- NMC/0859
- Item
- c1970s
Underwater reeds.
Palmer, Joan
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Underwater reeds.
Palmer, Joan
Fish market on the beach, Hastings. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Riverside composition. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Morning at Eton College. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Views of Windsor Castle and Conway Castle. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Part of Papers of James Cosgrove
Sketchbook including illustrations of landscapes and abstract landscapes, mostly from Morvich and Rothesay. Including printouts from jimmycosgrove.files.wordpress.com from 2016.
Cosgrove, James
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Gouache and ink painting of an abstract landscape on sketchbook page. Drawn Verso: line drawing in pencil.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Abstract drawing with three shades of grey gouache applied with gestural brush marks. Annotated verso: ink drawing of male and female figures "life drawing use of line", "25".
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Sketchbook page with drawing on both sides. Black ink drawing of abstract figures and line on side one and abstract line drawing done with ink and pen nib on side two.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Ink drawing of the female form on paper. On the reverse is a pencil drawing of a reclining female form with crosshatched shadows.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
One sketchbook page divided into two designs. Both drawings showing abstract shapes and figure outlines. Drawn in charcoal and pencil and rendered in brown and blue gouache. On the reverse: pencil line drawing of shapes. Similar to DC 089/1/2/4/32.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
One sketchbook page consisting of two abstract drawings in gouache and charcoal. One drawing shows an abstract painted background with a line drawing in charcoal depicting three figures.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Two sided drawing on sketchbook page. Side one shows a black ink drawing of cows grazing in a field, with gestural marks. Side two has a faint pencil drawing of leaves and a drawing in conte crayon on tracing paper and taped to the paper with masking tape.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Abstract drawing in black ink with crosshatched lines and solid ink circles. Annotated verso "drawing of bay- quick almost child like drawing. Leaving the line as free as possible ignoring all detail- development, select lines and put into new format".
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
One sketchbook page divided into two drawings in charcoal, crayon, gouache and ink. Depicting a mountainous landscape with overdrawn figurative outlines. Annotated verso "Fraser Taylor 1980". Similar to DC 089/1/2/4/30.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Two sided line drawing in black ink of figures drawn from life. Similar to DC 089/1/2/4/37.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
One sketchbook page consisting of two abstract drawings in gouache and ink. One drawing shows an abstract painted background of horizontal lines and two stylised figures, one made from tracing paper and the other tissue paper. Annotated verso "Project figure shapes over landscape. tissue paper + line -colour- blue etc. Shadows- more extreme shapes- skirts etc. draw free mix materials". "wax line. earthy colour- small areas of bright colour".
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Two sided drawing on sketchbook page. Side one shows a line drawing of figures in black ink, with a rendered background in grey and pink gouache. Side two displays two line drawings of the same female form, one in black ink and the other in pencil.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Sketchbook page with line drawing in ink of figure and abstract shapes. On the reverse: pencil outline of abstract shapes.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
One sketchbook page divided into two drawings in charcoal, crayon, gouache and ink. Depicting a mountainous landscape with overdrawn figurative outlines. Annotated verso "Fraser Taylor 1980". Similar to DC 089/1/2/4/30.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Sculpture made from Portland stone. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014 and was conserved in 2018-19.
Knox, John
Abstract design with swirling patterns.
McLaren, Norman
Mount Florida - A Study (illustrated book)
Ring-bound volume of various designs documenting Mount Florida School, Glasgow; including 'tipped-in' drawings by children.
Palmer, Joan
Rough ink sketch on reverse.
Thomson, Robert Sinclair
One sheet with a series of pencil sketches, source photographs attached, recording movement. Handwritten note at the foot of the sheet records the date April 1997, 'the arms swing like gyroscopes to balance the action, contrapposto is not just a concept but a fact of movement'
Robertson, Frances
Italian farm study. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Miller, Archibald E Haswell
Miller, Archibald E Haswell
"AEH Miller, Munchen 1908".
Miller, Archibald E Haswell
"AEH Miller, Munchen 09".
