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This work is presumed from the same series as "Pressed seaweed art (DC 120/1/1)," but not dated. Two pieces of kelp and red dulse seaweed are attached to the paper.

A drawing made of dried kelp and red dulse seaweed from the sea near Millport in Ayr, Scotland. Annotated "Millport. ap 3. 36." presumed to be the creation date. The pieces of seaweed adhere to the paper, maintaining their natural shapes.

A life sketch portraying an old woman.

A small-sized life sketch portraying an old man. The sheet is attached to backing paper.

A life sketch portraying a woman.

Includes a view of a living room with a focus on six sculptures of different people on a coffee table; "X Val's self portrait / Val's sculptures in their house / Florida, 2010" verso. Has small white border and is glossy.

Includes a corner of Valerie's home with painted artworks on the wall, cast sculptures, and a Tiffany style lamp; " Val + John's house / Florid. Oct. 2010" with a printed image verso. Has small white border and is glossy.

A monochrome photograph of a watercolour painting featuring the river Tweed in Melrose, Scotland. Annotated "The Tweed near Melrose" on the back side of the paper.

A monochrome photograph of a watercolour painting depicting the landscape of the Eildon Hills in Melrose, viewed from Dryburgh, Scotland. Signed "W. Meldrum" on the backing paper, with the annotation "The Eildon Hills. From Dryburgh" on the reverse, but not dated. Presumed to be part of the same series as the identical photograph (DC 120/2/14).

A monochrome photograph of a watercolour painting depicting the landscape of the Eildon Hills in Melrose, Scotland. Signed "W. Meldrum" on the backing paper, with the annotation "Views of the Eildon Hills, Abbotsford" on the reverse, but not dated.

A monochrome photograph of a watercolour landscape painting featuring the Cuillin Hills viewed from Strathaird on the Isle of Skye, Scotland. Annotated "The Cuillin Hills from Strathaird, Loch Bracadale" on the reverse, but not dated.

The photograph features two students portraying two female subjects in class. Two men can be spotted in the background.

The reverse of the photograph shows the text "Mr. Miller – [...] 1927. June" and "2/53".

The photograph features a male and a female dressed with period clothing.

A monochrome photograph of a watercolour painting featuring the distant landscape of Knoydart viewed from the Isle of Skye, Scotland. Annotated "The Knoydart Hill from Skye" on the reverse, but not dated.

The photograph features Archibald Haswell Miller holding a palette.

The photograph features Archibald Haswell Miller holding a palette and portraying a female figure.

The photograph features Archibald Haswell Miller holding a palette and portraying a female figure.

The cardboard shows the text "H.M. at Glasgow School of Art c1907 (under Maurice Greiffenhagen)".

An annotation on the top right corner shows "1907".

The photograph features Archibald Haswell Miller dressed as a medieval King. The annotations show the text "Glasgow 1910 / I stood in [...] A. L. Jackson (a handsome fellow student or staff [...]) as a King in a [...] which in retrospect was quite a fine production at the School of Art. (I [...] the [...] grown beard did it for me!)".

An annotation on the top right corner shows "1909-10".

The photograph features Archibald Haswell Miller dressed as a medieval King.

A monochrome photograph of a watercolour painting depicting the front yard of a house. The paper has been faintly signed "W. Meldrum" on the bottom right, annotated "Skye" on the reverse, but not dated.

A monochrome photograph of a watercolour painting featuring a plain in the country. This work is not dated.

A sepia-toned photograph of a watercolour painting depicting a park view. The bottom right side has been slightly degraded that the fibre-based layer separated from the paper base are exposed; presumed to be Gelatin silver printed. Undated.

The photograph features a religious mural. The carboard displays an inscription by Francis H. Newbery dedicating the photograph to Archibald Haswell Miller. The backside of the carboard shows the original measurements of the mural and additional notes.

An accompanying photograph of the watercolour landscape painting featuring the mansion in the country. Presumed to be part of the same series as the identical photograph (DC 120/2/12). Signed "W. Meldrum" and dated "1920," assumed to be the year of creation of the painting.

An accompanying photograph of the watercolour landscape painting depicting the house in the country. Presumed to be part of the same series as the identical photograph (DC 120/2/10). Signed "W. Meldrum," but not dated.

A one-point perspective drawing depicting the side elevation of Galla Placidia. Stamped "The Glasgow School of Architecture, Session 1935-36."

Seven pieces of teaching examples for pattern designs, attached to backing paper. This work was used as teaching material in schools in Scotland during Murphy's career as an art teacher.

A painted pattern design with two repeating decorative motifs intersected by diamond shapes.

The photograph features a group of six men looking at a set of paintings hung on the wall.

The newscutting is titled "At a Scottish Art Club's Show". The supporting text reads "A group of artists and members of the Hanging Committee at the annual exhibition of work by members of the Glasgow Art Club, which is being held in the club's premises just now.–"Bulletin" Photograph."

An annotation on the top right corner of the cardboard shows "1926?".

The photograph features Archibald Haswell Miller and Josephine Haswell Miller alongside a group of males and females.

The supporting text reads "A group at the meeting of the Governors of the Glasgow School of Art this week, when Mr John D. Revel (centre), of Chelsea, was introduced to the board on the occasion of his taking up duty.–"Bulletin" Photo." The newscutting is supported by a handwritten map located below it. It offers the list of names and the location of the subjects in the photograph.

The cardboard also displays additional annotations by Haswell Miller: "We accepted him with all kindness and welcome. After a few weeks he called the staff together and practically told us he was going to sack the lot! I anticipated this by accepting the keepership of the National Galleries. Edinburgh. (Not very well qualified but standard were low in 1930)".

An annotation on the top right corner of the cardboard shows "c1928". Additional annotations below the photograph identify the people featured in it.

The photograph features a senior group of ten men and two women. Archibald Haswell Miller is standing in the back, fourth from the left.

The supporting text reads "Yesterday was "touching-up day" for the R.S.W. Exhibition in the M'Lellan Galleries, Glasgow, where our camera man secured this interesting study. The group includes Robert Eadie, Norah Neilson Gray, R. C. Young, James Kay, Haswell Miller, A. M'Bride, J. W. Wright, A. P. Thomson (sitting), Tom Hunt, Miss Raeburn, Arch. Kay, and D. Fulton."

An annotation on the top right corner of the cardboard shows "1928?".

The newscutting features a photograph of Dame Laura Knight with some of the principals inspecting diploma work during her visit to The Glasgow School of Art.

The newscutting informs of the reception and dance that were held at The Glasgow School of Art on the day it was published. The evening entertainment included the presentation of two plays by Francis H. Newbery. It shows photographs of four principals in the plays: Miss J. Cameron, Mr A. G. Crombie, Mr J. C. M'Fayden, and Mr J. Huck.

Originally located within folder (DC 098/1/4).

Double sided. Print of twelve pen drawings that comprise of 'The Baby Who Would Not Apologise' by Cora Gordon. Reverse shows 'Anniversary Address' designed and executed by Robert Gibbings, with a small extract of an article.

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies