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A fabric trimming from a cushion cover, embroidered before the First World War. The cover has pink roses and green foliage embroidered on authentic 'Mackintosh' mauve linen fabric.It is possible that both design and fabric were purchased from Brown and Beveridge, Bath Street, Glasgow.

Sample of replacement fabric for Dugout settle.

Printed tea towel of The Glasgow School of Art with an image of the Mackintosh building, in red on white background. Tea towel is made of two pieces of fabric sewn together and then printed.

The poster advertised an exhibition showcasing work by Charles Rennie Mackintosh which was held in Port Vendres in the Pyrénées-Orientales in the South of France. On the poster it says "Un Ecossais En Catalogne", which translates as "A Scottish in Catalonia". Featured on the front of the poster is an image of a landscape watercolour of La Rue du Soleil, a piece by Charles Rennie Mackintosh. Mackintosh has strong associations with the South of France as he and Margaret MacDonald lived there from 1923 to 1927. The exhibition itself was held in association with the Entente Cordiale and the Glasgow School of Art.

Poster features a grey Mackintosh portrait focusing on his moustache, grey and orange in colour. Also features line drawings of Mackintosh chairs. The exhibition of twenty Mackintosh chairs from the Glasgow School of Art's collection formed part of the opening celebrations at Norway’s newest cultural attraction, the Jugenstilsenteret (Art Nouveau Centre), in Ålesund, from the 6th June to 12th Oct 2003. Similar to Glasgow, this city is one of the founding partners of the EU-funded Réseau Art Nouveau Network. The School’s contribution was hoped to inspire further cultural and artistic ties between the two countries.

This poster features white images of twenty chairs with grey text to advertise an exhibition held in Jugendstilsenteret, Ålesund, Norway, from 6th June to the 12th Oct 2003. The exhibition of twenty Mackintosh chairs from the Glasgow School of Art's collection formed part of the opening celebrations at Norway’s newest cultural attraction, the Jugenstilsenteret (Art Nouveau Centre), in Ålesund. Similar to Glasgow, this city is one of the founding partners of the EU-funded Réseau Art Nouveau Network. The School’s contribution was hoped to inspire further cultural and artistic ties between the two countries.

This poster advertises a Japanese exhibition of Charles Rennie Mackintosh's work.The poster is white, has pink and navy writing and includes an image of a Mackintosh chair. From Art Today, the poster is a design by Ikko Tanaka for 'Gurafiku: Japanese Graphic Design' in 1979.

This sky blue poster features a Charles Rennie Mackintosh chair and a distinctly dressed female wearing make-up and a blonde wig. Mackintosh's work was heavily influenced by Japanese design and culture. This poster advertises an association with Mackintosh's work and the Japanese Department store chain Daimaru.

This poster advertised an exhibition of Charles Rennie Mackintosh and Margaret Macdonald Mackintosh in 1983 at the Fine Art Society, 134 Blythswood Street, Glasgow, which ran from 24 Aug to 26 Sep 1983. Entitled 'The 1933 Memorial Exhibition: A Reconstruction', it was part of the Charles Rennie Mackintosh Society's 10th Anniversary Celebrations (1973-1983). The poster features a watercolour painting of a flower in lilac, white and black paint.

In 1988, a Mackintosh architecture exhibition opened in Certaldo in Tuscany, Italy. It was organised by Comune di Certaldo in Palazzo Vicariale di Certaldo from 31st July to 30th September. A book was published by Electa Firenze about the exhibition including images of architectural drawings, photographs, sketches and paintings. This image is of a blue, beige, and black coloured architectural drawing.

In 1988, a Mackintosh architecture exhibition opened in Certaldo in Tuscany, Italy. It was organised by Comune di Certaldo in Palazzo Vicariale di Certaldo from 31st July to 30th September. A book was published by Electa Firenze about the exhibition including images of architectural drawings, photographs, sketches and paintings. It features a Willow Tea Rooms drawing in cream, black, blue, green red and purple.

The poster advertised an exhibition of work by the Scottish architect, artist and designer Charles Rennie Mackintosh. The show was held in the German town of Darmstadt, known for its Art Nouveau architecture and design. The show was held in the Hesse State Museum and was open from the 27th of February to 4th of May 1969. The poster is a graphic design by Fritz Fischer.

This poster advertised an exhibition marking the centenary of Charles Rennie Mackintosh's birth. The show itself was held in the Victoria and Albert Museum, London and was open to the public from the 30th of October to 5th of December 1968. The exhibition was sponsored by the Edinburgh Festival Society and arranged by the Scottish Arts Council.

