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Nine pieces of teaching examples for printmaking, attached to backing paper. These woodcut-printed examples include two pattern designs and seven printed drawings. Also used as teaching materials in schools in Scotland, as marked the level of students "Fourth year."

Five pieces of teaching examples for printmaking, attached to backing paper. A few prints were created using both intaglio and relief printing techniques, while the others are relief prints. Also used as teaching materials in schools in Scotland, as marked the level of students "Fifth year."

Four pieces of teaching examples for printmaking, attached to backing paper. These woodcut prints were created using potentially intaglio and relief printing techniques. Also used as teaching materials in schools in Scotland, as marked with the level of students "Sixth year."

The item shows two different portrait photographs of Archibald Haswell Miller. The annotation of the first photograph shows the text "London 1912 at 25". The annotation of the second photograph shows the text "Venice 1910 at 23".

An annotation on the top right corner of the cardboard shows "1910-12".

An illustrative drawing of a roe deer fleeing from two dogs in the forest. Undated.

Archibald Haswell Miller's admission ticket to the Varnishing Day of the Forty-Sixth Annual Exhibition, at The Royal Glasgow Institute of Fine arts.

Four pieces of teaching examples for pattern designs, attached to backing paper. These pattern designs were created for possibly textiles and used as teaching materials in schools in Scotland, as marked the level of students "First year."

Nine pieces of teaching examples for printmaking, attached to backing paper. These prints appear to be intended as teaching materials in schools in Scotland, as marked the level of students "Third year."

Seven pattern designs examples are attached to backing paper. This work was used as teaching material in schools in Scotland during Murphy's career as an art teacher.

Seven pieces of teaching examples for basic pattern designs, attached to backing paper. This work was used as teaching material in schools in Scotland, as marked the level of students "Primary 5-7."

Four pieces of teaching examples for pattern designs, attached to backing paper. These pattern designs were used as teaching materials in schools in Scotland, as marked the level of students "Second year."

A pattern design with vertically aligned symmetrical figures. Includes annotations of student registration no. ("No. 71") and signed "Gerard Murphy."

An undated drawing of hands stacked over one another.

Eight aligned decorative strips illustrating organic, geometric, or strapwork-style pattern designs.

A watercolour painting depicting bloomed lily flowers and green bulbs on an upright stem, along with cross sections of a single flower on the left.

A sheet of anatomical sketches depicting the bones and muscles of the human lower body, divided into nine sections. Includes annotations of student registration no. ("No. 71") and signed "G. Murphy".

A drawing of a nude woman lying down, twisting her upper body while supporting her weight with an elbow, with downcast eyes. This work features shading of the entire background using pencil. Undated.

A drawing of a woman laying down in a twisting pose, while supporting her weight with an elbow and a hand. This work features shading of the entire background using pencil. Not dated.

A full-length figure study focusing on the angle of legs. Includes an annotation of student registration no. ("No. 192.")

A study of a standing male nude, featuring three sketches depicting torsion of the body, and five sketches focusing on feet and arms. Includes annotations of student registration no. ("No. 71") signed "G. Murphy" and dated "28/9/34." Also marked "G.C."

A life sketch with slight traces of white chalk, featuring a nude woman seated on a chair. Another sketch of a woman sitting on a box on verso.

A watercolour floral study depicting a plant with clusters of white flowers, presumed to be bird-cherry. Includes annotations of student registration no. ("No. 71") and signed "G. Murphy".

A meticulously observed full-length life study capturing a male figure in a seductive pose, featured white chalk traces. Includes an annotation of student registration no. ("No. 114") and numbered "137."

Three ornamental designs featuring symmetric strapworks in rectangular frames. Includes annotations of student registration no. ("No. 71") and signed "Gerard Murphy."

A square-shaped design featuring identical floral motifs in a grid pattern.

A rough sketch featuring a standing woman with drapery, viewed from the back. Signed "W.M." with pencil, but not dated. Embossed letters "E.S.K. (Examined South Kensington)" stamped on the sheet indicate the late 19th-century UK art education system.

A sketch depicting a reclining woman in a white draped dress resembling the classical Himation. Signed "W. Meldrum." and stamped with the embossed letters "E.S.K. (Examined South Kensington)" indicating the late 19th-century UK art education system.

An undated landscape sketch depicting a town view as seen from the upland. A man stands to the left of several typical houses, with the distant church in the background.

A rough sketch of a nude woman sitting with one arm folded. Signed "W.M." but not dated. The paper has been stamped with the embossed letters, "E.S.K. (Examined South Kensington)," indicating the late 19th century art education system in the UK.

A sketch depicting a draped classical Himation worn by a standing man. Signed "W.M." and stamped with the embossed letters "E.S.K. (Examined South Kensington)" indicating the late 19th-century UK art education system.

Three printed graphic designs featuring school magazine covers, annotated "Motherwell R.C. H.G. School Magazine." and attached to textured backing paper. This work was used as teaching material in schools in Scotland, as marked the level of students "Fifth year."

An undated rough sketch, presumably for one of his drawings in the collection, "Drawing of Marsco (DC 120/1/11)."

Six pieces of teaching examples for printmaking, attached to backing paper. A few prints have been engraved with letters indicating that these prints are intended for school activity poster designs. Also used as teaching materials in schools in Scotland, as marked the level of students "Fifth year."

Print of '"To Spring" From Canto IX of "The Revolt of Islam"'. Annotation on the lower right attributes the original lettering and illumination to H. Granville Fell.

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Print of 'The Youth of the Virgin' by Robert Anning Bell. Signature on reverse attributes the possession of the print to Dorothy Doddrell. Annotation in the lower corners states that the piece is published by The Medici Society, London and printed in England.

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Print of 'The Virgin and Child With Saints' by Robert Anning Bell. Signature on reverse attributes the possession of the print to Dorothy Doddrell. Annotation in the lower corners states that the piece is published by The Medici Society, London and printed in England.

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Print of 'The Presentation in the Temple' by Robert Anning Bell. Signature on reverse attributes the possession of the print to Dorothy Doddrell. Annotation in the lower corners states that the piece is published by The Medici Society, London and printed in England.

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Print of Jessie Bayes' 'The Marriage of La Belle Melusine'. Annotation in lower right corner states the original medium for the painting as watercolour paint on vellum.

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Print of Jessie Bayes' 'The Earl King's Daughter Sending Faery Servants to Their Several Tasks'. Annotation in lower right corner states the original medium for the painting as watercolour paint on vellum.

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Print of 'The Adoration of the Shepherds' by Robert Anning Bell. Signature on reverse attributes the possession of the print to Dorothy Doddrell. Annotation in the lower corners states that the piece is published by The Medici Society, London and printed in England.

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Print of pages from 'The Songs of Songs' by St. John Hornby and Florence Kingsford. Annotation in lower right corner states that the original piece was printed by St. John Hornby at the Ashendene Press and illuminated by Florence Kingsford.

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Print of 'Mary Kept All These Things in Her Heart' by Robert Anning Bell. Signature on reverse attributes the possession of the print to Dorothy Doddrell. Annotation in the lower corners states that the piece is published by The Medici Society, London and printed in England.

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Print of 'Keat's Sonnet "On First Looking Into Chapman's Homer". Annotation on lower right side attributes the lettering and illumination to Herbert Whiteside.

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Print of illuminated text from 'The Pilgrim's Progress' by M.C. Bowerley. Annotation on the lower right attributes the work to M.C. Bowerley.

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Print of 'An Angel Adoring' by Robert Anning Bell. Protective cover sheet has annotation which attributes the original work to Robert Anning Bell, and the medium as a coloured plaster relief.

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies