- NMC/1124
- Item
- c1940s-1960s
Miller, Josephine Haswell
28 results with digital objects Show results with digital objects
Miller, Josephine Haswell
Miller, Josephine Haswell
Architectural styles - Grecian
Study of various ruins, stone capitals and columns.
Fulton, James Black
Construction homework exercise 1: Foundations 3
Schematic cross-section of the Acropolis showing that the Parthenon does not perch on the exact summit of the Acropolis rock but is raised aloft on a huge foundation of invisible masonry.
Platt, Christopher
Construction homework exercise 1: Foundations 4
Free hand sketch of the Parthenon substructure showing the cross-section at east end.
Platt, Christopher
Details of Corinthian order, from the monument of Lysicrates, Athens.
Wilson, William Gilmour
Various studies of Greek columns, capitals etc.
Kerr, Robert
Part of Records and textiles of the Needlework Development Scheme
Greek. On coarse linen embroidered in cross-stitch in grey and pink thick cotton yarn. Stylised repeating leaf motif.
*Not available / given
Fragment of Greek Island Embroidery
Part of Records and textiles of the Needlework Development Scheme
Greek. Embroidered in coloured silks and metal thread. Symmetrical floral design with stylised roses and carnations etc.
*Not available / given
Various studies of Classical columns, porticos etc.
Kerr, Robert
Page titled 'Greek Architecture'. This page features sketches and text of/about the early history of Greek theatres.
This is the seventh page of James Gorman's collection of handwritten, illustrated pages on the history of architecture which were produced as classwork for 'Section II'.
Please be aware that these pages should be read from NMC/1703A-Z, then NMC/1703AA, AB etc.
Gorman, James
Greek Architecture (Early Period)
Page titled 'Greek Architecture'. This page features sketches and text of/about the early history of Greek architecture, including the Treasury of Atreus.
This is the eighth page of James Gorman's collection of handwritten, illustrated pages on the history of architecture which were produced as classwork for 'Section II'.
Please be aware that these pages should be read from NMC/1703A-Z, then NMC/1703AA, AB etc.
Gorman, James
Details of Greek Doric order, from the Parthenon, Athens.
Wilson, William Gilmour
Greek monument/temple building
Grand design for temple building with colonnade.
Noad, Richard Mervyn
Details of Ionic order from the North Portico, Erectheion, Athens.
Wilson, William Gilmour
Plaster cast of a Centaur and Lapiths (Metope South II), part of Parthenon Frieze
Part of Plaster Casts
Original: Shows the battle between Centaurs and Lapiths at the marriage-feast of Peirithoos. Original: Phidias, c442 BC. Marble. Parthenon, Athens, Greece. Currently in the collection of the British Museum (Part of ‘The Elgin Marbles’).
Plaster cast of acroteria from Greek temple
Part of Plaster Casts
*Not available / given
Plaster cast of Apollo Sauroctonos (Lizard Slayer)
Part of Plaster Casts
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.
Original: This cast is of a 1st - 2nd century AD Roman marble copy of the Praxiteles original (Bronze, attributed by Pliny). It shows a nude adolescent male about to catch a lizard climbing up a tree. The left arm, the right hand and the lizard's head are modern restorations. It could indirectly refer to Apollo's fight against the serpent Python or, if the lizard is an attribute of the god, it could show Apollo in his purifying function, as a destroyer of plagues. Original currently in the collection of the Louvre, Paris, France.
Part of Plaster Casts
Original: Roman copy (2nd century bc) of a Greek original (c325 bc); currently in the collection of the Museo Nazionale Romano, Rome.
*Not available / given
Plaster cast of Borghese Warrior
Part of Plaster Casts
Original: Also known as: Discobolus, Fighting Gladiator, Hector, Heros Combattant, Borghese Gladiator. Particularly admired for its truthful rendering of anatomy. A Hellenistic sculpture actually portraying a swordsman, created at Ephesus about 100 BCE. Listed in first catalogue of casts as Greek, in the Louvre and was bought from Brucciani. Original currently in the collection of the Louvre, Paris, France.
Photographed in GSA in 1915.
Plaster cast of Canephora (Kanephoros)
Part of Plaster Casts
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.
Original: Canephora was an honorific office given to unmarried young women in ancient Greece which involved the privilege of leading the procession to sacrifice at festivals.Translated as: "Basket Bearer". Original currently in the collection of the British Museum, London, UK.
Plaster cast of Charioteer of Delphi
Part of Plaster Casts
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.
Original: The life-size bronze statue of a chariot driver was found in 1896 at the Sanctuary of Apollo in Delphi and is also known as Heniokhos, the rein-holder. The statue was erected at Delphi in 474BC, to commemorate the victory of a chariot team in the Pythean Games, which were held at Delphi every four years in honor of Pythean Apollo. Original currently in the collection of the Delphi Archaeological Museum, Greece.
Plaster cast of chimera in relief
Part of Plaster Casts
Chimera in relief, architectural fragment, probably part of larger scene or collection of panels due to lack of formal border. Annotated ""Chimere", "Hove" (or similar), and "PH-1"(in red).
*Not available / given
Plaster cast of Crouching Discobolos
Part of Plaster Casts
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.
