- TSW/103
- Item
- 1970s
Padded and embroidered ice-cream cone design in shades of cream and yellow on a cream background with painted colour. Cream card mount.
Wells, Kate Hobson
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Padded and embroidered ice-cream cone design in shades of cream and yellow on a cream background with painted colour. Cream card mount.
Wells, Kate Hobson
Abstract floral design in shades of orange, cream, and purple threads on mustard silk organza. Mounted in cream card.
Wells, Kate Hobson
Orange silk velvet yoke/collar featuring a number of needlework techniques in silk thread worked by a student of The Glasgow School of Art, possibly under Ann Macbeth.
Embroidered velvet in mauve and pink silks. Thought to be by Ann Macbeth.
*Not available / given
Embroidered Sample, 'Tree Garden'
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Sampler worked on loosely woven cream cotton and wool material. Abstract garden design with large loose straight stitches in variety of yarn types. Shades of green, brown, cream and orange.
*Not available / given
Embroidered panel on silk, framed
McCormick, Catherine McGregor
Similar panels appear in Mackintosh's drawings of the east wall of the principal bedroom at The Hill House although it is not certain when they were installed there as early photographs taken in 1904 do not show them. The panels appear to be duplicates of those shown at the Vienna Secession exhibition in 1900 and bought by Emil Blumenfelt; at least one of these (listed as a 'bed curtain') was lent by Blumenfelt to the Turin exhibition in 1902 - although it lacks the lower section of black silk seen on The Hill House panels.
Mackintosh, Margaret Macdonald
Similar panels appear in Mackintosh's drawings of the east wall of the principal bedroom at The Hill House although it is not certain when they were installed there as early photographs taken in 1904 do not show them. The panels appear to be duplicates of those shown at the Vienna Secession exhibition in 1900 and bought by Emil Blumenfelt; at least one of these (listed as a 'bed curtain') was lent by Blumenfelt to the Turin exhibition in 1902 - although it lacks the lower section of black silk seen on The Hill House panels.
Mackintosh, Margaret Macdonald
Banner design drawn on linen with pencil before stitching. It is attached to a calico lining which is stitched to the top of the hanging. It was designed by Walter Crane and worked by his wife Mary Frances Crane. The motto on banner reads: "Qui corvus pascit pascere potest grues" (He who feeds the raven will be able to feed the crane). The design of the panel is possibly that of Thomas Crane, Walter Crane's father.
Crane, Walter
Embroidered empty visitor's book
Part of Papers and textiles of Sheena Reid (nee Robertson), student at The Glasgow School of Art, 1950s
Orange textile cover of a visitor's book with black and white embroidery and purple cylindrical beads. Verso includes two cats and a porcupine and the words "Visitor's book" on the front. "Bushey sketch book" and "C. Robertson & Co. Ltd." company sticker on the inside of the front cover. Rest of the book is empty white pages of paper.
Reid, Sheena
Embroidered dress with belt, designed, worked and owned by Daisy Anderson (Daisy Agnes McGlashan).
McGlashan, Daisy Agnes
Embroidered collage of Eaglesham
The piece is a depiction of Eaglesham with trees in the foreground and houses in the background.
Whyte, Helen Kathleen R
Part of Records and textiles of the Needlework Development Scheme
Indian. Rust cotton background tie-dyed deep brown and embroidered with geometric design. Cotton and silk embroidery in subtle colour scheme.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Canvas padded and attached to wooden frame. Design of squares containing stylised flowers. Yellow, red, blue and grey with navy edging.
*Not available / given
'Drawn Thread Work' fold-out booklet
Part of Papers of Mary Mackie
Yellow folder labelled Drawn Thread Work containing a handwritten explanation of the technique and the materials and a sample with a central square and a border.
Mackie, Mary
'Drawn Fabric Work' fold-out booklet
Part of Papers of Mary Mackie
Yellow folder labelled Drawn Fabric Work containing a handwritten explanation of the technique and the materials and a sample with a central design of a tree or flowerand a border with patterns.
Mackie, Mary
'Drawn Fabric' fold-out booklet
Part of Papers of Mary Mackie
Small blue card folder with the handwritten label 'Drawn Fabric'. It contains a handwritten explanation of the technique and materials, the pattern design for nine squares in pen and ink on graph paper, and the worked textile.
Mackie, Mary
Design for wall hanging depicting Hebridean village
Book showing design for wall hanging (NMC/1571A). Labelled 'NDS' and on reverse 'Design: E.Lounsbach'.
Design by Scottish artist Eric Lounsbach, worked by primary and secondary school children.
Lounsbach, Eric
White, Crissie
Possibly by Ann Macbeth.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
Scottish. Crewel work on natural linen. Basket of flowers motif, worked predominently in shades of green, orange and pink. Woollen fringe. Has label from G.S.A. Needlework Exhibition of 1916. Designed by Mrs. Newbery (Jessie Newbery). Worked by Mrs. Rowat (her aunt), Glasgow.
Newbery, Jessie Wylie
Square cushion cover with simple wreath, trellis, Glasgow style roses and leaves, in shades of pale green, cream and pink. Includes chain, satin and cretan stiching, French knots and couching.
Not available / given
Part of Records and textiles of the Needlework Development Scheme
Scottish. Commemorating the Festival of Britain. Design suggests a firework display. In white and coloured embroidery on blue background. Names of designer, Robert Stewart and embroiderer, Kathleen Whyte in small motif on the back.
Stewart, Robert
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Composition of embroidered fruit and flowers (as triptych). In original frame. Design made for Longcroft, Helensburgh.
