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This poster is for a Charles Rennie Mackintosh exhibition at the Glasgow School of Art, which ran from 1st July to 30 September 1988. The poster has a black and white design with orange font. It uses a geometric pattern which mimicks a Charles Rennie Mackintosh chair design.

This poster showing an image of a Mackintosh chair advertised an exhibition of the work of Charles Rennie Mackintosh at the Museum of Applied Arts in Helsinki from 10th December 1982 to 16th January 1983.

Poster for exhibition 'Charles Rennie Mackintosh Pursuit of Perfection' at The Glasgow School of Art, 24 Jun 1986-02 Jul 1986

This poster advertises a Japanese exhibition of Charles Rennie Mackintosh's work.The poster is white, has pink and navy writing and includes an image of a Mackintosh chair. From Art Today, the poster is a design by Ikko Tanaka for 'Gurafiku: Japanese Graphic Design' in 1979.

In 1988, a Mackintosh architecture exhibition opened in Certaldo in Tuscany, Italy. It was organised by Comune di Certaldo in Palazzo Vicariale di Certaldo from 31st July to 30th September. A book was published by Electa Firenze about the exhibition including images of architectural drawings, photographs, sketches and paintings. This image is of a blue, beige, and black coloured architectural drawing.

This poster is for an exhibition of Charles Rennie Mackintosh's lost furniture from the Glasgow School of Art in association with the Glasgow Herald. The poster features Miss Kate Cranston's bedroom suite, which Mackintosh designed in 1904.

This poster advertised an exhibition of Charles Rennie Mackintosh and Margaret Macdonald Mackintosh in 1983 at the Fine Art Society, 134 Blythswood Street, Glasgow, which ran from 24 Aug to 26 Sep 1983. Entitled 'The 1933 Memorial Exhibition: A Reconstruction', it was part of the Charles Rennie Mackintosh Society's 10th Anniversary Celebrations (1973-1983). The poster features a watercolour painting of a flower in lilac, white and black paint.

Poster features a grey Mackintosh portrait focusing on his moustache, grey and orange in colour. Also features line drawings of Mackintosh chairs. The exhibition of twenty Mackintosh chairs from the Glasgow School of Art's collection formed part of the opening celebrations at Norway’s newest cultural attraction, the Jugenstilsenteret (Art Nouveau Centre), in Ålesund, from the 6th June to 12th Oct 2003. Similar to Glasgow, this city is one of the founding partners of the EU-funded Réseau Art Nouveau Network. The School’s contribution was hoped to inspire further cultural and artistic ties between the two countries.

This poster features white images of twenty chairs with grey text to advertise an exhibition held in Jugendstilsenteret, Ålesund, Norway, from 6th June to the 12th Oct 2003. The exhibition of twenty Mackintosh chairs from the Glasgow School of Art's collection formed part of the opening celebrations at Norway’s newest cultural attraction, the Jugenstilsenteret (Art Nouveau Centre), in Ålesund. Similar to Glasgow, this city is one of the founding partners of the EU-funded Réseau Art Nouveau Network. The School’s contribution was hoped to inspire further cultural and artistic ties between the two countries.

This poster, which is orange in colour, advertised an exhibition of work by Charles Rennie Mackintosh, which was held in the Mackintosh Building, Room 31, on the Glasgow School of Art campus. The show focused on 'Mackintosh in Context: the European Connection', running from the 7th of July until the 18th of August 1990. The exhibition was sponsored by Black Bottle Scotch Whisky.

From The Magazine, Spring 1896. Inscribed: The Tree of Influence, The Tree of Importance, The Sun of Cowardice, Charles Rennie Mackintosh, Jan 1895.

Charles Rennie Mackintosh banner. Larger version of scaled replica of banner that the Hunterian owns, featuring a tall standing female figure with pink rose and green leaves details.

This screen printed banner with a large photo of Mackintosh depicts his signature and the Glasgow School of Art emblem reading: "There is honour in honest error none in the icy perfection of the mere stylist".

This poster advertised an exhibition showcasing work made by seven international architects who were asked to produce work inspired by Charles Rennie Mackintosh. The poster conveys how "seven of the world's leading architects have made installations in the Glasgow School of Art. They are personal homages to Charles Rennie Mackintosh and a mark of his international significance today." The poster was designed by Blue Peach, Glasgow. The show, held in the Mackintosh Museum on the Glasgow School of Art's campus featured the work of: - Filippo Alison (Naples) - Edward Cullinan (London) - Aldo Van Eyck (Amsterdam) - Hans Hollein (Vienna) - Arata Isozaki (Tokyo) - Lean Krier (Luxembourg) - Stanley Tigerman (Chicago)

Architectural detail of Mackintosh Building.

Line drawing showing a section through the west half of the building (including staircase) with cut-away floors and roof.

Line drawing showing a section though the west half of the building, with cut-away floors of the library wing.

Line drawing showing proposed reinstatement of warm air heating system.

Line drawing showing the elevated section through the east half of the building including cut-away floors and roof.

Line drawing showing elevated section through east half of the building including cut-away floors and roof.

Line drawing showing elevated section through west half of the building, viewed from the South-east.

Line drawing showing a section through the west staircase at second floor level.

Sheet of 100 x 20p stamps featuring an image of the Mackintosh Building produced to commemorate Glasgow 1990, European City of Culture, designed by Paul Hogarth RDI.  (Stamp designs Copyright Royal Mail)

Line drawing showing the elevated front facade and roof (central and east sections). Companion drawing NMC/1660B.

Line drawing showing the elevated front facade and roof (west section). Companion drawing NMC/1660A.

Line drawing showing the elevated back and east elevations.

Line drawing showing an elevated, central section (including the Museum) with cut-away floors and roof.

Line drawing showing a section through the centre of the building, viewed from the south, and highlighting the Coil Room.

Line drawing showing section through east staircase at first floor level.

Line drawing showing fresh air induction, heating and circulation.

Architectural drawing of room in basement of Mackintosh Building. Signed: Artot (t.r.).

Line drawing showing the elevated rear (south) facade.

Line drawing showing the elevated section of the east half of the building (viewed from the South-west).

Line drawing showing an elevated, central section of the building, viewed from the South-east.

Line drawing showing the central section of the building, viewed from the south, and highlighting the entrance hall.

Line drawing showing section through the west half of the building including individual floor plans.

Line drawing showing a section through the first floor corridor, west.

Line drawing showing section through east staircase at second floor level.

Line drawing showing boiler room insulation and foul air exhaust.

From The Magazine, Spring 1896. Inscribed: The Tree of Personal Effort, The Sun of Indifference, Charles Rennie Mackintosh, January 1895.' The exact meaning of the symbolism of this work, and its companion, 'The Tree of Influence' has eluded all commentators on Mackintosh's early water-colours. The obvious source of the symbolism is nature, and Mackintosh here reaches his most extreme distortion of organic forms.' (Roger Billcliffe).