This poster is for a Charles Rennie Mackintosh exhibition at the Glasgow School of Art, which ran from 1st July to 30 September 1988. The poster has a black and white design with orange font. It uses a geometric pattern which mimicks a Charles Rennie Mackintosh chair design.

Broadsheet poster on Scottish Architecture featuring Mackintosh's Hill House, Helensburgh.

This poster advertised a seminar on Charles Rennie Mackintosh which was arranged to mark the 10th anniversary of the Charles Rennie Mackintosh Society. Speakers included: - Thomas Howarth (Toronto): the Mackintosh Interior - Sir Denys Lasdun (London): CRM and Architect's Appraisal - Andy MacMillan (Glasgow): Mackintosh and the National Expression - Dennis Sharp (London): Muthesius and Mackintosh - Mackintosh Authors: Roger Billcliffe, Robert MacLeod, Thomas Howarth, Andy MacMillan - Clause Frontisi (Paris): Hector Guimard - Juan Bassegoda (Barcelona): Antonio Gaudi - Szirmai Janos (Budapest): Odon Lechner - John Archer (London): Edgar Wood - Paul Sprague (USA): Louis Sullivan - Robert Judson Clark (Princeton USA): Josef Olbrich - Don Kalec (Chicago, USA): Frank Lloyd Wright - Randall MacLeod (Bristol): W.R. Lethaby - Peter Vergo (Colchester): Wiener Werkstaat - Christian Witt-Doring (Vienna): Vienna furniture, 1900

This poster advertised an exhibition showcasing work made by seven international architects who were asked to produce work inspired by Charles Rennie Mackintosh. The poster conveys how "seven of the world's leading architects have made installations in the Glasgow School of Art. They are personal homages to Charles Rennie Mackintosh and a mark of his international significance today." The poster was designed by Blue Peach, Glasgow. The show, held in the Mackintosh Museum on the Glasgow School of Art's campus featured the work of: - Filippo Alison (Naples) - Edward Cullinan (London) - Aldo Van Eyck (Amsterdam) - Hans Hollein (Vienna) - Arata Isozaki (Tokyo) - Lean Krier (Luxembourg) - Stanley Tigerman (Chicago)

This poster, which is orange in colour, advertised an exhibition of work by Charles Rennie Mackintosh, which was held in the Mackintosh Building, Room 31, on the Glasgow School of Art campus. The show focused on 'Mackintosh in Context: the European Connection', running from the 7th of July until the 18th of August 1990. The exhibition was sponsored by Black Bottle Scotch Whisky.

This poster is for an exhibition of Charles Rennie Mackintosh's lost furniture from the Glasgow School of Art in association with the Glasgow Herald. The poster features Miss Kate Cranston's bedroom suite, which Mackintosh designed in 1904.

This Japanese poster advertised a Charles Rennie Mackintosh exhibition. It was designed by graphic designer Ikko Tanaka in 1979 for Gurafiku: Japanese Graphic Design. The poster uses a pink and navy font on a white background, with an image of a Mackintosh chair.

This poster showing an image of a Mackintosh chair advertised an exhibition of the work of Charles Rennie Mackintosh at the Museum of Applied Arts in Helsinki from 10th December 1982 to 16th January 1983.

This poster advertised an exhibition showcasing the work of Scottish artist, architect and designer Charles Rennie Mackintosh. Held in the Miezsznorodowego Cultural Centre in Krakow, Poland, the exhibition ran from the 18th of September to 31st of October 1996 and was arranged by the British Council of Poland, with sponsorship from the Polish Airlines Cargo.

The poster advertised an exhibition of work by Charles Rennie Mackintosh that was held in the McLellan Galleries on Sauchiehall Street in Glasgow. The show itself was sponsored by the Whyte and Mackay Group and ran from the 25th of May to 30th of September 1996. Admission to the exhibition was priced at £4 for adults and £2 for concessionary rate. The poster has a geometric square design.

This poster advertised an exhibition of the work of Charles Rennie Mackintosh which took place at det Danske Kunstindustrimuseum, Kobenhavn, from 10th September to 10th October 1982 and features an image of an iron bird, tree and rose.

Poster advertising 'Charles Rennie Mackintosh & The Glasgow School', Bute Gardens, The University of Glasgow. Dates given are 27 Jan-20 Feb, year is not given but is believed to be late 20th century.

