- DC 039/5
- Item
- 1840s-1850s
Part of Paisley Shawl Designs
Brown design on green background.
*Not available / given
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Part of Paisley Shawl Designs
Brown design on green background.
*Not available / given
Part of Paisley Shawl Designs
Reds and greens on black background.
*Not available / given
Part of Paisley Shawl Designs
Design for a border, predominantly greens and pinks. Annotated "No 7".
*Not available / given
Part of Paisley Shawl Designs
Predominantly pinks on a black background.
*Not available / given
Untitled Paisley shawl designs
Part of Paisley Shawl Designs
Nine designs attached to one piece of paper. Mostly designs for borders and details.
*Not available / given
Untitled Paisley shawl designs
Part of Paisley Shawl Designs
Three designs attached to one piece of paper: one design for a border; one design detail; one larger, predominantly red design.
*Not available / given
Untitled Paisley shawl designs
Part of Paisley Shawl Designs
Three designs attached to one piece of paper: Two of which are Paisley pattern like the rest of the collection, but one is a floral rug design.
*Not available / given
Untitled Paisley shawl designs
Part of Paisley Shawl Designs
Two designs attached to one piece of paper: one maroon; one comprising reds, greens and blues.
*Not available / given
Untitled Paisley shawl designs
Part of Paisley Shawl Designs
Five designs attached to one piece of paper, featuring yellows, turquoise and maroon.
*Not available / given
Untitled Paisley shawl designs
Part of Paisley Shawl Designs
Four designs attached to one piece of paper. Predominantly based on maroons and pinks.
*Not available / given
Untitled Paisley shawl designs
Part of Paisley Shawl Designs
Four designs attached to one piece of paper. Mostly on black or dark backgrounds.
*Not available / given
Untitled Paisley shawl designs
Part of Paisley Shawl Designs
Four designs attached to one piece of paper, including turquoises and pinks.
*Not available / given
Untitled Paisley shawl designs
Part of Paisley Shawl Designs
Two designs attached to one piece of paper.
*Not available / given
Untitled Paisley shawl designs
Part of Paisley Shawl Designs
Two designs attached to one piece of paper.
*Not available / given
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Unfortunately, there is no contextual information regarding this poster.
*Not available / given
Part of Records of The Glasgow School of Art, Glasgow, Scotland
This poster shows a photograph of a man in make up smoking a cigarette.
*Not available / given
Upholstered armchair for Argyle Street Tea Rooms
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Designed for Argyle Street Tea Rooms, Glasgow. 'One of the most successful and comfortable pieces from Argyle Street. The drawing D1897.21 indicated that it was intended for the Ladies Reading Room, of which no photographs survive.' The only chairs in the collection surviving with their original upholstery.
Mackintosh, Charles Rennie
Upholstered armchair for Argyle Street Tea Rooms
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Designed for Argyle Street Tea Rooms, Glasgow. 'One of the most successful and comfortable pieces from Argyle Street. The drawing D1897.21 indicated that it was intended for the Ladies Reading Room, of which no photographs survive.' The only chairs in the collection surviving with their original upholstery.
Mackintosh, Charles Rennie
Beaten lead mirror with peacock designs.
The mirror was almost certainly part of the furnishings of the Mackintoshes Southpark Avenue flat taken over by William Davidson when he purchased the flat.
MacNair, James Herbert
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Cover design by Fraser Taylor of single figure with blue background. Cut from sleeve, front section only, no vinyl included.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Cover design by Fraser Taylor of single figure with blue background.
Taylor, Fraser
Vinyl LP, The Bluebells "Cath"
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Vinyl LP, The Bluebells "Cath"
Taylor, Fraser
Vinyl single artwork, The Bluebells "Cath"
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Cover design by Fraser Taylor of two embracing figures with graphic background. Cut from sleeve, front section only, no vinyl included.
Taylor, Fraser
Vinyl single, Altered Images "Don't talk to me about love"
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Cover design by Fraser Taylor of 2 red abstract faces. Published on Epic Records.
Taylor, Fraser
Vinyl single, Altered Images "Happy Birthday"
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Cover design by Fraser Taylor of 2 red abstract faces. Published on Epic Records.
Taylor, Fraser
Vinyl single, Altered Images "I would be happy"
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Cover design by Fraser Taylor of face with red details as backdrop for band portrait. Published on Epic Records.
Taylor, Fraser
Vinyl single, The Bluebells "Cath"
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Cover design by Fraser Taylor of single figure with blue background.
Taylor, Fraser
Wall clock for Glasgow School of Art
One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. Installed in the new Mackintosh Furniture Gallery following restoration in 2013. This item was assessed for conversation in 2010 as part of the Mackintosh Conservation and Access project (2006-2010), and then again in 2018 following the fire in the Mackintosh Building in June 2018.
Mackintosh, Charles Rennie
Wall clock for Glasgow School of Art
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Installed into the Mackintosh Library following restoration in 2013.
Mackintosh, Charles Rennie
Wall clock for Glasgow School of Art
One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Installed into Studio 45 following restoration in 2013. Following the fire in the Mackintosh Building in May 2014 it was assessed and conserved in 2019.
Mackintosh, Charles Rennie
Wall clock for Glasgow School of Art
One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Installed into Studio 31 following restoration in 2013. Following the fire in the Mackintosh Building in May 2014 it was assessed and conserved in 2019.
Mackintosh, Charles Rennie
Wall clock for Glasgow School of Art
One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Re-installed into Room 2 (Woodworking shop) following restoration in 2013. Following the fire in the Mackintosh Building in May 2014 it was assessed and conserved in 2019.
Mackintosh, Charles Rennie
Wall clock for Glasgow School of Art
One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Installed into Studio 38 following restoration in 2013. Following the fire in the Mackintosh Building in May 2014 it was assessed and conserved in 2019.
Mackintosh, Charles Rennie
Wall clock for Glasgow School of Art
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Installed into Studio 44 following restoration in 2013.
Mackintosh, Charles Rennie
Wall clock for Glasgow School of Art
One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Installed into Studio 25 following restoration in 2013. Following the fire in the Mackintosh Building in May 2014 it was assessed and conserved in 2019.
Mackintosh, Charles Rennie
Wall clock for Glasgow School of Art
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Installed into Studio 32 following restoration in 2013.
Mackintosh, Charles Rennie
Wall clock for Glasgow School of Art
It is likely that there was once a wooden clock in this room, Studio 42. However at some point in history the clock itself seems to have disappeared to be replaced by a stencilled clock dial painted directly onto the studio wall. An original (c.1910) dial mechanism complete with clock hands was then accommodated by means of a hole cut into the wall at the centre of the stencilled dial, where it was then linked up to the other clocks in the electrical circuit.
Mackintosh, Charles Rennie
Wall clock for Glasgow School of Art
One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Installed outside the Lecture Theatre following restoration in 2013. Following the fire in the Mackintosh Building in May 2014 it was assessed and conserved in 2019.
Mackintosh, Charles Rennie
Wall clock for Glasgow School of Art
One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Installed into Studio 39 following restoration in 2013. Following the fire in the Mackintosh Building in May 2014 it was assessed and conserved in 2019.
Mackintosh, Charles Rennie
Wall clock for Glasgow School of Art
One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Installed into Studio 40 following restoration in 2013. Following the fire in the Mackintosh Building in May 2014 it was assessed and conserved in 2019.
Mackintosh, Charles Rennie
Wall clock for Glasgow School of Art
One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Installed into the Museum following restoration in 2013. Following the fire in the Mackintosh Building in May 2014 it was assessed and conserved in 2019.
Mackintosh, Charles Rennie
Wall clock for Glasgow School of Art
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Installed into Studio 43 following restoration in 2013.
Mackintosh, Charles Rennie
Wall clock for Glasgow School of Art
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Installed at the top of the west staircase following restoration in 2013.
Mackintosh, Charles Rennie
Woven wall hanging in plain weave with black yarn and loose supplementary warps and wefts in yellow, orange, red, green and black thinner yarn and ribbons of black plastic (possible bin bags). These supplementary warps and wefts form two vertical bands with a puckered effect. The warps are knotted and left long as fringes.
*Not available / given
Arroll, Richard Hubbard
Poster depicting the Wallace Monument, for the Scottish General Omnibus Company Ltd.
Hegarty, John MacGowan
Design of frog and dragonfly.
Jackson, May
Design of bird and flowers.
Jackson, May
Printed tea towel of the Waltzing Waters with description and illustration of the show, in green, blue, yellow and pink on white background.
Chalmers, Sylvia
Washstand for 120 Mains Street
Designed for use in Mackintosh's own flat in Mains Street, Glasgow. This piece does not appear in any of the contemporary photographs of the main bedroom at 120 Mains Street. As it was not painted white (like the rest of the main bedroom suite) it was probably intended for the spare bedroom, but it does not appear to have been designed as part of a suite.
This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Mackintosh, Charles Rennie