Designs created for Hugh Smith & Co., during a work placement in the summer of 1961. Printed graphic designs for Hugh Smith & Co., 6 designs on 1 page, all back and white. An individual design, pencil on a small separate sheet, also features alongside this piece, possibly for a business card.
Designs created for Hugh Smith & Co., during a work placement in the summer of 1961. Printed copy of hand painted logo designs for Hugh Smith & Co., machine tools. Two designs feature lettering and an image in black white and grey. A sketch of an aircraft is also on the back of the piece.
Designs created for Hugh Smith & Co., during a work placement in the summer of 1961. Printed designs and visualisations of monorail system in black and white. 3 images mounted to black paper. Prints of 1 line drawing and 2 possible airbrush drawings.
Designs created for Hugh Smith & Co., during a work placement in the summer of 1961. Technical drawing of 1200 Tons Shellbender. Notes and sketches feature on the back.
James Cosgrove's Glasgow School of Art DA dissertation.
Square white/grey hardcover book with hand-printed silk-screens on paper and acetate. Images and poetry inside. Entitled 'Relationships. Thoughts and Things.'
Printed fabric sample with designs of geometric birds and trees in blue, grey, white, and red. (Attached by staple to DC 068/8/16 along with hand written label.)
Printed fabric sample with design including 2 women holding baskets on their heads and a man wearing a red hat. in black, red, white, and lime green on a dark green background.
Small printed fabric sample with same design as previous in 2 shades of green, white, and red (Attached by staple to *DC 068/8/15 along with hand written label.)
Printed fabric sample with repeating abstract design in yellow, red, green and white. Has samples of same pattern in 4 other colour combinations sewn to end.
Figurative brush strokes in pink acrylic paint, outlined in black acrylic on a red ink background. Abstract marks in oil pastel. Work on paper and backed on conservation board.
Abstract female forms monoprinted onto light coloured paper and adhered to pink paper to create a collage effect. Charcoal is used to draw lines in the background, with strips of cream coloured paper also collaged to the surface. Backed on conservation board.
Two painted figures in ink and gouache mounted onto white card. Design one shows an abstract face painted in coloured inks and white gouache. Design two shows an abstract face painted in black ink and purple, blue and cream gouache.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Female figure outline drawn in glue and mono-printed over in black ink. Background painted in cream, pink and blue. Backed on white card.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Multiple processes, cotton with painted figures in blue, white and orange. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.
Ink is applied in washes to the surface of the paper, blue opaque gouache renders the background leaving floral shapes to reveal the ink underneath. Black acrylic is used to outline the organic shapes and loosely create a checked pattern in the background. Paper backed on conservation board.
