Showing 133 results

Rim fragment with cream glaze and yellow/gold hand-painted design on recto. Gold hand-painted patterns with figure on verso. Possibly small handwritten letters on an edge.

Rim fragment from dish or plate. Cream glaze with yellow/gold hand-painted pattern with crown on recto. Small area of cream glaze and red/brown section of hand-painted band on verso.

Triangular shaped ceramic fragment with cream glaze with yellow/gold hand-painted design on recto.

One of thirty-one different pottery fragments from Persia/Egypt/Syria. Likely brought to the Glasgow School of Art to be used as teaching aids.

Fragment from what might be a tile. Hand-painted flower and petal shapes in blue, black, yellow, and turquoise paint. '85' and 'SHAH ISF' handwritten on verso. Shah (Persian) is a title given to the emperors/kings and lords of Iran.

Turquoise glaze and hand-painted black band with white Arabic inscription.

Rim fragment with cream, blue, and black paint with hand-painted band on recto. Hand-painted blue and black bands on verso with metallic/mineral shine.

Fragment with aqua green glaze over embossed pattern on recto. '24' handwritten on verso.

Small fragment with cream glaze and yellow/gold, blue, and red hand-painted designs with gold leaf on recto.

Fragment of dish or plate. Cream glaze with dark blue, turquoise, black, red, hand-painted figures and animal on recto with some gold leaf. Cream glaze with turquoise, blue, and red hand-painted figures on verso with some gold leaf. One large crack down the centre.

Slightly curved fragment with pastel blue glaze on recto and verso.

Rim fragment with green/brown glaze with dark blue hand-painted desgin on recto. Dark blue glaze on verso.

Rim fragment with cream glaze and blue and black hand-painted band on recto. Cream glaze with hand-painted black band with what might be Arabic writing on verso.

One of thirty-one different pottery fragments from Persia/Egypt/Syria. Likely brought to the Glasgow School of Art to be used as teaching aids.

Pot: Yellow lustre glaze on white blank. Lustre glaze covers body of pot. Handpainted green and brown band of flowers around the rim of the pot with a brown handle. 'W    Gep.L.Ashworth Bros. Ltd Hanley England 1917' stamped on the bottom. Lid: Yellow lustre glaze on white blank with brown knob on top. Handpainted green and brown band of flowers around the edge the lid with a small opening for a spoon.

This poster advertised an exhibition held in Milan in 1984 which showcased design work by students from The Glasgow School Of Art. The exhibition was held in collaboration with Cassina, a world renowned Italian manufacturing company that often reproduce famous design pieces including Mackintosh furniture. The exhibition included ceramics, embroidery, furniture design, industrial products, graphic design, illustration, silversmithing and jewellery. It took place under the patronage of the British Consulate General in Milan and was also supported by a number of other bodies including The British Council, Sir Hugh Fraser, IBM, Clydesdale Bank PLC, Radio Clyde, Wm Teacher and Sons Ltd, Scottish Development agency, MS Macfarlane Trust, COF Refrigerators, Nardini Ltd and the Governors Of The Glasgow School of Art. The poster was designed by Gordon Huntly and printed by Fraser Ross and Ken Wade in the Foulis building at The Glasgow School Of Art. The reverse side catalogues a list of the exhibited items along with with the names of the designers which are listed below. Ceramics - Helen Kemp - Carol Esson - Sandra Oakes - Catriona Houston - Raymond Evangelista - Eleanor Barttleman - Mark Stanczyk - David Norman - Irene Bell - William McLaughlan - David Gray Embroidered and Woven Textiles: - Elaine Wilson - Claire Neil - Lindy Richardson - June Lillico - Fiona Knight - Karen Borland Furniture, Interior and Product Design: - Fiona Jean Paton - David Wilson - Douglas Clerk - David Robson - Helena McGuinness - Paul Anderson - Alistair Brown - Andy Park - Una Fagan - Mike Osborne - Rosalind Duncan - Jonathan Parlett - Alan Cowling - Lim Ho Guan - Marissa Parker - Alan Cowling - Jackie Park - Heather Thomson - Gareth C Hughes Graphic Design and Illustration: - Ingebjorg Smith - Alan Morrison - Alasdair Robertson - Lesley Raeside - Edward Carden - Susan Scott - Fraser Maclean - Duncan Smith - Catriona Miller - Karen Watt - Fiona McSporran - Fiona Campbell - Gregor Cox - Thomas Campbell - Don McPherson - Frank Connolly - Michael Healey - Joanna Isles - Robin Ward - Remo Avella - Linda Robertson - Kenny Mclellan - Wallace Murdoch - Caroline Parerson - Stephanie Roberts - Sandy Christie - Shirley Clark - Melanie Robertson Silversmithing and Jewellery: - James McDougall - Helen Marriot - Shiela McDonald - Linda McCafferty - Alison Welsh - Mary Thomson - Roger Drew - Keryn Evelyn - Euan Smith - Irene Halliday - Elizabeth Halston - Gillian Simon

A poster design for a Christmas display of Strathyre Pottery at a Studio at 74 George Street.

