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This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Those depicted include Danny Ferguson, Gordon Huntly, Lewis Allan, Eileen Allen, Joan Docherty, Molly Brown and Ishbel Macdonald.
Gardner, Tom
Part of Mary Ramsay artworks
Study of a costumed female, seated. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Mr Robinson as the teacher.
Originally located inside portfolio folder (DC 110/1/4).
Ramsay, Mary
Part of Mary Ramsay artworks
Study of a costumed female, seated. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Mr Robinson as the teacher.
Originally located inside portfolio folder (DC 110/1/4).
Ramsay, Mary
Part of Mary Ramsay artworks
Study of a costumed male, standing. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Mr Robinson as the teacher.
Originally located inside portfolio folder (DC 110/1/4).
Ramsay, Mary
Part of Mary Ramsay artworks
Study of a costumed male, standing. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Mr Robinson as the teacher.
On the reverse of this item is a sketch of a female figure.
Originally located inside portfolio folder (DC 110/1/4).
Ramsay, Mary
Part of Mary Ramsay artworks
Study of female nude. This item bears a label for The Glasgow School of Art, listing Mary Ramsay's Register Number as 421 and her teacher as Mr Law. The date is not recorded, but is estimated to be from the 1914-1915 session based on information from the Alphabetical Register of Students 1903-1919 (GSAA/REG/2/3).
Originally located inside portfolio folder (DC 110/1/4).
Ramsay, Mary
Part of Mary Ramsay artworks
Study of female, seated. On the reverse of this item is a transfer from another artwork (item DC 110/1/1/35B).
Originally located inside portfolio folder (DC 110/1/4).
Ramsay, Mary
Part of Mary Ramsay artworks
Study of female, waist up, from behind.
Originally located inside portfolio folder (DC 110/1/4).
Ramsay, Mary
Part of Mary Ramsay artworks
Study of a female nude, seated and leaning over a desk. This item bears a label for The Glasgow School of Art, listing the 1916-1917 session, and D F Wilson as the teacher.
On the reverse of this item is a drawing of a female nude, standing, in pencil - possibly a sketch for DC 110/1/1/5.
Originally located inside portfolio folder (DC 110/1/4).
Ramsay, Mary
Part of Mary Ramsay artworks
Study of female. This item bears a label for The Glasgow School of Art, listing the 1914-1915 session, Mr Mainds as the teacher, and Jessie Wilson as the artist.
Originally located inside portfolio folder (DC 110/1/4).
Wilson, Jessie Dunlop McCulloch
Part of Mary Ramsay artworks
Study of female nude, seated. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Mr Mainds as the teacher.
Originally located inside portfolio folder (DC 110/1/4).
Ramsay, Mary
Part of Mary Ramsay artworks
Study and sketch of female nude, seated. This item bears a label for The Glasgow School of Art, listing the 1916-1917 session, and D F Wilson as the teacher.
On the reverse of this item is a sketch of a female nude.
Originally located inside portfolio folder (DC 110/1/4).
Ramsay, Mary
Part of Mary Ramsay artworks
Study of a female nude, standing. This item bears a label for The Glasgow School of Art, listing the 1914-1915 session, and Mr Law as the teacher.
Originally located inside portfolio folder (DC 110/1/4).
Ramsay, Mary
Part of Mary Ramsay artworks
Study of female nude, standing, from behind. This item bears a label for The Glasgow School of Art, listing the 1917-1918 session, and Professor Greiffenhagen as the teacher.
Originally located inside portfolio folder (DC 110/1/4).
Ramsay, Mary
Part of Mary Ramsay artworks
Study of female nude, from behind. This item bears a label for The Glasgow School of Art, but the date is not recorded.
Originally located inside portfolio folder (DC 110/1/4).
Ramsay, Mary
Part of Mary Ramsay artworks
Study of female nude. This item bears a label for The Glasgow School of Art, listing the 1915-1916 Evening session, and Mr Hunter as the teacher.
Originally located inside portfolio folder (DC 110/1/4).
Ramsay, Mary
Part of Mary Ramsay artworks
Study of female.
Originally located inside portfolio folder (DC 110/1/4).
