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Key to 1989 Degree Show photograph. Photograph of 1989 Degree Show students on the steps of the Mackintosh Building annotated with the handwritten names of 41 students.

'Please do not Bend' poster. June 2002. Identical poster to GSAA/EPH/10/328, but without added signatures.

This poster advertised various events happening during The Glasgow School Of Art's activities week in 1971. The poster details a number of film screenings and talks which took place in the Mackintosh Lecture Theatre. Other events included visits to the National Engineering Laboratory in East Kilbride and to an exhibition of prints by the London based printmaking organisation Editions Alecto. There was also an exhibition of work by John McInnes which was held in the Mackintosh Museum.

Poster advertising Honours Degree Courses in Art and Design, Architecture and Planning at The Glasgow School of Art.

This poster advertised the masters course in design offered by The Glasgow School of Art in the mid 1980s. The poster details the objectives and benefits of studying for a postgraduate qualification at The Glasgow School Of Art, including the multidisciplinary opportunities available, the different course options, the Mackintosh legacy and the Glasgow style. The design of the poster suggests it could also have been used as a promotional leaflet. This particular copy has an Irn Bru sticker attached to it that dates back to the 1980s.

This poster is for a Charles Rennie Mackintosh exhibition at the Glasgow School of Art, which ran from 1st July to 30 September 1988. The poster has a black and white design with orange font. It uses a geometric pattern which mimicks a Charles Rennie Mackintosh chair design.

In 1988, a Mackintosh architecture exhibition opened in Certaldo in Tuscany, Italy. It was organised by Comune di Certaldo in Palazzo Vicariale di Certaldo from 31st July to 30th September. A book was published by Electa Firenze about the exhibition including images of architectural drawings, photographs, sketches and paintings. This image is of a blue, beige, and black coloured architectural drawing.

This poster showing an image of a Mackintosh chair advertised an exhibition of the work of Charles Rennie Mackintosh at the Museum of Applied Arts in Helsinki from 10th December 1982 to 16th January 1983.

This poster features white images of twenty chairs with grey text to advertise an exhibition held in Jugendstilsenteret, Ålesund, Norway, from 6th June to the 12th Oct 2003. The exhibition of twenty Mackintosh chairs from the Glasgow School of Art's collection formed part of the opening celebrations at Norway’s newest cultural attraction, the Jugenstilsenteret (Art Nouveau Centre), in Ålesund. Similar to Glasgow, this city is one of the founding partners of the EU-funded Réseau Art Nouveau Network. The School’s contribution was hoped to inspire further cultural and artistic ties between the two countries.

This poster advertised an exhibition of photography held in the Victoria Cafe from the 9th to the 20th of October 1978. Exhibiting in this show were a number of artists including: Elizabeth Urquhart, Ray McKenzie, Douglas Bryce, Chris Webster, Denis Crossan and Jack Fordy. The Victoria Cafe, where the show was held, was part of the original student union across from the Mackintosh building on GSA campus. The name "Douglas R. Bryce Graphics '78" is handwritten on the back of the poster.

This poster advertised an exhibition showcasing work by graduating postgraduate fine art students from The Glasgow School Of Art in 1990. The exhibition took place between the 23rd and the 29th of June and was held in the Mackintosh Building. It included work by Alexander Dempster, James Hamlyn, Rachael Harris, Peter McCaughey, Donna Rae, Craig Richardson, Julie Roberts, Andrew Sneddon, Edward Stewart and Catherine Whippey. The photograph on the poster was taken by John Shankie and shows the exhibiting students posing inside the elevator in the Mackintosh Building. The poster was designed at The Glasgow School Of Art and printed by David J. Clark Limited.

This poster advertised the work of printmaking graduates in one of The Glasgow School Of Art's degree shows which took place in The Glasgow School Of Art's Mackintosh Building.

This poster advertised a retrospective exhibition of work by Bob Stewart which ran between the 4th and the 31st of October 1980 at The University Of Strathclyde. Stewart is a leading figure in The Glasgow School Of Art's history. His role progressed from lecturing in textiles to Head of Design before he became Deputy Director of the school. He was highly regarded by staff and students and also designed and printed many of the posters in The Glasgow School Of Art's poster collection.