Poster for lecture 'Mackintosh and the Future', Glasgow Film Theatre, Glasgow. The lecture was given by Enric Miralles, who was a visiting lecturer at the Mackintosh School of Architecture. The date of the lecture was 03 Oct, no year is given but is believed to be 1998.

Poster for Charles Rennie Mackintosh Exhibition at Hida Takayama Museum of Art, Japan, 1998.

Poster for exhibition 'Charles Rennie Mackintosh Pursuit of Perfection' at The Glasgow School of Art, 24 Jun 1986-02 Jul 1986

Poster for Mackintosh exhibition at the Museum des 20. Jahrhunderts [Museum of the 20th century] in Vienna, Austria, 07 Jun 1969-20 Jul 1969.

This sky blue poster features a Charles Rennie Mackintosh chair and a distinctly dressed female wearing make-up and a blonde wig. Mackintosh's work was heavily influenced by Japanese design and culture. This poster advertises an association with Mackintosh's work and the Japanese Department store chain Daimaru.

Wooden backing board for Windyhill Designs with Mackintosh's address and other exhibition and shipping labels.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Designed for Guthrie and Wells, Glasgow. This and others pieces of green stained furniture made by Guthrie and Wells, were collected by William Davidson for his house Gladsmuir and later in Windyhill. Guthrie and Wells, originally founded as a painting and decorating firm by J and W Guthrie, who entered into partnership with Andrew Wells in 1895, played an important role in the history of decor and design in Glasgow. They were the most important of the stained glass studios emerging in Glasgow in the 1890s, supplied furniture, glass, mosaics etc and had a reputation for first class craftsmanship and always employed excellent designers. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Designed for Argyle Street Tea Rooms, Glasgow. A very similar table with a square top was also used in the Argyle Street Tea Rooms, and a white version appears in Annan's photograph of Mackintosh's drawing room in Mains Street. Top repaired and repolished 1985. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Designed for Argyle Street Tea Rooms, Glasgow. At least four examples of this table appear in contemporary photographs of the Smoking and Billiards Rooms at Argyle Street. Some appear in photographs of the Ingram Street Tea Rooms taken in the 1940s - possibly Mackintosh specified them for the Cloister Room but it is more likely that they were taken when the Argyle Street Tea Rooms were closed in 1920. The lower shelves held the cups and plates and unused dominoes of the four players.The GSA originally owned a second example of this table, which was donated to the Museum of Modern Art in New York in 1958 by Douglas Percy Bliss, then Director of GSA. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.

Designed for original board room at Glasgow School of Art. The chairs were designed for the original Board Room in the East wing (now the Mackintosh Room). The Governors never used this room for meetings and it was initially used as a studio while space was short in the half-finished building. When the new Board Room was built in the second phase of the building, Mackintosh designed a more elaborate version of this chair for it, MC/F/61. Six chairs reupholstered in brown horsehair 1985, very similar to the original fabric found on one of the chairs. Two remaining chairs reupholstered in 1986. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

Designed for Guthrie and Wells, Glasgow. This and others pieces of green stained furniture made by Guthrie and Wells, were collected by William Davidson for his house Gladsmuir and later in Windyhill. Guthrie and Wells, originally founded as a painting and decorating firm by J and W Guthrie, who entered into partnership with Andrew Wells in 1895, played an important role in the history of decor and design in Glasgow. They were the most important of the stained glass studios emerging in Glasgow in the 1890s, supplied furniture, glass, mosaics etc and had a reputation for first class craftsmanship and always employed excellent designers. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Designed for the White Dining Room, Ingram Street Tea Rooms, Glasgow. The basic chair used in the main dining room, and the Cloister Room in 1900. The original seat coverings were probably horsehair. Reupholstered in brown horsehair, 1984. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

Designed for the White Dining Room, Ingram Street Tea Rooms. Glasgow. The basic chair used in the main dining room, and the Cloister Room in 1900. The original seat coverings were probably horsehair. Reupholstered in brown horsehair, 1984. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Designed for the Ingram Street Tea Rooms, Glasgow. Identical with MC/F/24 except for the shortened rear uprights and splats. Probably originally designed for the Cloister Room, but cut down in 1912 because of the new low ceilings installed at that time. (Roger Billcliffe). Reupholstered in brown horsehair 1984. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

