This teapot lid is paired with teapot NMC/0233R and forms part of a painted china tea service. Orange lustre-glaze over flower paintings on white china blank.
This teapot forms part of a painted china tea service, and is paired with NMC/0233L . Orange lustre-glaze, and flower paintings on a white china blank. Initialled by the artist on the base.
Four pieces of teaching examples for pattern designs, attached to backing paper. These pattern designs were created for possibly textiles and used as teaching materials in schools in Scotland, as marked the level of students "First year."
Nine pieces of teaching examples for printmaking, attached to backing paper. These prints appear to be intended as teaching materials in schools in Scotland, as marked the level of students "Third year."
Seven pattern designs examples are attached to backing paper. This work was used as teaching material in schools in Scotland during Murphy's career as an art teacher.
Seven pieces of teaching examples for basic pattern designs, attached to backing paper. This work was used as teaching material in schools in Scotland, as marked the level of students "Primary 5-7."
Four pieces of teaching examples for pattern designs, attached to backing paper. These pattern designs were used as teaching materials in schools in Scotland, as marked the level of students "Second year."
Designed for Miss Cranston's Ingram Street Tea rooms, Glasgow. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.
This tea plate forms part of a painted china tea service. Orange lustre-glaze, and flower paintings on a white china blank. Initialled by the artist on the reverse.
This tea plate forms part of a painted china tea service. Orange lustre-glaze, and flower paintings on a white china blank. Initialled by the artist on the reverse.
This tea plate forms part of a painted china tea service. Orange lustre-glaze, and flower paintings on a white china blank. Initialled by the artist on the reverse.
This tea plate forms part of a painted china tea service. Orange lustre-glaze, and flower paintings on a white china blank. Initialled by the artist on the reverse.
This tea plate forms part of a painted china tea service. Orange lustre-glaze, and flower paintings on a white china blank. Initialled by the artist on the reverse.
Designed for Miss Cranston's Ingram Street Tea rooms, Glasgow. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.
Designed for Miss Cranston's Ingram Street Tea rooms, Glasgow. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). One of nine readers' tables for the Library at Glasgow School of Art. Like the vertical stretchers on the periodical desk, MC/F/73, none of the patterns on the legs (variations on these themes of the gallery pendants) are repeated.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). One of nine readers' tables for the Library at Glasgow School of Art. Like the vertical stretchers on the periodical desk, MC/F/73, none of the patterns on the legs (variations on these themes of the gallery pendants) are repeated.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). One of nine readers' tables for the Library at Glasgow School of Art. Like the vertical stretchers on the periodical desk, MC/F/73, none of the patterns on the legs (variations on these themes of the gallery pendants) are repeated.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). One of nine readers' tables for the Library at Glasgow School of Art. Like the vertical stretchers on the periodical desk, MC/F/73, none of the patterns on the legs (variations on these themes of the gallery pendants) are repeated.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). One of nine readers' tables for the Library at Glasgow School of Art. Like the vertical stretchers on the periodical desk, MC/F/73, none of the patterns on the legs (variations on these themes of the gallery pendants) are repeated.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). One of nine readers' tables for the Library at Glasgow School of Art. Like the vertical stretchers on the periodical desk, MC/F/73, none of the patterns on the legs (variations on these themes of the gallery pendants) are repeated.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). One of nine readers' tables for the Library at Glasgow School of Art. Like the vertical stretchers on the periodical desk, MC/F/73, none of the patterns on the legs (variations on these themes of the gallery pendants) are repeated.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). One of nine readers' tables for the Library at Glasgow School of Art. Like the vertical stretchers on the periodical desk, MC/F/73, none of the patterns on the legs (variations on these themes of the gallery pendants) are repeated.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). One of nine readers' tables for the Library at Glasgow School of Art. Like the vertical stretchers on the periodical desk, MC/F/73, none of the patterns on the legs (variations on these themes of the gallery pendants) are repeated.
Designed for Director's Room, Glasgow School of Art. 'This large table may well have been designed for meetings of the Board of Governors, who rarely used the original Board Room which was eventually taken over as a studio. It was designed with two high backed armchairs and twelve low backed armchairs and was photographed in 1910 in the new Board Room which Mackintosh had provided for the Governors, and not in the Director's Room for which it was designed. The square is again the dominant motif in this group of designs. The table legs are square, but they are hollow, and square cut outs in them indicate the construction.' (Roger Billcliffe). This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Designed for the Room de Luxe, Willow Tea Rooms, Glasgow. Contemporary photos of the Willow Tea Rooms do not show where these tables would have been placed, the edge of one seems to be visible between the bow windows, but the legs are identical to those on the square or oblong tables for the Room de Luxe. Probably while the tables belonged to the Grosvenor Restaurant, they were over-painted black (like the yellow couch from the Dug-Out, MC/F/84). In 1986 the black paint was removed and the tables repainted silver with an aluminium paint similar to the original (paint sample analysed by Kelvingrove conservators). At the same time missing glass insets were replaced. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Designed for the Room de Luxe, Willow Tea Rooms, Glasgow. Contemporary photos of the Willow Tea Rooms do not show where these tables would have been placed, the edge of one seems to be visible between the bow windows, but the legs are identical to those on the square or oblong tables for the Room de Luxe. Probably while the tables belonged to the Grosvenor Restaurant, they were over-painted black (like the yellow couch from the Dug-Out, MC/F/84). In 1986 the black paint was removed and the tables repainted silver with an aluminium paint similar to the original (paint sample analysed by Kelvingrove conservators). At the same time missing glass insets were replaced. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Designed for use in Mackintosh's own flat in Mains Street, Glasgow. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
In 1952 it was announced that a prize fund of £5/5/0 had being made available to support a competition amongst the Design students for the commissioning of a new Board Room table. Significantly, it was agreed that the prize be awarded on the condition that the design “should be in keeping with the Mackintosh tradition” and “should be capable of being carried out economically”. The winning design was put forward James Stevenson Hooper, a third year student, and is probably the earliest known example of furniture being deliberately made in the ‘Mackintosh style’. The table remains within the School.
One sugar bowl lid, paired with sugar bowl NMC/0233T. Orange lustre-glaze, and flower paintings on a white china blank. Initialled by the artist on the reverse.
This sugar bowl forms part of a painted china tea service, and is paired with NMC/0233S. Orange lustre-glaze, and flower paintings on a white china blank. Initialled by the artist on the base.
