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Study and sketch of female nude, seated. This item bears a label for The Glasgow School of Art, listing the 1916-1917 session, and D F Wilson as the teacher.

On the reverse of this item is a sketch of a female nude.

Originally located inside portfolio folder (DC 110/1/4).

Study of a female nude, standing. This item bears a label for The Glasgow School of Art, listing the 1914-1915 session, and Mr Law as the teacher.

Originally located inside portfolio folder (DC 110/1/4).

Study of female nude, standing, from behind. This item bears a label for The Glasgow School of Art, listing the 1917-1918 session, and Professor Greiffenhagen as the teacher.

Originally located inside portfolio folder (DC 110/1/4).

Study of female, upper torso and head.

Originally located inside folder (DC 094/1/2/1).

Study of female nude, from behind. This item bears a label for The Glasgow School of Art, but the date is not recorded.

Originally located inside portfolio folder (DC 110/1/4).

Study of female nude. This item bears a label for The Glasgow School of Art, listing the 1915-1916 Evening session, and Mr Hunter as the teacher.

Originally located inside portfolio folder (DC 110/1/4).

Study of female.
Originally located inside portfolio folder (DC 110/1/4).

Study of seated woman in robes. This item bears a label for The Glasgow School of Art, listing the 1916-1917 session, and Professor Wilson as the teacher.

Originally located inside portfolio folder (DC 110/1/4).

Study of female nude.

Originally located inside portfolio folder (DC 110/1/4).

Study and sketch of female nude, seated. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Mr Ogilvie as the teacher.

Originally located inside portfolio folder (DC 110/1/4).

Two studies of female, seated, wearing coat and hat

Originally located inside portfolio folder (DC 110/1/4).

A series of studies of draped fabric. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Mr Robinson as the teacher.

On the reverse of this item is a sketch of a male figure.

Originally located inside portfolio folder (DC 110/1/4).

Study of a costumed female, seated. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Mr Robinson as the teacher.

Originally located inside portfolio folder (DC 110/1/4).

Study of a costumed female, seated. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Mr Robinson as the teacher.

Originally located inside portfolio folder (DC 110/1/4).

Life drawing study of cloth. Artist monogram on the lower right of image attributes the work to Dorothy Doddrell.

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

A drawing of a nude woman lying down, twisting her upper body while supporting her weight with an elbow, with downcast eyes. This work features shading of the entire background using pencil. Undated.

A drawing of a woman laying down in a twisting pose, while supporting her weight with an elbow and a hand. This work features shading of the entire background using pencil. Not dated.

A full-length figure study focusing on the angle of legs. Includes an annotation of student registration no. ("No. 192.")

A study of a standing male nude, featuring three sketches depicting torsion of the body, and five sketches focusing on feet and arms. Includes annotations of student registration no. ("No. 71") signed "G. Murphy" and dated "28/9/34." Also marked "G.C."

A life sketch with slight traces of white chalk, featuring a nude woman seated on a chair. Another sketch of a woman sitting on a box on verso.

A watercolour floral study depicting a plant with clusters of white flowers, presumed to be bird-cherry. Includes annotations of student registration no. ("No. 71") and signed "G. Murphy".

A meticulously observed full-length life study capturing a male figure in a seductive pose, featured white chalk traces. Includes an annotation of student registration no. ("No. 114") and numbered "137."

Life drawing study of a folio from a Book of Hours. Calligraphic annotation on lower right corner states it is taken from a 14th century Italian manuscript, copied from the original manuscript at the Victoria and Albert Museum.

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Titled "The Foreign Influence on Scottish Architecture of the 16th and 17th Centuries". Completed in May 1937. Contains 74 pages. Includes typewritten pages and various drawn images throughout of architectural elements. Seems to have teacher pencil corrections throughout. "DORIC" exterior front bottom right.

Architectural drawing on tracing paper consisting of the upper floor plan and the basement floor plan, scale 1:200, of a new graduation hall at the University of Strathclyde. The upper plan design shows: the upper lounge looking down to the main hall with its double volume, the organ's position, the cleaner's store, vertical circulation, and other services. It also shows the upper plan of the external lecture theatre which consists of the upper display space and the project's position. The main structural system is based on cylinder columns supporting the roof, while the basement floor plan includes the plant room, exhibition storage chamber and other services. It also shows the connection between the hall basement and the cooling fountain.

Architectural drawing on tracing paper showing the site plan of a new graduation hall at the University of Strathclyde in scale 1:1000. The site plan has no street names, however, it is easy to identify the location of the new graduation hall as the site plan shows how the new hall is connected with Barony Hall. The North sign is present on this material. It also shows the design of the new landscape that goes behind the site boundary to make the new hall integrated within the main University campus.

Architectural drawing on a tracing paper showing the ground floor plan, scale 1:200, of a new graduation hall at the University of Strathclyde. The ground plan design shows the main functional spaces for the new hall: the main hall, professional entrance, the building entrance, kit staff, stage staff, chair staff, and other services. For the exterior spaces, the plan shows the external spaces attached with the new hall, like: permanent exhibition, lecture theatre, temporary exhibition, bar, reception, and university bookshop. It also shows the design of the landscape.

Architectural drawing on tracing paper consisting of the elevation of the new hall from the Cathedral Square façade, and from the west elevation, all in scale 1:200. The Cathedral square elevation shows the new hall from Castle Street presenting the external view of the new hall with Barony Hall and how the new architectural style differs from the traditional building style. There are no indications about the material types used within the new design. The main idea of the new hall is in its building height which did not dominant the skyline of the campus building and Barony Hall which is still standing to be the focal point of the site. The cross section shows the main hall and its functional spaces in its vertical dimension with the structural elements of the interior columns and the central skylight.

Three ornamental designs featuring symmetric strapworks in rectangular frames. Includes annotations of student registration no. ("No. 71") and signed "Gerard Murphy."

Two vases of flowers (folded sheet).

Still life drawing of clay pot on wooden wheeled frame, with cord. Annotated with the artist's name and date 'March 29. 1912'. Drawn while the artist studied at Dundee Technical College and School of Art, 1911-1912.

Still life drawing of table, basin, soap and towel. Annotated with date 'Dec. 6.11' and the artist's name. Drawn while the artist studied at Dundee Technical College and School of Art, 1911-1912.

Still life drawing of table, waste paper basket, boxes and wooden platform. Drawn while the artist studied at Dundee Technical College and School of Art, 1911-1912.