Originally located inside portfolio folder (DC 110/1/4).

Large unglazed ceramic planter with opague glazed decorative relief on the front and a black/brown glazed top. 7 small holes in the bottom. Short, unglazed ceramic stand. The body is narrower and darker in colour. These ceramics were in the library in the Mackintosh Building in the late 1970s before it was in the Bourdon Building.

This oval dish is part of a painted china tea service. Orange lustre-glaze over flower paintings on white china blank.

Ginger jar without a lid. Handpainted green leaves around the mouth and a yellow design around the body. Two small handles on either side. Signed "AMcB" on the bottom. Ginger jars were initially used to store and transport spices and have been used as decorative items. Similar in shape to a Mary Fairgrieve two-handled pot - possibly a large sugar basin - decorated with a typical Glasgow School design that is featured in the Scottish Pottery 25th Historical Review 2013.

Open necked blue glazed ceramic vase with hand-painted white decorative patterns. Bottom of vase has engraved marking "ST" (creator's initials) and another engraved marking of a circle with an X through it (maker's mark).

Thought to have been lost in the fire in the Mackintosh Building, 23rd May 2014.

This item was badly damaged in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This was assessed by a conservator but no conservation work was deemed possible. Brown glazed ceramic lugged pot with two small knobs on either side.

Gray ceramic wavy bowl with incised circular designs. Possible engraved initials "AT" (artist's variant name is Anne J Taylor) and date "24/8/80" engraved on bottom.

This large plate forms part of a painted china tea service. Orange lustre-glaze, and flower paintings on a white china blank. Initialled by the artist on the base.

Large bowl with blue and black hand-painted, floral pattern on inside and brown underglaze. Green and brown glaze cover the outside of the bowl. Signed 'Sinclair' on the bottom along with the marking 'ST' (creator's initials) and another marking of a circle with an X over it (maker's mark). Label on bottom - 'NMC 1382.'

Thought to have been lost in the fire in the Mackintosh Building, 23rd May 2014.

Large and wide white ornamental vase with light and dark blue hand-painted floral patterns. Hand-painted bands of designs along the mouth and the bottom. Has a lid with several hand-painted bands of light and dark blue patterns. '18-24' handwritten in black on bottom of vase and lid. Glaze over the vase and lid. Was given to one of the school's directors as a gift.

Large beige glazed vase. About half of the body, the bottom, and a band around the neck are tan.  Neck is long and has an uneven, almost oval shape. 'NMC 606' handwritten on bottom. 'Stewart' - artist's signature - is incsied on the bottom.

Round kitchen store jar with a white bottom complete with yellow, black, and grey transfer designs. Top half is gold. Labelled 'FLOUR' in black towards the center. Lid is white with some gold. Has 2 relief bands of gold circles.

Round white storage jar with lid. Gold/tan, blue, and black transfer design. Labelled 'Lentils' in black at centre. Metallic gold band across lid and bottom of jar.

This item suffered significant damage in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. It was salvaged and has undergone conservation and consolidation work. Round white storage jar with lid. Tan, green, and black transfer desgin on jar with 'Currants' in black near the centre. Thin gold band on the bottom. Lid is white with a gold band.

'Obstruct': 1 of a set of 5 ceramic pots, wheel thrown with hand-built adjustments.

Artist statement: "Hostile architecture is a phenomenon with rase rise significantly throughout urban design this century. A widely recognised example of this type of design is the 'uncomfortable bench'. Interventions of this kind are now familiar, and can even be a cause of comfort to privileged audiences, but it is important to consider their sociological effects. We have replaced human interaction, nuance and empathy with hard, physical and non-negotiable solutions. Identifying five core aspects of hostile urban design - limit, control, obstruct, impede and deter - I have developed a series of ceramic cups which each embody one of these qualities."

Source: https://drive.google.com/file/d/1Pe53s2N6laNXHxxQ-RrjA5cjvuFNeUPC/view

'Limit': 1 of a set of 5 ceramic pots, wheel thrown with hand-built adjustments.

