Study of farm buildings with church tower in background. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Two studies of farm workers at harvest time. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Studies of various Hastings fishing boats. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Fishermen and labourers with wagons. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
An oil painting on board depicting a male figure wearing a suit jacket, white shirt and tie against a red background. The work is signed and dated on the front and the reverse lists the work's title, artist's name and date.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Self portrait. Two of Hugh Adam Crawford's self portraits were exhibited at the Royal Scottish Academy in 1951 and 1960. Another earlier self portrait is also owned by the Scottish National Portrait Gallery.
Illustration featuring members of the Incorporation of Bakers being granted land in 1538 by the Regent of Moray for providing bread to troops during the Battle of Langside.
Illustration featuring members of the Incorporation of Bakers being granted land in 1538 by the Regent of Moray for providing bread to troops during the Battle of Langside, with a fuller explanation included.
Watercolour painting in blues, greens and pinks of an interior scene featuring a woman sitting at a table with flowers. There is a pencil-drawn grid underlaying the painting.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Portrait of artist's mother and father at the piano.
Part of Kenilworth Castle with sheep grazing to foreground. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.