Designed for John Henderson.'One of the earliest surviving pieces with repousse panels, here designed by Mackintosh. Although probably made by cabinet makers such as Guthrie & Wells, it has none of the more traditional mouldings that appear on the commercial bedroom units, probably because Mackintosh was designing directly for a client. The pendant leaf motif at the base was slowly transformed in later pieces, into a characteristic dip in the lower stretcher or apron based upon a favorite Mackintosh motif, the swooping bird.' (Roger Billcliffe). This item was assessed for conversation in 2010 as part of the Mackintosh Conservation and Access project (2006-2010), and then again in 2018 following the fire in the Mackintosh Building in June 2018.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Table designed for Windyhill, Kilmacolm, possibly later than 1901. Identical to a white table (collection: Hunterian Art Gallery) but dark stained. The final account for the furniture supplied to Davidson for Windyhill in 1901 does not mention the two dark stained tables so it is probable that they were made later for the children's bedrooms. (Roger Billcliffe). This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

Designed for the Willow Tea Rooms, Glasgow. 'A very sturdy but not particularly comfortable chair, used in the ground floor saloons, the Gallery and the Smoking room... Their boxy shape contrasts with the taller and more open ladder-backs arranged alongside them in the layout of furniture which Mackintosh devised.' (Roger Billcliffe). Reupholstered in blue horsehair 1984 (the original upholstery on these and the Willow settle was a green and gold striped horsehair). This item was assessed for conversation in 2010 as part of the Mackintosh Conservation and Access project (2006-2010), and then again in 2018 following the fire in the Mackintosh Building in June 2018.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Designed for the Billiards Room, Willow Tea Rooms, Glasgow. This table does not appear in contemporary photographs of the Tea Rooms. It is cruder in construction and more robust than the other round table, MC/F/46, and so has affinities with the heavier looking furniture designed for the Billiards Rooms. The square cut-outs on the legs echo the similar arrangements of squares on the panel dividing the fitted seating in the Billiards Room. (Roger Billcliffe).

Designed for the Director's Room, Glasgow School of Art. Twelve chairs were made in 1904 for the GSA, but William Davidson acquired a further two, with six of MC/F/58 for use as dining chairs in the hall at Windyhill. Twelve chairs reupholstered in brown horsehair 1984. One chair on loan from Glasgow University, returned 1984. These items were assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

Designed for the Director's Room, Glasgow School of Art. Twelve chairs were made in 1904 for the GSA, but William Davidson acquired a further two, with six of MC/F/58 for use as dining chairs in the hall at Windyhill. Twelve chairs reupholstered in brown horsehair 1984. One chair on loan from Glasgow University, returned 1984. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Designed for Miss Cranston's home at Hous'hill, Nitshill, Glasgow. A white table was originally placed at the window of the music room in Hous'hill. It was purchased at the 1933 exhibition and loaned to the GSA by the same family who purchased half the White Bedroom suite. In 1920 (after the death of her husband) Miss Cranston sold the property with its furniture to Mr Gamble, who took much of the furniture with him when he left. In 1927 the house was leased to John Henderson, and in 1934 extensively damaged by fire and purchased by Glasgow Corporation for demolition; all the interior fittings were destroyed. It is not known where the black table was originally used in the house, or even if it indeed came from Hous'hill.

Designed for the nursery, Gladsmuir, Kilmacolm. Probably made by Guthrie & Wells. The wide vertical panels running either side of the back of the cupboard, here terminating in two decorated lugs, are a motif Mackintosh often used in later work. One of Mackintosh's early pieces which William Davidson acquired for his home in his parents' house Gladsmuir before he built Windyhill. Original photos of the Windyhill interiors show it located in the hall.
This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Designed for the (new) Board Room, Glasgow School of Art. A more elaborate version of the chairs designed for the original Board Room in 1899 (MC/F/18).

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Designed for the Oak Room, Ingram Street Tea Rooms, Glasgow. The wavy top rail and twin back rails echo the bent laths fitted to the Oak Room balcony and also used on the dresser. All chairs repaired and re-rushed 1985. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.

Designed for the Ingram Street Tea Rooms, Glasgow. 'One of the sturdiest and most successful small chairs designed by Mackintosh. The chair was used in the Chinese Room in the late 1940s but there is no record of it being specifically designed for it.' (Roger Billcliffe). The two chairs in the Museum of Modern Art collection (NY) originally belonged to GSA and were donated in 1958 by then director, Douglas Percy Bliss. This item was assessed for conversation in 2010 as part of the Mackintosh Conservation and Access project (2006-2010), and then again in 2018 following the fire in the Mackintosh Building in June 2018.