This poster advertised an exhibition showing a number of films by graduates of The Glasgow School Of Art in 2002 as well as a lecture by Alan Currall who was a lecturer in electronic media at the school. The event was held in the Centre for Contemporary Arts which is an arts centre close to The Glasgow School Of Art campus. Exhibitors included Natalie McFadyen, James Hodgson, Ruth Legg, Kate Drummond - Brassington, Mark Melvin, Will Holt, Michelle Daniels, Ruth Davies, John Barrington, Henry Coombes, Nicola Godsal, Mari Lagerquist, Martin Craig, Hannah Palmer, Dan Miller, Grethe Forsstrom, Laura Marshall, Kate Burton and Astrid Kruse Jensen.

This poster advertised an exhibition showing a number of films by graduates of The Glasgow School Of Art in 2002 as well as a lecture by Alan Currall who was a lecturer in electronic media at the school. The event was held in the Centre for Contemporary Arts which is an arts centre close to The Glasgow School Of Art campus. Exhibitors included Natalie McFadyen, James Hodgson, Ruth Legg, Kate Drummond - Brassington, Mark Melvin, Will Holt, Michelle Daniels, Ruth Davies, John Barrington, Henry Coombes, Nicola Godsal, Mari Lagerquist, Martin Craig, Hannah Palmer, Dan Miller, Grethe Forsstrom, Laura Marshall, Kate Burton and Astrid Kruse Jensen.

This poster advertised a series of exhibitions featuring the work of contemporary artists from the province of Ontario in Canada. The exhibitions were organised by Visual Arts Ontario and were held in the Mackintosh Museum and the Newbery Gallery within The Glasgow School Of Art campus from the 25th February to the 22nd March 1985.

This poster advertised an exhibition of work by postgraduate textile students at The Glasgow School Of Art. The exhibition was held in The Glasgow School Of Art's Mackintosh Building from the 14th to the 19th of June 1986.

This poster depicts a portrait of the artist with pink and blue fonts on a white background. It advertises a touring exhibition of the work of Jessie M. King, who is known for her book illustrations and paintings which are very much associated with the Glasgow Style. Known as one of the Glasgow Girls, the exhibition of King's work in 1979 marked the 20th anniversary of her death and was first shown at the Tolbooth Art Centre on Hill Street, Kirkcudbright from 4th June to 18th July. Later that same year, the exhibition was held at the Glasgow School of Art's Mackintosh Building from 27th July to 3rd September. The exhibition itself was sponsored by the Robertson Trust, The N.S. Macfarlane Trust and the Glasgow School of Art Enterprises.

This poster advertised an exhibition and series of talks by painter and designer Patrick Heron. The exhibition was held in the Newbery Lounge and the talks in the Mackintosh Lecture Theatre which were both on The Glasgow School Of Art campus.

Poster for 'Poster Graphics, Peter Paul Piech' exhibition at the Mackintosh Museum. The exhibition date was 01 May-10 May, year unknown but believed to be late 20th century. Blue edition.

This poster advertised an exhibition of photographs from The Glasgow School of Art that were shown in the Collins Exhibition Hall at Strathclyde University from the 23rd of January to the 14th of February 1979.

This poster advertised an exhibition showcasing a number of design disciplines from the Masters in Design course. This exhibition was first shown in Princes Square in Glasgow city centre before travelling to the Coningsby Gallery in London. The exhibition was sponsored by McVitie's biscuits and The Jacob's Bakery Ltd.

This poster is for an exhibition of Charles Rennie Mackintosh's lost furniture from the Glasgow School of Art in association with the Glasgow Herald. The poster features Miss Kate Cranston's bedroom suite, which Mackintosh designed in 1904.

This poster advertised an exhibition showcasing work made by seven international architects who were asked to produce work inspired by Charles Rennie Mackintosh. The poster conveys how "seven of the world's leading architects have made installations in the Glasgow School of Art. They are personal homages to Charles Rennie Mackintosh and a mark of his international significance today." The poster was designed by Blue Peach, Glasgow. The show, held in the Mackintosh Museum on the Glasgow School of Art's campus featured the work of: - Filippo Alison (Naples) - Edward Cullinan (London) - Aldo Van Eyck (Amsterdam) - Hans Hollein (Vienna) - Arata Isozaki (Tokyo) - Lean Krier (Luxembourg) - Stanley Tigerman (Chicago)

This poster advertised an exhibition of work by both past and present students from the School of Design and the Mackintosh School of Architecture at The Glasgow School Of Art. It features a quote from John Kenneth Galbraith who was a prominent economist during this period. He stated "It is on the artistic not less than on the engineering and scientific excellence that economic security and economic progress now depend," The exhibition was held between Kelvingrove Art Gallery and Museum and the Mackintosh Museum at The Glasgow School Of Art. It ran from the 9th of February to the 1st of March 1985.