Hamilton, Margaret
'Cross Stitch' fold-out booklet
Part of Papers of Mary Mackie
Small blue card folder with the handwritten label 'Cross Stitch'. It contains a handwritten explanation of the technique and materials, the pattern design for a peacock in pen and ink on graph paper, and the worked textile in blue thread on white cloth.
Mackie, Mary
Cream pleated top curtain with an embroidered design of flowers and leaves. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.
*Not available / given
Cream pleated top curtain with an embroidered design of flowers and leaves. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.
*Not available / given
Cream pleated top curtain with an embroidered design of flowers and leaves. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.
*Not available / given
Cream pleated top curtain with an embroidered design of flowers and leaves. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.
*Not available / given
Cream and yellow striped sampler
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Cream and yellow striped sampler with cotton and rayon embroidery.
*Not available / given
Cream and green linen embroidery sampler
Part of Papers and textiles of Sheena Reid (nee Robertson), student at The Glasgow School of Art, 1950s
Cream, green and purple embroidery sampler from 1st year embroidery course at GSA
Reid, Sheena
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Colourful satin stitch wool sampler on open weave canvas, with square design.
*Not available / given
Colourful satin stitch sampler
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Colourful satin stitch wool sampler, square design.
*Not available / given
Part of Papers and Textiles of Veronica Matthew, student at The Glasgow School of Art, 1950s
Framed embroidered horse includes a gold speckled frame with a black felt like background. A grey horse is stitched on to the black background with a flower on its back; numerous and colourful decorative embroidered stitches surrounding the horse. Includes a few beads and sequins in the design. Allander Framing framed the textile art.
Matthew, Veronica
Part of Records and textiles of the Needlework Development Scheme
Swedish. Cloth made for festival decoration. Embroidery in white wool on red cotton. Border design based on snowflakes.
Kockum, Ulla
Part of Records and textiles of the Needlework Development Scheme
Yugoslavian. Sleeveless dress with side seams and hem decorated with red, blue and black embroidery. Tasselled braid belt. From Bosnia. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.
*Not available / given
'Canvas Work' fold-out booklet
Part of Papers of Mary Mackie
Yellow folder labelled Canvas Work containing a handwritten explanation of the technique and the materials and a sample with nine shapes (squares and rectangles) in red and yellow wool showing a variety of stitches.
Mackie, Mary
'Canvas Work' fold-out booklet
Part of Papers of Mary Mackie
Small blue card folder with the handwritten label 'Canvas Work'. It contains a handwritten explanation of the technique and materials, the pattern design for nine squares with different styles and stitches in pen and ink on graph paper, and the worked textile in blue, green, red and black on white canvas.
Mackie, Mary
Part of Papers of Mary Mackie
Card with 5 different samples of canvas attached, each identifed in handwriting underneath.
Mackie, Mary
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Romanian stitch with camel hair sampler.
*Not available / given
Framed embroidery of geometric design with orange, pink, purple, blue, and green thread on a purple background. Back of frame has label from "The Present Gallery, 16 Broomgate, Lanark", stating artist "Margaret McFarlane" and title of work "Broken Diamonds".
McFarlane, Margaret
Part of Records and textiles of the Needlework Development Scheme
British. Black embroidery on white cotton of intertwining ribbon and flower design. Buttonhole and running stitches.
*Not available / given
Blue floral sampler and collaged designs
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Piece of beige paper halved to createfour 'pages'. Collaged designs in blue feature on two pages. Pale blue linen sampler with embroidered flowers in blue and white thread on one page. One page blank. Part of Needlework Development Scheme from 1930s.
Blazer which was worn as part of a uniform by a student at The Glasgow School of Art.
*Not available / given
Part of Papers of Mary Mackie
Black and white patterned ring binder containing 7 samples of canvas work showing different stitches and patterns:
Sample with yellow, gray, brown and green wool
Sample with black, peach, blue and olive green wool
Sample with bright pink, blue and yellow wool
Sample with black, brown, white and light green wool
Sample with black, yellow, white and blue wool
Sample with dark red, blue, dark green and white wool
Sample with dark green, acid yellow, peach and blue wool
Mackie, Mary
Part of Papers of Mary Mackie
Black ring binder containing 11 samples of canvas work showing different stitches and patterns:
Sample with bright pink, red, brown and blue wool
Sample with pale pink, dark brown and mint green wool
Sample with pink, beige and brown wool
Sample with red, brown and pale green wool
Sample with gray, yellow and brown wool
Sample with yellow, mauve, brown and dark green
Sample with bright green, olive green, brown and gray wool
Sample with pale pink, gray, and very dark green wool
Sample with pink, dark green and yellow wool
Sample with red, green, white and brown wool
Sample with bright pink, pale yellow, white and black wool
Mackie, Mary
Dull blue/green corded silk embroidered at each end. Thought to be by Ann Macbeth (the use of these particular strong shades of magenta and turquoise are distinctive of Macbeth's work at this time).
*Not available / given
Embroidered bedspread of linen with applique. The technique, lettering and choice of inscription are typical of Jessie Newbery's work. From the wear on the stitching of the inscription it is obvious that the bedspread has been in regular use. The heart shaped applique motifs are unfaded round the edges and there is evidence that the blue silk Inscribed: "God knows and/what he knows/is well and best/ the darkness/hideth not from/him but glows/clear as the/morning or the/evening rose/of east or west".
Embroidered bed cover. White cotton with pink and cream embroidery decorative design with roses.
*Not available / given
'Assisi Work' fold-out booklet
Part of Papers of Mary Mackie
Small blue card folder with a handwritten label 'Assisi Work'. It contains a handwritten explanation of the technique and materials, the pattern design for two birds and a tree in pen and ink on graph paper, and the worked textile in blue and white.
Mackie, Mary