- NMC/1507
- Item
- c1970
Landscape study. Signed verso: "View of Gourock Pier".
Christie, Fyffe
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Landscape study. Signed verso: "View of Gourock Pier".
Christie, Fyffe
View of part of Battle Abbey, Sussex
View of Battle Abbey with sheep grazing in foreground. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Study of cottage in North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
"Josephine Miller" (in pen), bottom right.
Miller, Josephine Haswell
View, possibly overlooking Florence
A study possibly of the Boboli Gardens, Florence.
Jackson, Alexander Logan
Miller, Josephine Haswell
Probably the Cote Vermeille, France. "A E Haswell Miller 1920", bottom left.
Miller, Archibald E Haswell
"Josephine Miller" (in pen), bottom right.
Miller, Josephine Haswell
"Josephine Miller" (in pen), bottom right.
Miller, Josephine Haswell
Village scene with cows in foreground
"Blair castle 17 Sept 41" (in pen), bottom right.
Miller, Josephine Haswell
"A E Haswell Miller 1924" (in pen), bottom left. Annotated by artist.
Miller, Archibald E Haswell
Village with lake/river in foreground
Probably France. Another design, verso.
Miller, Josephine Haswell
Miller, Archibald E Haswell
Wall hanging designed for The Dug-Out, Willow Tea Rooms, Glasgow
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. The canvas relates to smaller watercolours in the Hunterian collection, formerly thought to be textile designs, and to their painted canvas, 'The Little Hills' by Margaret Macdonald. It is likely that they were intended for 'The Dug-Out', though it is not known whether they were ever installed there. Jessie Newbery recalled in 1933, that 'He (Mackintosh) and his wife spent the winter of 1914 painting two large decorations for Miss Cranston'. This would have been in Suffolk, after they had left Glasgow. Although The Dug-Out was not created till 1917-18 it is not unlikely that Miss Cranston was considering the project some years earlier. The canvas was found in the GSA in a single roll in 1981 and was cleaned and mounted on two stretchers.
Mackintosh, Charles Rennie
Wall hanging designed for The Dug-Out, Willow Tea Rooms, Glasgow
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. The canvas relates to smaller watercolours in the Hunterian collection, formerly thought to be textile designs, and to their painted canvas, 'The Little Hills' by Margaret Macdonald. It is likely that they were intended for 'The Dug-Out', though it is not known whether they were ever installed there. Jessie Newbery recalled in 1933, that 'He (Mackintosh) and his wife spent the winter of 1914 painting two large decorations for Miss Cranston'. This would have been in Suffolk, after they had left Glasgow. Although The Dug-Out was not created till 1917-18 it is not unlikely that Miss Cranston was considering the project some years earlier. The canvas was found in the GSA in a single roll in 1981 and was cleaned and mounted on two stretchers.
Mackintosh, Charles Rennie
Spain or Italy
Miller, Josephine Haswell
Probably in the Italian lakes.
Miller, Josephine Haswell
Warkworth, Northumberland; view across river
"Warkworth, Northumberland" (in pen), bottom left.
Miller, Archibald E Haswell
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of washerwoman. Verso: Presented to the Glasgow School of Art by Prof. Maurice Greiffenhagen LLD/3rd, April 1930.
Greiffenhagen, Maurice
Study of Water Mill. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Watercolour of spring blossoms. Drawn while the artist studied at Dundee Technical College and School of Art, 1911-1912.
Wilson, Jessie Dunlop McCulloch
Waterfront Building, Walberswick, Suffolk
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Possibly the exterior of Newbery 's studio in Walberswick.
Newbery, Francis Henry
Still life.
MacInnes, Jock
The wavy pattern in the background is very similar to some of the most abstract designs for textiles for which Mackintosh was producing at this time.' (Roger Billcliffe).
Mackintosh, Charles Rennie
White roses in a blue and white bowl resting on round mirror.
Anderson, Daisy McGlashan
Flower composition.
Anderson, Daisy McGlashan
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of wildlife, deer, partridge and birds of prey painted on sculpted card, attached to blue sculpted mount.
*Not available / given
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Self portrait of Glasgow artist William Drummond Bone.
Bone, William Drummond
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Self-portrait of former Glasgow School of Art director.
Hutchison, Sir William Oliphant
Windmill with labourers in foreground. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Wing Trace (A Gentle Hush Remembered)
Image of bird against abstract background.
Brown, Neil Dallas
Bound in volume, The Magazine, Spring 1896. One of three watercolours depicting the seasons drawn for The Magazine.
Mackintosh, Charles Rennie
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Winter landscape with cottage under snow. Location: Pinwherry, Ayrshire.
Alison, Henry Young
Landscape under snow. Possibly near Pinwherry, Ayrshire.
Alison, Henry Young
Landscape under snow. Possibly near Pinwherry, Ayrshire.
Alison, Henry Young
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Country track under snow; possibly near Pinwherry, Ayrshire.
Alison, Henry Young
Study of woman holding a plate.
Strang, William
"Josephine Haswell Miller" (in person), bottom right.
Miller, Josephine Haswell
Woman with yellow dress and hat
"Josephine Miller" (in pen).
Miller, Josephine Haswell
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Abstract study of trees.
Robertson, James Downie
Wood scene near Sevenoaks, Kent. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of trees.
Laurie, John
Wrecking Ball woodcut and cardboard print
Note from the artist: This print is part of the collection Wank!, a series of six posters for various sources - such as essays, video clips, movies or performances - all dealing with the taboo subject of female masturbation. Acting like a curator of these references, I aim to highlight that any attempt to represent feminine masturbation through a feminist eye still finds its limits where a branded masculine interpretation of feminine sexuality starts.
Campistron, Dominique
Composition of yellow roses against black background.
Anderson, Daisy McGlashan