This poster advertised an exhibition of work by both past and present students from the School of Design and the Mackintosh School of Architecture at The Glasgow School Of Art. It features a quote from John Kenneth Galbraith who was a prominent economist during this period. He stated "It is on the artistic not less than on the engineering and scientific excellence that economic security and economic progress now depend," The exhibition was held between Kelvingrove Art Gallery and Museum and the Mackintosh Museum at The Glasgow School Of Art. It ran from the 9th of February to the 1st of March 1985.

This poster advertised an exhibition showcasing the work of The Glasgow Girls held in The Mackintosh Museum at The Glasgow School Of Art. The exhibition ran from the 15th of July to the 31st of August 1988 and was the precursor for a larger Glasgow Girls exhibition that would be shown two years later. This particular exhibition was curated by Jude Burkhauser who went on to write a full PhD on The Glasgow Girls.

This poster advertised an exhibition of graphic design work which was held in the Mackintosh Museum within The Glasgow School Of Art from the 1st to the 15th of December 1990.

This poster, which is orange in colour, advertised an exhibition of work by Charles Rennie Mackintosh, which was held in the Mackintosh Building, Room 31, on the Glasgow School of Art campus. The show focused on 'Mackintosh in Context: the European Connection', running from the 7th of July until the 18th of August 1990. The exhibition was sponsored by Black Bottle Scotch Whisky.

This poster was used to advertise an exhibition of work by Glasgow School of Art students held at Glasgow Green as part of the Glasgow Mayfest in 1994. Poster design by Lyn Jarvie. Illustration by Rosalind Venet.

This poster advertised an exhibition associated with Scotrail and The Glasgow School Of Art Enterprises. It featured work created on location at railways across Scotland by visual communications students at The Glasgow School Of Art and was organised to celebrate the Railtracks Station Regeneration project. The poster was designed by Patrick Macklin who later became the head of Interior Design at The Glasgow School Of Art.

This poster advertised an exhibition held in The Mackintosh Museum at The Glasgow School Of Art that showcased the work of graduating ceramics students from across Britain. The back of the poster lists exhibiting students along with details of where they studied. The exhibiting graduates included: - Jane Frankland: Manchester Polytechnic - Liz Astbury: Wolverhampton Polytechnic - Nicola Marrison: Crewe Alsager College Of Higher Education - Maria Lindemann: Central St. Martins College of Art And Design - Mark Hailley: Loughborough College of Art And Design - Madeleine Child: Camberwell School Of Art - Susan Wade-French: Glasgow School Of Art - Rob Richard: Bristol Polytechnic - Julian Smith: South Glamorgan Institute Of Higher Education - Zoe Whiteside: Staffordshire Polytechnic - Helen Hitchcock: Leicester Polytechnic - John Alliston: South Glamorgan Institute Of Higher Education - Susan Ross: Duncan of Jordanstone College Of Art And Design - Michael Green: Bath College Of Higher Education - Dale Butroid: Bristol Polytechnic - Michael O'Connor: Goldsmiths' College - Susan Room: Middlesex Polytechnic - Marie Bonlokke: Pederson Royal College Of Art - Bryony Seymour: Staffordshire Polytechnic - Brigitte Winsor: Birmingham Polytechnic - Philomena Pretsell: Edinburgh College Of Art - Frankie McKenna: Grays School Of Art The exhibition ran from the 6th to 27th of October 1990 and was funded by Potterycraft Ltd and The Glasgow District Council's Festival Budget for The Glasgow 1990 Culture Capital of Europe.

This poster advertised an exhibition of work by artists who graduated from The Glasgow School Of Art's sculpture department between 1979 and 1989. The exhibition was curated by Cliff Bowen who worked as a sculpture lecturer from 1973 until 1978. It was held in The Glasgow School Of Art's Newbery Gallery in the Newbery Tower from the 4th of August until the 1st of September and was sponsored by the Ian McTaggart Trust.