Artist statement: "Hostile architecture is a phenomenon with rase rise significantly throughout urban design this century. A widely recognised example of this type of design is the 'uncomfortable bench'. Interventions of this kind are now familiar, and can even be a cause of comfort to privileged audiences, but it is important to consider their sociological effects. We have replaced human interaction, nuance and empathy with hard, physical and non-negotiable solutions. Identifying five core aspects of hostile urban design - limit, control, obstruct, impede and deter - I have developed a series of ceramic cups which each embody one of these qualities."

Source: https://drive.google.com/file/d/1Pe53s2N6laNXHxxQ-RrjA5cjvuFNeUPC/view

'Impede': 1 of a set of 5 ceramic pots, wheel thrown with hand-built adjustments.

Artist statement: "Hostile architecture is a phenomenon with rase rise significantly throughout urban design this century. A widely recognised example of this type of design is the 'uncomfortable bench'. Interventions of this kind are now familiar, and can even be a cause of comfort to privileged audiences, but it is important to consider their sociological effects. We have replaced human interaction, nuance and empathy with hard, physical and non-negotiable solutions. Identifying five core aspects of hostile urban design - limit, control, obstruct, impede and deter - I have developed a series of ceramic cups which each embody one of these qualities."

Source: https://drive.google.com/file/d/1Pe53s2N6laNXHxxQ-RrjA5cjvuFNeUPC/view

'Deter': 1 of a set of 5 ceramic pots, wheel thrown with hand-built adjustments.

Artist statement: "Hostile architecture is a phenomenon with rase rise significantly throughout urban design this century. A widely recognised example of this type of design is the 'uncomfortable bench'. Interventions of this kind are now familiar, and can even be a cause of comfort to privileged audiences, but it is important to consider their sociological effects. We have replaced human interaction, nuance and empathy with hard, physical and non-negotiable solutions. Identifying five core aspects of hostile urban design - limit, control, obstruct, impede and deter - I have developed a series of ceramic cups which each embody one of these qualities."

Source: https://drive.google.com/file/d/1Pe53s2N6laNXHxxQ-RrjA5cjvuFNeUPC/view

'Control': 1 of a set of 5 ceramic pots, wheel thrown with hand-built adjustments.

Artist statement: "Hostile architecture is a phenomenon with rase rise significantly throughout urban design this century. A widely recognised example of this type of design is the 'uncomfortable bench'. Interventions of this kind are now familiar, and can even be a cause of comfort to privileged audiences, but it is important to consider their sociological effects. We have replaced human interaction, nuance and empathy with hard, physical and non-negotiable solutions. Identifying five core aspects of hostile urban design - limit, control, obstruct, impede and deter - I have developed a series of ceramic cups which each embody one of these qualities."

Source: https://drive.google.com/file/d/1Pe53s2N6laNXHxxQ-RrjA5cjvuFNeUPC/view

Colourful hand-painted design of four Pompadour style women and peacocks on ceramic blank. Signed "Masie McKinna 1/6/22" verso. Purchased from eBay in used condition.

Ceramic blank decorated with pink image of north-west façade of The Glasgow School of Art. "Wedgwood of Etruria & Barlaston - A - Made in England" stamped on verso.

Glazed ceramic egg cup with wide base. Turquoise glaze on inside and brown glaze on outside of egg cup. Brown and black glaze on base with band of tan, raised balls of clay. Engraved marking on bottom - "ST" (creator's initials) and another marking of a circle with an X over it (maker's mark).

Polychrome glazed earthernware salt pot, painted with a band of stylised flowers. Initials "JMK", rabbit image, and hatch pattern on the bottom.

Ceramic grey, round domed pot with a wide hole. "Pickard" handwritten on the bottom.

Ceramic blank with handpainted gold decorative band. Enamel is wearing off which could be due to poor firing or could have not been fired at all. Signed "June Wilson 161, 1st year, (Patent applied for)" verso.

This cup is part of a painted china tea service. Orange lustre-glaze over flower paintings on white china blank.

This cup is part of a painted china tea service. Orange lustre-glaze over flower paintings on white china blank.

This cup is part of a painted china tea service. Orange lustre-glaze over flower paintings on white china blank.

Saucer from a part set of painted china tea service. Green/yellow lustre glaze over painted flower pattern on white china blanks.

Saucer from a part set of painted china tea service. Green/yellow lustre glaze over painted flower pattern on white china blanks.

Saucer from a part set of painted china tea service. Green/yellow lustre glaze over painted flower pattern on white china blanks.

Saucer from a part set of painted china tea service. Green/yellow lustre glaze over painted flower pattern on white china blanks.

Saucer from a part set of painted china tea service. Green/yellow lustre glaze over painted flower pattern on white china blanks.