Miller, Archibald E Haswell
Mural design for Decorative Arts Building
Annotated by artist.
Miller, Archibald E Haswell
Museum, The Glasgow School of Art
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This painting of the first-floor museum, looking East, is one of the very earliest artistic depictions of the building's celebrated interior.
Anderson, Elizabeth
Group of figures seated at a table.
Russell, Avishai
Miller, Archibald E Haswell
"AE Haswell Miller, 1922" (in pencil), bottom left.
Miller, Archibald E Haswell
Study of river valley. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Newscutting featuring advertisement for the Art School Festival
The newscutting informs of the reception and dance that were held at The Glasgow School of Art on the day it was published. The evening entertainment included the presentation of two plays by Francis H. Newbery. It shows photographs of four principals in the plays: Miss J. Cameron, Mr A. G. Crombie, Mr J. C. M'Fayden, and Mr J. Huck.
Originally located within folder (DC 098/1/4).
*Not available / given
Newscutting featuring Dame Laura Knight inspecting diploma work
The newscutting features a photograph of Dame Laura Knight with some of the principals inspecting diploma work during her visit to The Glasgow School of Art.
*Not available / given
Newscutting featuring Haswell Miller alongside a group of people in the McLellan Galleries
The photograph features a senior group of ten men and two women. Archibald Haswell Miller is standing in the back, fourth from the left.
The supporting text reads "Yesterday was "touching-up day" for the R.S.W. Exhibition in the M'Lellan Galleries, Glasgow, where our camera man secured this interesting study. The group includes Robert Eadie, Norah Neilson Gray, R. C. Young, James Kay, Haswell Miller, A. M'Bride, J. W. Wright, A. P. Thomson (sitting), Tom Hunt, Miss Raeburn, Arch. Kay, and D. Fulton."
An annotation on the top right corner of the cardboard shows "1928?".
*Not available / given
Newscutting featuring Haswell Miller at the Meeting of the Governors
The photograph features Archibald Haswell Miller and Josephine Haswell Miller alongside a group of males and females.
The supporting text reads "A group at the meeting of the Governors of the Glasgow School of Art this week, when Mr John D. Revel (centre), of Chelsea, was introduced to the board on the occasion of his taking up duty.–"Bulletin" Photo." The newscutting is supported by a handwritten map located below it. It offers the list of names and the location of the subjects in the photograph.
The cardboard also displays additional annotations by Haswell Miller: "We accepted him with all kindness and welcome. After a few weeks he called the staff together and practically told us he was going to sack the lot! I anticipated this by accepting the keepership of the National Galleries. Edinburgh. (Not very well qualified but standard were low in 1930)".
An annotation on the top right corner of the cardboard shows "c1928". Additional annotations below the photograph identify the people featured in it.
*Not available / given
Newscutting featuring the Scottish Art Club's Show
The photograph features a group of six men looking at a set of paintings hung on the wall.
The newscutting is titled "At a Scottish Art Club's Show". The supporting text reads "A group of artists and members of the Hanging Committee at the annual exhibition of work by members of the Glasgow Art Club, which is being held in the club's premises just now.–"Bulletin" Photograph."
An annotation on the top right corner of the cardboard shows "1926?".
*Not available / given
Abstract design.
Kuusik, Alexander
Abstract landscape.
Robertson, James Downie
'Night Ride to Alston, Hairpin at Cupola'
Abstract landscape in shades of blue, grey, brown and beige - fading distant light suggested. Possibly bleach treated.
Manning, Mick
Subject matter derived from George Orwell's book, '1984' first published in 1949. The wood engraving depicts a group of workers, three in the foreground, and others climbing an external staircase.
Chapman, June Crisfield
Llanilted Vale, North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
"Norham Castle. Northumberland Aug 1924" (in pen), bottom right.
Miller, Archibald E Haswell
Study of three cottages. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Abstract watercolour with layered collage. One of seven works presented to GSA by the Scottish Arts Council, as a result of the Council's collection being broken up and dispersed across Scotland.
Reeves, Philip