotated with the words "See Box".
This poster advertised a lecture given by filmmaker Lutz Becker who is known for his political and art documentaries. He is also considered to be a contemporary of Derek Jarman. Becker is most famous for finding missing home videos of Adolf Hitler's girlfriend Eva Braun which give an insight into Hitler's personal life. This footage was edited by Becker and used in the World War II documentary series 'The World at War' in 1974.
This master clock was provided by the Glasgow firm of Dykes Brothers. However, the stylised clock face with distinctive numbering is likely to have been to a design by Mackintosh. Electrically operated, the 'master' clock' powered all the numerous wooden 'slave' clocks by means of an electrical pulse every 30 seconds. This item was assessed for conversation in 2010 as part of the Mackintosh Conservation and Access project (2006-2010), and then again in 2018 following the fire in the Mackintosh Building in June 2018.
Includes a full page of two handwritten paragraphs that mention "Com. of H. Biggar". Includes drawings of the Union Jack, a swastika, a flower, a lightning bolt in a circle, and the symbol used in communism, the hammer and sickle, verso. "Ferguson" and a scratched out name verso.
One of a set of 10 green "Coolicon" coolie style metal light shades thought to be from the Hen Run and elsewhere in the Mackintosh Building. 3 are in good condition while 7 show signs of fire damage.
One of a set of 10 green "Coolicon" coolie style metal light shades thought to be from the Hen Run and elsewhere in the Mackintosh Building. 3 are in good condition while 7 show signs of fire damage.
One of a set of 10 green "Coolicon" coolie style metal light shades thought to be from the Hen Run and elsewhere in the Mackintosh Building. 3 are in good condition while 7 show signs of fire damage.
One of a set of 10 green "Coolicon" coolie style metal light shades thought to be from the Hen Run and elsewhere in the Mackintosh Building. 3 are in good condition while 7 show signs of fire damage.
One of a set of 10 green "Coolicon" coolie style metal light shades thought to be from the Hen Run and elsewhere in the Mackintosh Building. 3 are in good condition while 7 show signs of fire damage.
One of a set of 10 green "Coolicon" coolie style metal light shades thought to be from the Hen Run and elsewhere in the Mackintosh Building. 3 are in good condition while 7 show signs of fire damage.
One of a set of 10 green "Coolicon" coolie style metal light shades thought to be from the Hen Run and elsewhere in the Mackintosh Building. 3 are in good condition while 7 show signs of fire damage.
One of a set of 10 green "Coolicon" coolie style metal light shades thought to be from the Hen Run and elsewhere in the Mackintosh Building. 3 are in good condition while 7 show signs of fire damage.
One of a set of 10 green "Coolicon" coolie style metal light shades thought to be from the Hen Run and elsewhere in the Mackintosh Building. 3 are in good condition while 7 show signs of fire damage.
One of a set of 10 green "Coolicon" coolie style metal light shades thought to be from the Hen Run and elsewhere in the Mackintosh Building. 3 are in good condition while 7 show signs of fire damage.
The competition, held in 1898, was won by the Glasgow architect James Miller with a considerably more ornate design for a 'bit of Spanish baroque confectionery' (McLaren Young). Like Miller's, Mackintosh's design derives from James Sellars' for the 1888 Glasgow exhibition, but simplified. 'The dome, perhaps a prerequisite for Glasgow exhibitions, remained, but it was presented with severe geometricality, with an Art Nouveau lantern surmounted by a Chinese coolie hat.'
Modern long case 'master' electric clock, c1960s. Formerly in the Janitors Office, it was used to run the Mackintosh 'slave' clocks throughout the building. Heavy pendulum stored separately.