Showing 23 results

A written sheet including a brief of the basic design requirements including function, occupation, construction, and location. The most important design criterion is: "the building must blend in with the surrounding landscape as camouflage".

A tracing paper consisting of the east and west elevations. The drawing is in 1:50 scale and showing the finishing materials and colours.

A tracing paper showing the first floor plan of the design of the building. The drawing is in 1:50 scale and including the spaces and rooms and details of the walls and windows, steps, staircase, and furniture.

A tracing paper consisting of the north and south elevations. The drawing is in 1:50 scale and showing the finishing materials and colours.

A tracing paper showing the second floor plan of the design of the building. The drawing is in 1:50 scale and including the spaces and rooms and details of the walls and windows, steps, staircase, and furniture.

A tracing paper including section AA crossing the dining and living room facing the north elevation. The drawing is in 1:50 scale and showing the details of the construction materials and the windmill at the roof with a description of how to use wind to produce electricity and stored in batteries where it is fed through the building.

A tracing paper including section BB crossing the dining room, greenhouse and entrance facing the west elevation. The drawing is in 1:50 scale and shows the details of the construction materials and the windmill at the roof with a description of solar panels on the roof of the greenhouse.

A tracing paper showing the site plan of Alisa Craig where the design will be built. The drawing is in 1:100 scale.

A tracing paper showing the third floor plan of the design of the building. The drawing is in 1:50 scale and including the main space of the observatory and darkroom with the details of the walls and windows, staircase, and furniture.

A free hand drawings consisting of some details of Camellia house and grounds: Culzean.

A free hand drawing consisting of some details of Park Centre: Culzean, showing some details of window, door, main gate, and chair.

Another design verso.

Scottish. Very fine lawn with flower and leaf design at each corner and initial 'A' in pink in one corner. Very fine drawn fillings and drawn hem.

Symbolic Masonic apron.

These images show Charles Rennie Mackintosh and fellow Glasgow School of Art Students, Herbert MacNair, Frances Macdonald, Margaret Macdonald, Agnes Raeburn, Janet Aitken, Katherine Cameron and Jessie Keppie. Jessie Keppie's brother, John Keppie also appears in the photographs. John Keppie was a partner in Honeyman and Keppie, the architectural firm at which Mackintosh and Herbert McNair worked.

This work is presumed from the same series as "Pressed seaweed art (DC 120/1/1)," but not dated. Two pieces of kelp and red dulse seaweed are attached to the paper.

A drawing made of dried kelp and red dulse seaweed from the sea near Millport in Ayr, Scotland. Annotated "Millport. ap 3. 36." presumed to be the creation date. The pieces of seaweed adhere to the paper, maintaining their natural shapes.