Braemar International Catalogue Fall 1988
- DC 114/4/1/11
- Item
- 1988
Part of Papers of C A Wallace Shaw
14-page catalogue of designs for Braemar International Ladies and Men's Collection for Spring Fall 1988.
Braemar International
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Braemar International Catalogue Fall 1988
Part of Papers of C A Wallace Shaw
14-page catalogue of designs for Braemar International Ladies and Men's Collection for Spring Fall 1988.
Braemar International
Green and white placemat "Braemar 1628" placemat with white fringed edges.
Chalmers, Sylvia
Part of Records and textiles of the Needlework Development Scheme
British. Black embroidery on white cotton of intertwining ribbon and flower design. Buttonhole and running stitches.
*Not available / given
Blurred image of printing studio with fabric lengths
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Taylor, Fraser
Blue haired abstract figure printed fabric length
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Two repeats, hemmed on both end for hanging. Multiple processes.
Taylor, Fraser
Blue fabric hanging with white tassels
Part of Student work by Eirene Hunter
Blue hanging with white tassle fringe and a white print design of two horses in a decorative oval frame.
Hunter, Eirene
Blue dots for Log and Loggerie Collection
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Welted edged, one edge unhemmed, looped at top edge for hanging. Industrially dyed wool.
*Not available / given
Single curtain with applied batik decoration.
Parker, Agnes Miller
*Not available / given
Black t-shirt Autumn/Winter collection
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
For Log and Loggerie collection, with face and log motif. Black long sleeved cotton with white screen print.
Taylor, Fraser
Black sweatshirt Autumn/Winter collection
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Black sweatshirt with high neck. White face motif and text on back. Black cotton long sleeved sweatshirt with screen print design.
Taylor, Fraser
Blazer which was worn as part of a uniform by a student at The Glasgow School of Art.
*Not available / given
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Black dress with face motif in white, green and bronze. Black cotton long sleeved dress with screen print design.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Black cropped drop sleeve sweatshirt with a high elasticated neckline. Sweatshirt features a figurative motif with stylised hair.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Bird motif on leggings. Black cotton leggings with screen print design.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Black Cotton jersey with collar and buttoned neck featuring a cuffed sleeve. Printed with a white linear pattern and featuring repeated motifs such as a bird and human figures.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Bird motif on short dress with buttons and pockets. Black cotton long sleeved dress with screen print design.
Taylor, Fraser
Printed placemat in orange and white with border of various birds.
Chalmers, Sylvia
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Square motif with bird and reclining figure in green, cyan and purple. White cotton short sleeved t-shirt with screen print design.
Taylor, Fraser
Part of Papers of Mary Mackie
Black and white patterned ring binder containing 7 samples of canvas work showing different stitches and patterns:
Sample with yellow, gray, brown and green wool
Sample with black, peach, blue and olive green wool
Sample with bright pink, blue and yellow wool
Sample with black, brown, white and light green wool
Sample with black, yellow, white and blue wool
Sample with dark red, blue, dark green and white wool
Sample with dark green, acid yellow, peach and blue wool
Mackie, Mary
Part of Papers of Mary Mackie
Black ring binder containing 11 samples of canvas work showing different stitches and patterns:
Sample with bright pink, red, brown and blue wool
Sample with pale pink, dark brown and mint green wool
Sample with pink, beige and brown wool
Sample with red, brown and pale green wool
Sample with gray, yellow and brown wool
Sample with yellow, mauve, brown and dark green
Sample with bright green, olive green, brown and gray wool
Sample with pale pink, gray, and very dark green wool
Sample with pink, dark green and yellow wool
Sample with red, green, white and brown wool
Sample with bright pink, pale yellow, white and black wool
Mackie, Mary
Big Fat Sampler, large wall hanging with square design
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Bold style sampler in coarse yarn, on yellow fabric, backing of beige linen. Various patterns of stitched squares in yellow, orange, green, and white. 4 macrame hooks at top edge with wooden hanging pole.
*Not available / given
Dull blue/green corded silk embroidered at each end. Thought to be by Ann Macbeth (the use of these particular strong shades of magenta and turquoise are distinctive of Macbeth's work at this time).
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Beige woollen backing with grey, pink and white stitches.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Beige binca with metallic silver and bronze stitching and gold wool.
*Not available / given
Embroidered bedspread of linen with applique. The technique, lettering and choice of inscription are typical of Jessie Newbery's work. From the wear on the stitching of the inscription it is obvious that the bedspread has been in regular use. The heart shaped applique motifs are unfaded round the edges and there is evidence that the blue silk Inscribed: "God knows and/what he knows/is well and best/ the darkness/hideth not from/him but glows/clear as the/morning or the/evening rose/of east or west".
