Showing 141 results

Plate with decorative transfers: 'You Are Everything' legend and face on recto.

Cup with decorative transfers: 'We are happy' legend on outside and two faces inside, 'KR 10/16' on underside. Blank white saucer.

This teapot lid is paired with teapot NMC/0233R and forms part of a painted china tea service. Orange lustre-glaze over flower paintings on white china blank.

This teapot forms part of a painted china tea service, and is paired with NMC/0233L . Orange lustre-glaze, and flower paintings on a white china blank. Initialled by the artist on the base.

This tea plate forms part of a painted china tea service. Orange lustre-glaze, and flower paintings on a white china blank. Initialled by the artist on the reverse.

This tea plate forms part of a painted china tea service. Orange lustre-glaze, and flower paintings on a white china blank. Initialled by the artist on the reverse.

This tea plate forms part of a painted china tea service. Orange lustre-glaze, and flower paintings on a white china blank. Initialled by the artist on the reverse.

This tea plate forms part of a painted china tea service. Orange lustre-glaze, and flower paintings on a white china blank. Initialled by the artist on the reverse.

This tea plate forms part of a painted china tea service. Orange lustre-glaze, and flower paintings on a white china blank. Initialled by the artist on the reverse.

A collection of five individual studies of ceramic patterns mounted on black paper, bearing the title Summer Studies.

Originally located inside portfolio folder (DC 110/1/4).

One sugar bowl lid, paired with sugar bowl NMC/0233T. Orange lustre-glaze, and flower paintings on a white china blank. Initialled by the artist on the reverse.

This sugar bowl forms part of a painted china tea service, and is paired with NMC/0233S. Orange lustre-glaze, and flower paintings on a white china blank. Initialled by the artist on the base.

Storage jar from a series, marked 'marmalade' in black print in the centre of a geometric design transfer print in purple and brown, with two gold bands above and a gold coloured lid.

Storage jar from a series, marked 'coffee' in black print above geometric design in red and black on white background with gold coloured lid.

This item suffered significant damage in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. It was salvaged and has undergone conservation and consolidation work. Stoneware mug with transfer printing. Blue and black decorative pattern. Marked on base: "Robert Stewart | Scotland" with four leaf clover symbol.

Blue glazed ceramic square bowl with white glaze decorative design on inside. Engraved marking on bottom and side - "ST" (creator's initials) and another marking of a circle with an X over it (maker's mark).

Grey ceramic square bottle vase.

Short white spice jar with gold lid. Blue and black transfer designs. Labelled 'Ginger' in black towards the top. Has 2 relief bands of circles around the jar.

This item was damaged in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. It was assessed by a conservator but no conservation work was deemed possible. Small white spice jar with red and black transfer design. Two relief bands of circles around the body. Gold lid.

This item was damaged in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. It was assessed by a conservator but no conservation work was deemed possible. Small white spice jar with red and black transfer design. Two relief bands of circles around the body. No lid.

Small glazed ceramic vase with green swirls pattern. Simple green band around the mouth. Engraved marking on bottom - "ST" (creator's initials) and another marking of a circle with an X over it (maker's mark).

Turquoise glazed ceramic pot and lid. Engraved marking on bottom of pot - "ST" (creator's initials) and another marking of a circle with an X over it (maker's mark).

Wide and short beige vase with brown spots and glaze sheen. Very small and narrow neck and mouth.

This slop bowl forms part of a painted china tea service. Orange lustre-glaze, and flower paintings on a white china blank. Initialled by the artist on the base.

A sketchbook of notes and artworks by Mary Ramsay produced between 1916-1917 during her second year at The Glasgow School of Art. This item consists of portraits and life drawings, interior illustration, lettering design for A Midsummer Night's Dream, religious illustrations, book cover designs for The Language of Flowers, sketches of ceramics, and a list of reference books about art and design. These artworks are primarily in pencil, with some using ink and paint. Four pages from this sketchbook are loose from the spine.

A sketchbook of notes and artworks by Mary Ramsay. This item does not include an official date, but is presumed to be from 1918, when Ramsay was still at The Glasgow School of Art, due to dates included in some illustrations. This sketchbook includes floral illustrations, religious illustrations, greeting card designs, portraits and life drawings, and some notes.
There is one loose drawing included in this sketchbook. Most artworks are in pencil, with a few additional pieces in ink or paint on paper.

A sketchbook of notes and artworks by Mary Ramsay produced during her first year at The Glasgow School of Art, around 1914-1915. This item consists of portraits and life drawings, children's illustrations, lettering, costume designs, studies of ceramic samples, floral patterns, a list of reference books about art and design, and a Little Willie rhyme. Most artworks are in pencil, while some are in ink or paint on paper. Some illustrations have been pasted in from other sources. A number of loose ephemera items are also included in the sketchbook, including postage stamps and a newspaper advert for paint tubes.

Ceramic bowl with small handles. Dark brown glaze on the outside and turquoise glaze on the inside with a circular pattern. Engraved marking on bottom - "ST" (creator's initials) and another marking of a circle with an X over it (maker's mark).

Shallow bowl with green/yellow lustre glaze. Hand-painted band of green leaves and blue buds around the mouth. 'Macintyre & Burslem England' stamp on bottom.

Large clay piece of abstract design suggesting a musician playing a classical guitar. Inscription on reverse reads, "Glasgow 7.10.90 V.Tsivin L.B."

This saucer is part set of painted china tea service. Orange lustre-glaze over flower paintings on white china blank.

This saucer is part set of painted china tea service. Orange lustre-glaze over flower paintings on white china blank.

This saucer is part set of painted china tea service. Orange lustre-glaze over flower paintings on white china blank.

This saucer is part of a painted china tea service. Orange lustre-glaze over flower paintings on white china blank.

This saucer is part set of painted china tea service. Orange lustre-glaze over flower painting (white flower, blue leaves) on white china blank.

This saucer is part set of painted china tea service. Orange lustre-glaze over flower paintings on white china blank.

Small Royal Crown Derby plate, hand-painted by Agnes Bain Herbert with blue, yellow and lilac flowers. Monogram to base.

Large decorative ceramic plate with brown transfer of Robert Burns in a landscape. Text above him reads, 'I Think I'm Feeling Better'. Brown decorative transfer pattern around the edges of the plate. 'Bill Brown, Glasgow 1996, 7/12' on verso.

Turquoise glaze on both sides. Blue, black, brown and white hand-painted figure on recto with some gold leaf.

1st piece of rim fragment with cream glaze and band of blue, light turquoise, and red/brown paint on recto. Small band of blue paint on verso.

Slightly curved fragment with blue glaze and dark green hand-painted design and bands on recto. Blue glaze with dark green hand-painted Arabic writing and a green band on verso.

Rim fragment with cream glaze and blue, turquoise, red, and dark brown hand-painted patterns on recto. '15 SAVEH' and '15' handwritten on verso. Saveh is a city in Iran.

Small fragment with raised blue hand-painted pattern. 'SAVEH 11' handwritten on verso. Saveh is a city in Iran.

2nd piece of rim fragment with cream glaze and band of blue, light turquoise, and red/brown paint on recto. Band of blue paint on verso.

Fragment with blue glaze on recto and cream glaze with brown/gold hand-painted pattern on verso. Handwritten letters on one edge - possibly 'C S RAZ.'

Rim fragment with cream glaze and dark blue, red, turquoise, and gold hand-painted pattern on recto. Cream glaze with hand-painted red band and black Arabic inscription on verso.

Fragment with cream glaze and light yellow/gold hand-painted patterns and figures riding horses on recto. Cream glaze with brown hand-painted designs on verso.