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Photograph of the Cuillin Hills view painting
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A monochrome photograph of a watercolour painting depicting the view of the Cuillin Hills on the Isle of Skye, Scotland. Annotated "Loch Scavaig, The Cuillin Hills from the south" on the reverse, but not dated.
Meldrum, William
Photograph of the Cuillin Hills landscape painting
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A monochrome photograph of a watercolour landscape painting featuring the Cuillin Hills viewed from Strathaird on the Isle of Skye, Scotland. Annotated "The Cuillin Hills from Strathaird, Loch Bracadale" on the reverse, but not dated.
Meldrum, William
Photograph of Knoydart hill view painting
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A monochrome photograph of a watercolour painting featuring the distant landscape of Knoydart viewed from the Isle of Skye, Scotland. Annotated "The Knoydart Hill from Skye" on the reverse, but not dated.
Meldrum, William
Photograph of front yard painting
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A monochrome photograph of a watercolour painting depicting the front yard of a house. The paper has been faintly signed "W. Meldrum" on the bottom right, annotated "Skye" on the reverse, but not dated.
Meldrum, William
Photograph of a stream view painting
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A monochrome photograph of a watercolour painting depicting the stream in Clarkston, Scotland, as annotated "Placid Stream Clarkston" on the reverse. Signed "W. Meldrum," but not dated.
Meldrum, William
Photograph of a plain view painting
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A monochrome photograph of a watercolour painting featuring a plain in the country. This work is not dated.
Meldrum, William
Photograph of a park view painting
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A sepia-toned photograph of a watercolour painting depicting a park view. The bottom right side has been slightly degraded that the fibre-based layer separated from the paper base are exposed; presumed to be Gelatin silver printed. Undated.
Meldrum, William
Photograph of a painting featuring a boat on the river Tweed
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A monochrome photograph of a watercolour landscape painting depicting two people near the river Tweed in Melrose, Scotland. One person is standing towards the river, while another is on a floating boat in the painting. Signed "W. Meldrum," but not dated. Includes the annotation "The Tweed near Melrose" on the reverse of backing paper.
Meldrum, William
Photograph of a country mansion painting
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
An accompanying photograph of the watercolour landscape painting featuring the mansion in the country. Presumed to be part of the same series as the identical photograph (DC 120/2/12). Signed "W. Meldrum" and dated "1920," assumed to be the year of creation of the painting.
Meldrum, William
Photograph of a country mansion painting
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A monochrome photograph of a watercolour landscape painting featuring a mansion in the country. Signed "W. Meldrum,"and dated "1920" assumed to be the date of creation of the painting.
Meldrum, William
Photograph of a country house painting
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A monochrome photograph of a watercolour landscape painting depicting a house in the countryside. Signed "W. Meldrum," but not dated.
Meldrum, William
Photograph of a country house painting
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
An accompanying photograph of the watercolour landscape painting depicting the house in the country. Presumed to be part of the same series as the identical photograph (DC 120/2/10). Signed "W. Meldrum," but not dated.
Meldrum, William
Photograph of a bay view painting
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A sepia-toned photograph of a watercolour painting depicting Gourock Bay, as annotated "Gourock at the Clyde" on the reverse. Signed "W. Meldrum," but not dated.
Meldrum, William
Two landscape studies. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Native woman selling oranges.
Addo-Osafo, Emmanuel
Miller, Archibald E Haswell
Study of three cottages. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Llanilted Vale, North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Subject matter derived from George Orwell's book, '1984' first published in 1949. The wood engraving depicts a group of workers, three in the foreground, and others climbing an external staircase.
Chapman, June Crisfield
Abstract design.
Kuusik, Alexander
Study of river valley. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Group of figures seated at a table.
Russell, Avishai
Miller, Archibald E Haswell
Miller, Archibald E Haswell
Views of Windsor Castle and Conway Castle. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Fish market on the beach, Hastings. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Riverside composition. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Morning at Eton College. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
View on the Thames near Chertsey. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Bridge and pollard willows. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Midday, view of a cornfield. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Cottage near Birmingham. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Horsemen.
*Not available / given
Study of two ducks with reeds to background. Possibly by G W Lennox Paterson.
*Not available / given
Possibly portrait of fellow GSA staff member, Danny Ferguson.
Laurie, John
Part of Papers of Dorothy Doddrell
Double sided. Print of twelve pen drawings that comprise of 'The Baby Who Would Not Apologise' by Cora Gordon. Reverse shows 'Anniversary Address' designed and executed by Robert Gibbings, with a small extract of an article.
Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies
Not available / given
Still life with mackerel. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Abstract design.
Kuusik, Alexander
Liturgical Text for Non-Believers
Digital print of text on chiffon.
Gill, Rebecca
Nude figure, head bent forward with gnarled hands clasping around the crown central to viewer.
Spence, Judith
Lithographic print of factory gates and view into yard. McCall, Munro and Co Ltd sign on closed gate.
Walsh, Thomas
Lino print of abstract figures
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Lino print of abstract figures reaching towards small suns on coloured papers with acrylic paint. Mounted on card covered in tracing paper.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Lino print of a man's face, with sun and bird.
Taylor, Fraser
Fractured rock formation.
Palmer, Joan
Stylised landscape.
Furlong, Michael
Landscape with walled gardens and greenhouses.
Ross, John Ferguson
*Not available / given
Part of Kenilworth Castle with sheep grazing to foreground. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David