Embroidered bed cover. White cotton with pink and cream embroidery decorative design with roses.
*Not available / given
Banner from The Glasgow School of Art Textile Department
Charles Rennie Mackintosh banner. Scaled replica of banner that the Hunterian owns, featuring a tall standing female figure with pink rose and green leaves details.
*Not available / given
Banner from The Glasgow School of Art Textile Department
Charles Rennie Mackintosh banner. Larger version of scaled replica of banner that the Hunterian owns, featuring a tall standing female figure with pink rose and green leaves details.
*Not available / given
Banner from The Glasgow School of Art Textile Department
Charles Rennie Mackintosh banner. Scaled replica of banner that the Hunterian owns, featuring a tall standing female figure with pink rose and green leaves details.
*Not available / given
A banner designed by Sylvia Chalmers featuring a red elephant.
Chalmers, Sylvia
Long multi-coloured banner. Wefts and warps in shades of purple, orange, pink, green, yellow, grey and brown form an abstract design of gradated colours on a cream-coloured background. The warps have been left long in the lower edge and turned into a fringe.
*Not available / given
Double-faced fabric, in an even, regular weave. Grid design on a cream background in rectangles of red, orange, yellow and three shades of blue, with colour gradations in some parts of the design. It also has been quilted to add texture and weight to the lower half of the banner.
*Not available / given
Blue placemat with scalloped edges featuring Noah's arc.
Chalmers, Sylvia
Part of Records and textiles of the Needlework Development Scheme
British. White lawn with hollypoint lace insertions on shoulders, incorporating initials 'A.M.' Hems finished with drawn-thread and embroidered edge.
*Not available / given
Awaken Exhibition material - textile sample
Large scale textile work, 'Drawn Out', designed to be stretched over a frame allowing the central neck opening and sleeves to pull forward from the rest of the work. Digitally printed in greyscale and black on stretch cotton fabric. The artist has posted images of the textile on display at the following link: http://digicloth.blogspot.com/2009/01/awaken-glasgow-school-of-art-archive.html
Campbell, J R
Awaken Exhibition material - CD
Supporting material on CD for large scale textile work, 'Drawn Out'. The artist has posted images of the textile on display at the following link: http://digicloth.blogspot.com/2009/01/awaken-glasgow-school-of-art-archive.html
Campbell, J R
'Assisi Work' fold-out booklet
Part of Papers of Mary Mackie
Small blue card folder with a handwritten label 'Assisi Work'. It contains a handwritten explanation of the technique and materials, the pattern design for two birds and a tree in pen and ink on graph paper, and the worked textile in blue and white.
Mackie, Mary
William McCance's artist's smock.
*Not available / given
Artistic Dress made by a third year Interior Design student as a project for the 'Artistic Dress - Fashion, Style and identity' course. Full length, long sleeved 'A' line dress in dark blue, with a square neck and a central panel of applique in stylized floral shapes in cream, beige and lemon, with an orange/gold ribbon edging to the area. Also, an essay about Artistic dress and making a dress inspired by her studies.
Broger, Anna
Rectangular yellow armchair cover. Thought to be by Ann Macbeth. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.
*Not available / given
Cream armchair cover. Thought to be by Ann Macbeth.
*Not available / given
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Brown placemat with white fringed edges. Features a geometric design and is labelled "Arabesque; a two coloured placemat in chocolate and biscuit by Sylvia Chalmers"
Chalmers, Sylvia
Apron in blue, green, and white with Scottish motifs (bagpipes, thistle, trout, grouse, bottle of whisky, shortbread, haggis, and quaich) and a celtic knotwork border.
Chalmers, Sylvia
Part of Records and textiles of the Needlework Development Scheme
British. Scallop-edged cream taffeta apron. Silk and metal threads. Symmetrical floral design incorporating metal thread areas padded with cord. Extensive use of pearl and sequins. Framed.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
Portuguese. Part of peasant costume. Closely woven in red wool on white warp. Geometric design in bright colours in loom embroidery - extra weft pulled up in loops on the surface Yellow braid waistband, and pink braid edges.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
British. Muslin with border embroidered with floral design in ochre shades in chain stitch in worsted thread. Waistband embroidered.
*Not available / given
Part of Anne Scott Doll Collection
Costume doll: Anne Bayne, first wife of Allan Ramsay (or 18th Century Lady).
Scott, Anne