This poster advertised an exhibition of photographic works showing the architectural properties of unbaked earth. The exhibition was held in association with the French Institute and ran from the 25th of Februrary to the 17th of March 1983 in the Bourdon Building and the Green Room.

This poster advertised an exhibition of work by Barry Atherton which was held in The Glasgow School Of Art's Mackintosh Museum from the 10th to the 28th of September 1984. Atherton had previously been a first year fine art lecturer from 1974 to 1975. The reverse of the poster is annotated and says "Ian Monie - Library".

This poster advertised an exhibition organised by The Royal Society For The Encouragement Of Art Manufactures and Commerce that was held in The Mackintosh Museum at The Glasgow School Of Art from the 5th to the 16th of October 1987. The poster was designed by The Small Back Room and was printed by APT Photoset Limited using an offset printing press.

This poster advertised an exhibition of work by second year printmaking students from The Glasgow School Of Art. The exhibition was held in the Market Gallery on Duke Street in Glasgow and ran from the 1st to the 8th of March. It was sponsored by the Reidvale Housing Association.

This poster advertised an exhibition of drawings by Bridget Riley which was held in the Newbery staff lounge in the Newbery Tower at The Glasgow School of Art as part of the school's annual activities week. Riley is well known for her optical illusion paintings and is considered a leading figure in Op Art. During activities week, large bill boards on Renfrew Street displayed posters made by staff and students that advertised the week's events. Many of these posters can now be found in The Glasgow School Of Art's Poster Collection. An image of this particular poster can be found in the 1973/74 prospectus catalogue on page 21.

This poster advertised an exhibition of Charles Rennie Mackintosh and Margaret Macdonald Mackintosh in 1983 at the Fine Art Society, 134 Blythswood Street, Glasgow, which ran from 24 Aug to 26 Sep 1983. Entitled 'The 1933 Memorial Exhibition: A Reconstruction', it was part of the Charles Rennie Mackintosh Society's 10th Anniversary Celebrations (1973-1983). The poster features a watercolour painting of a flower in lilac, white and black paint.

This poster advertises a Japanese exhibition of Charles Rennie Mackintosh's work.The poster is white, has pink and navy writing and includes an image of a Mackintosh chair. From Art Today, the poster is a design by Ikko Tanaka for 'Gurafiku: Japanese Graphic Design' in 1979.

This poster advertised an exhibition of drawings by Danny Ferguson who was a lecturer at The Glasgow School Of Art. The exhibition was held in the Newbery Lounge in the Newbery Tower at The Glasgow School Of Art.

This poster advertised an exhibition of drawings by first year students at The Glasgow School Of Art.

This poster, designed by Pat MacKenzie, advertised an exhibition of embroidery examples from 1894 to 1920. The exhibition was held between The Glasgow School Of Art's Mackintosh Museum and Kelvingrove Museum from the 6th of June to the 17th of August 1980. The image used on the front of the poster is an embroidery piece by Ann Macbeth who became the head of needlework and embroidery at The Glasgow School of Art in 1909, and is heavily associated with the "Glasgow Style".

This poster advertises an exhibition of work done by the Jewellery and Silversmithing department at The Glasgow School of Art. The exhibition was held in the Aaron Faber Gallery in New York City and ran from the 8th of September to the 1st of October 1994. It was organised with the help of the Taffners, a family based in New York who donated money to The Glasgow School Of Art for a number of years.

This poster advertised an exhibition of paintings by Jock MacInnes, a graduate of The Glasgow School Of Art. The exhibition was held in the Mackintosh Museum in The Glasgow School of Art's Mackintosh Building from the 27th of October to the 7th of November 1975.

The poster advertised an exhibition held in the Mackintosh Museum at GSA, showcasing the work of Paul Peter Piech. Piech is known for his work in graphic design and predominantly working with linocut techniques.

