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Cover of a portfolio of eight screenprints inspired by artists and architects who spent their whole lives thinking about squares, rectangles and straight lines: C R Mackintosh, Malevich, Modrian, Lloyd Wright, Newman, Stella, Martin and Halley.

Collection of drawings by Charles J Lauder of Italy and Richmond

Collection of sketches by Charles J Lauder of the river Thames near Tower Bridge, London.

A sketchbook with 29 loose leaf sketches and second year exam papers. The name Antony J H Miles, Sect. 4, Second Year 1950, are all recorded on a cream label attached to the grey card cover above an unfinished sketch of the head of a man wearing glasses.

Double printed picture of a bird. Possibly etching and lithograph.

Traditional style hammered silver coffee pot (Edinburgh hallmark, 1981, GSA makers stamp) with hinged lid and swan necked spout.  Heatproof handle and lid knob.  Hip shaped body.

Traditional style hammer worked silver teapot (Edinburgh hallmark, 1982, GSA makers stamp) with heat proof handle and lid knob.  Swan necked spout and hip shaped body.

Tall, arum lily shaped hammered silver candlestick (Edinburgh hallmark, 1981, makers stamp RD) with textured gilt area at base picking out imaginary trail of molten wax.

Five cone shaped goblets, each one rising from six rib supports finished with tear shaped bosses in blue enamel.

Long silk and linen woven scarf with fringed ends. It has geometric designs and subtle colour changes and blends, achieved through dip dyed warp. Scarf is in shades of green, grey, orange and brown.

Long silk and linen woven scarf with fringed ends. It has geometric designs and subtle colour changes and blends, achieved through dip dyed warp. Scarf is in shades of purple, red and pink and has a maker's tag with the name Sarah Sumsion.

Heavyweight unbleached cotton vertical banner with Mackintosh weather vane in brown and Mackintosh School of Architecture in red Mackintosh style lettering underneath.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.

A carved tribute panel dedicated to Sir James Fleming (Chairman of GSA's Board of Governors). Located on the half landing between the ground and first floors of the Mackintosh Building. Panel unveiled, 17 January 1903.

The items represent a forecast station which would enable aurora hunters to determine when the right factors were in place to view the aurora in Scotland. The product was produced as part of a final year student project addressing issues of climate change and the relationship between Scotland and the North.

This wrist band represents a product which would support research into the changing behaviours of polar bears in relation to diminished habitat. The band would link by satellite to a polar bear. It would reflect the temperature of the bear and vibrations would serve to notify the band owner when the bear undertakes certain activities. The band is boxed and comes with an explanatory leaflet.

These items represent a product through which a consumer would adopt an iceberg, thereby supporting research into effects of melting ice in the Arctic. The certificate of adoption would give details of the berg adopted, and the cardboard berg models would be sent to the adopter over time, shrinking in size to represent the melting of the ice. The product was produced as part of a final year student project addressing issues of climate change and the relationship between Scotland and the North.

A thesis exploring links between the North and Scotland, and discussing issues of climate change and its effects on the Arctic pack ice. The thesis relates to a series of models and publications produced as part of a final year student project.

Volume detailing the processes which resulted in a final series of models and publications. These were produced as part of a final year student project, addressing issues of climate change and the relationship between Scotland and the North.

A Taxonomy of the North produced as part of a final year student project, addressing issues of climate change and the relationship between Scotland and the North.

Ringbound sketchbook (paper covers) comprising 18 pages. Various subject matter.

Ringbound sketchbook (with board covers) comprising 24 pages. Multiple subjects including Glasgow and Paris.

Ringbound sketchbook (with board covers) comprising 76 pages of various sizes. Multiple subjects in a variety of media.

Sketchbook with missing front and back covers. 24 pages + 12 loose designs of various sizes. Multiple subject matter, some dated.

Painting titled 'Death Mask of Tutankhamun' mounted on brown then green card.

Blue ink sketches of men and women in clothing from the the Tudor period. On the reverse is a pencil sketch of a female nude, as well as a face with head tilted upward.

Drawings of various items of ancient Egyptian atire and jewellery. Includes a sketch of King Tutankhamen.

Sketches of roman clothing and sandals. The reverse shows a man in a laurel crown.

Collection of pencil and ink sketches of ancient Greek attire, focussing on specific features such as sleeves, headdresses, and girdling.

This is an illustrated piece of text about influences on architecture during the Renaissance.

This is the twenty-seventh page of James Gorman's collection of handwritten, illustrated pages on the history of architecture which were produced as classwork for 'Section II'.

Please be aware that these pages should be read from NMC/1703A-Z, then NMC/1703AA, AB etc.

This page features text and sketches relating to domes in Renaissance architecture.

This is the twenty-sixth page of James Gorman's collection of handwritten, illustrated pages on the history of architecture which were produced as classwork for 'Section II'.

Please be aware that these pages should be read from NMC/1703A-Z, then NMC/1703AA, AB etc.

This page features sketches of 'S. Peter Rome'.

This is the twenty-fifth page of James Gorman's collection of handwritten, illustrated pages on the history of architecture which were produced as classwork for 'Section II'.

Please be aware that these pages should be read from NMC/1703A-Z, then NMC/1703AA, AB etc.

This page features text relating to Norman architecture, and sketches of Durham Cathedral, Waltham Abbey and Temple Church, London.

This is the twenty-fourth page of James Gorman's collection of handwritten, illustrated pages on the history of architecture which were produced as classwork for 'Section II'.

Please be aware that these pages should be read from NMC/1703A-Z, then NMC/1703AA, AB etc.

This page features text relating to Spanish renaissance architecture and a sketch of the Casa Lonja in Seville.

This is the twenty-third page of James Gorman's collection of handwritten, illustrated pages on the history of architecture which were produced as classwork for 'Section II'.

Please be aware that these pages should be read from NMC/1703A-Z, then NMC/1703AA, AB etc.

This page features sketches of different types of vaulting from the medieval period.

This is the twenty-second page of James Gorman's collection of handwritten, illustrated pages on the history of architecture which were produced as classwork for 'Section II'.

Please be aware that these pages should be read from NMC/1703A-Z, then NMC/1703AA, AB etc.

Page titled 'Gothic Architecture' at top right with the heading 'A comparison between Athens and Salisbury Cathedrals'. This page features sketches and text.

This is the twenty-first page of James Gorman's collection of handwritten, illustrated pages on the history of architecture which were produced as classwork for 'Section II'.

Please be aware that these pages should be read from NMC/1703A-Z, then NMC/1703AA, AB etc.