Original: The Discobolus of Myron is a famous lost Greek bronze original that was completed towards the end of the Severe period, c460-450 BC. It is known through numerous Roman copies, both full-scale ones in marble, such as the first to be recovered, the Palombara Discobolus, or smaller scaled versions in bronze. Bought from Brucciani. Original currently in the collection of the British Museum, London, UK.
Plaster cast of Crouching Venus (Crouching Aphrodite)
Part of Plaster Casts
Original: Also known as: Venere nel bagno, Venere nella conchiglia. Likely to be a Roman adaptation of Doidalses' Crouching Aphrodite (a lost Greek original from the 3rd century BC). Original currently in the collection of the Louvre, Paris, France.
Plaster cast of decorated pilaster capital, possibly from Erechtheion
Part of Plaster Casts
Original: Phidias, 400 BC. Marble. Possibly from Erectheion, the temple dedicated to Athena on the Acropolis. Stylised forms of nature. Athens, Greece.
*Not available / given
Plaster cast of Dione and Aphrodite (From Hestia, Dione and Aphrodite)
Part of Plaster Casts
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.
Original: Figures from the east pediment of the Parthenon depicting the birth of Athena. The Acropolis, Athens, Greece, about 438-432 BC. The two figures are thought to be Dione cradling her daughter Aphrodite; they are remarkable for their naturalistic rendering of anatomy blended with a harmonious representation of complex draperies. However, another suggestion is that the two figures on the right are the personification of the Sea (Thalassa) in the lap of the Earth (Gaia). Original currently in the collection of the British Museum, London, UK.
Part of Plaster Casts
Fragment of femal form, hips to shoulders. Hellenistic style.
*Not available / given
Plaster cast of fragment of stele
Part of Plaster Casts
Stele refers to an upright stone or slab with an inscribed or sculptured surface, used as a monument or as a commemorative tablet in the face of a building. Annotated with Greek text "EYTYXO HPINH NIRON".
*Not available / given
Plaster cast of head of a horse from Selene's Chariot
Part of Plaster Casts
Original: Figure from east pediment of the Parthenon. Acropolis, Athens, 447-432 BC. Original currently in the collection of the British Museum, London, UK.
Part of Plaster Casts
Original: Hebe was the Greek goddess of youth and a cup-bearer for the gods. Original currently in the collection of the Uffizi, Florence, Italy.
Plaster cast of Hermes of Praxiteles (Hermes and the Infant Dionysus)
Part of Plaster Casts
Original: Greek sculpture of Hermes and the infant Dionysus discovered in 1877 in the ruins of the Temple of Hera at Olympia. It is traditionally attributed to Praxiteles and dated to the 4th century BC. 3/4 size sculpture. Original currently in the collection of the Archaeological Museum of Olympia, Greece.
Plaster cast of Laocoon and his Sons
Part of Plaster Casts
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018. All that remains is a fragment of a hand.
Original: This statue group was found in 1506 on the Esquiline Hill in Rome and immediately identified as the Laocoon described by Pliny the Elder as a masterpiece of the sculptors of Rhodes: Agesander, Athenodoros and Polydorus around 40-30 BC. It shows the Trojan priest Laocoon and his sons Antiphantes and Thymbraeus being strangled by sea serpents. In 1587 Giovanni Battista Armenini's treatise on painting and recommended all students to draw from the casts of the finest statues in Rome- 'the Laocoon, the Hercules, the Apollo, the Great Torso....' of the Belvedere. Listed in first catalogue as Greco-Roman and that the original is located in the Vatican. Original currently in the collection of the Vatican Museums, Rome, Italy.
This item was damaged in the fire in the Mackintosh Building on 23rd May 2014. It underwent conservation and consolidation work in 2016.
Part of Plaster Casts
Venus with missing arm, supported by dolphin and cherub. Original: Roman copy of Greek statue c2 BC, of Hellenistic style. Listed in the first catalogue of casts as Greek, located in the 'Florence Gallery' and was purchased from D. Brucciani.
*Not available / given
Part of Plaster Casts
Original: Greco-Roman attribution, shows Mercury God of merchandise and merchants, commonly identified with the Greek Hermes, fleet-footed messenger of the gods.
This item was damaged in the fire in the Mackintosh Building on 23rd May 2014. It underwent conservation and consolidation work in 2016.
Plaster cast of miniature copy of the Parthenon Panathenaic frieze on framed panel
Part of Plaster Casts
Original: Possibly a cast of a copy after John Hennings miniature carvings of the frieze using the Parthenon Marbles and sketches made prior to the acropolis explosion.
*Not available / given
Plaster cast of Nike of Samothrace (Winged Victory)
Part of Plaster Casts
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.
Original: A second century BC marble sculpture of the Greek goddess Nike (Victory). Discovered in 1863, on the island of Samothrace. Thought to be by a discple of Lysippus or by pupils of Scopas. It was created to not only honor the goddess, Nike, but to honor a sea battle. Original currently in the collection of the Louvre, Paris, France.
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. Figures bearing water jugs. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787. Original currently in the collection of the Acropolis Museum, Athens, Greece.
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given