This poster for a major exhibition of painting, decorative and applied art by the Glasgow Girls from 1890 to 1930 uses an Eleanor Allen Moore painting as the background. It was a touring exhibition by the Kirkcudbright 2000 group. Over 100 exhibits were provided by the three main Scottish collections of 'Glasgow Girls' work - Glasgow Museums, The Glasgow School of Art and the Hunterian Gallery of the University of Glasgow, and the exhibition ran from 19th Nov to 20th Dec 2010. Artists and makers represented included Annie French, Margaret Gilmour, Norah Neilson Gray, Jessie M. King, Frances and Margaret Macdonald, Jessie Newbery and many others. Several private individuals also lent significant works, many of which had never been viewed in public before. The exhibition was curated by Liz Arthur, formerly a Glasgow Museums curator, who was involved in the last major exhibition on the 'Glasgow Girls' in Glasgow 1990. She also wrote a book to co-incide with this exhibition: 'Glasgow Girls : Artists and Designers 1890-1930' (Alba Printers Ltd, 2010). The exhibition was accompanied by a series of Lunchtime Lectures.

The following additional information was provided by the creator in September 2020:

"During my third year as a Graphic Design student, my fellow student Patrick Macklin who was studying Interior Design approached me with a request for technical help in producing a poster for the “Glasgow Girls” exhibition which he had been asked to produce. As this was the era of pre-digital, creating a poster for printing was quite a specialist task and was really the domain of Graphic Designers.

The artwork began by sourcing an archive image of historical female students in Glasgow School of Art in the Mackintosh era that could be scaled up to the finished size and retain a high enough visual quality. Because the concept that we decided on would heavily reference Mackintosh, I decided to use his signature violet colour and chose the exact colour from a pantone chart, that is so heavily associated with Mackintosh to create a duotone of the archival photograph.

Once I established the finished size of the poster, I drew by hand the printers marks that would establish cropping, registration of the separated colours and alignment of the layers on a sheet of heavy CS10 board (I think I did not eat for a couple of days to afford that board!).

The next stage was to create an area that would convey the information that the poster would communicate to the viewer. As this was the pre-digital era, I had to work out all the line lengths and the subsequent point sizes and weights required for the information block at the foot of the poster using type catalogues, rulers and casting off rulers. Once this was established, I requested to the operator of the GSA’s linotype photosetting machines to print out a galley proof of the type, once I was happy with the layout and weights of the type. I chose the font from the limited range that was available to the operator, as these fonts were mastered on glass slides that would be inserted into the linotype machine and were very expensive and therefore very limited in range. I settled on Book Antiqua as it was one of the least boring of the serif font choices and was also similar to the font used by Prefab Sprout in there “Swoon” album which I had nearly worn out the grooves of by that time!

I then used traditional art materials such as Letraset, drafting film, rubalith, rotring rapidograph pens and scalpels to create the text area. I hand drafted the dashed stroke around the border of the text area to invoke Mackintosh’s distinct use of these in his work. To create harmony and visual balance, I also hand cut a further two perfect squares using a half tone letraset dot matrix on a further layer to fill the void at either end of the “Girls” line of text to make a block so reminiscent of the Japanese wood cut influence in Mackintosh’s typography without being too literal.

It was really difficult in those days to source “camera ready” artwork for the sponsors logos, as companies in those days regarded any activity outside official Design Studios with the utmost suspicion. Eventually we managed to source these and I scaled them to the correct size using an Agfa Repromaster copy camera and the dark room. All these elements were then pasted on to the CS10 backboard or drafting film layers with measurement and precision using low tack spray mount.

The finished artwork was then sent to the Printer to be screen printed. I also supplied the pantone ink numbers they were to use for the screen printing in a list.

I was lucky enough to receive (as payment for my services) a “free” copy of the poster for my portfolio which I still have today!"

This poster advertised an exhibition of prints by the artist Brian Kelly. The exhibition was held in the Scottish National Gallery in Edinburgh.

This poster advertised an exhibition of work by the Scottish cartoonist Bud Neill. Neill studied at The Glasgow School of Art and is known for his cartoon strips which featured in a number of Glasgow newspapers. His work often played on Glasgow humour, with notable characters such as Lobey Dosser and the Sheriff of Carlton Creek. The exhibition was held in the Newbery Lounge in the Newbery Tower at The Glasgow School Of Art. The exhibition title refers to Isaac Wolfson who was a Scottish business man and philanthropist known for his successful mail order service.

This poster advertised an exhibition of work by the Scottish artist Eduardo Paolozzi. Paolozzi is known for his collage and sculptural works and he often made work in a public setting. This exhibition was held in the Newbery Foyer in the Newbery Tower at The Glasgow School Of Art.