Ramsay, Mary
Part of Mary Ramsay artworks
Study of seated woman in robes. This item bears a label for The Glasgow School of Art, listing the 1916-1917 session, and Professor Wilson as the teacher.
Originally located inside portfolio folder (DC 110/1/4).
Ramsay, Mary
Part of Mary Ramsay artworks
Study and sketch of female nude, seated. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Mr Ogilvie as the teacher.
Originally located inside portfolio folder (DC 110/1/4).
Ramsay, Mary
Part of Mary Ramsay artworks
Study of female nude, seated and holding a cross. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Mr Ogilvie as the teacher.
Originally located inside portfolio folder (DC 110/1/4).
Ramsay, Mary
Part of Mary Ramsay artworks
Study and sketch of seated girl. This item bears a label for The Glasgow School of Art, listing the 1917-1918 session, and Professor Greiffenhagen as the teacher.
Originally located inside portfolio folder (DC 110/1/4).
Ramsay, Mary
Part of Mary Ramsay artworks
Study of girl, standing. This item bears a label for The Glasgow School of Art, listing the 1917-1918 session, and Professor Greiffenhagen as the teacher.
On the reverse of this item is a portrait of an unknown figure.
Originally located inside portfolio folder (DC 110/1/4).
Ramsay, Mary
Part of Mary Ramsay artworks
Study of male nude, from behind.
Originally located inside portfolio folder (DC 110/1/4).
Ramsay, Mary
Part of Mary Ramsay artworks
Study of male nude, from behind. This item bears a label for The Glasgow School of Art, listing the 1917-1918 session, and Professor Greiffenhagen as the teacher.
Originally located inside portfolio folder (DC 110/1/4).
Ramsay, Mary
Part of Mary Ramsay artworks
Study of standing male. This item bears a label for The Glasgow School of Art, listing the 1917-1918 session, and Professor Greiffenhagen as the teacher.
Originally located inside portfolio folder (DC 110/1/4)].
Ramsay, Mary
Part of Mary Ramsay artworks
Study of seated male. This item bears a label for The Glasgow School of Art, listing the 1916-1917 session, and Mr D F Wilson as the teacher.
Originally located inside portfolio folder (DC 110/1/4).
Ramsay, Mary
Bound in volume, The Magazine, November 1894.
Mackintosh, Charles Rennie
Bound in the Spring 1896 edition of 'The Magazine'. It was designs such as this that earned the Mackintosh group the nickname of 'Spook School'.
Mackintosh, Margaret Macdonald
The Building Committee of the Board of Governors of The Glasgow School of Art
Portrait group. Inscribed on frame: "Mr. Charles. R. Mackintosh FRIBA The Architect/Col. R.J.Bennett V.D./Mr. David Barclay FRIBA/Sir Francis Powell, LLD, PRSW/Mr. John Munro FRIBA/Mr. Patrick S. Dunn - Convener/Councillor J. Mollison, MINA/ Mr. Hugh Reid DL/ Sir Wm Bilsland, Bart. LLD, DL/Sir John J. Burnet, RSA, FRIBA, LLD/Mr. John Henderson MA/Sir James Fleming - Chairman of Governors/Mr. John M. Groundwater - secretary/ Mr. Francis H. Newbery CAV OFF, INT, SBC, ARCA - Director, pinxit". When Newbery exhibited this group at the Glasgow Institute of the Fine Arts in 1913 it did not include the figure of Mackintosh. In 1914 he painted his large portrait of Mackintosh (collection: Scottish National Portrait Gallery) and his Building Committee portrait group was offered to the Board and accepted. When it was unveiled in 1914 it was seen that he had added Mackintosh's figure, a smaller version of his individual portrait, to the left of the group, and redated the whole canvas 1914. Painting cleaned and relined in 1963 by Mr Harry McLean who discovered the late addition of the figure of Mackintosh.
Newbery, Francis Henry
Appears in The Magazine, April 1894. 'The central figure is based upon that used in the 1893 design for a diploma for the GSA and like that in 'The Harvest Moon', has wings like an angel. Here, however, she appears naked and her outstretched arms and hair merge and are transformed into barren tree-like forms. These descend to the horizon behind which the sun is gradually disappearing under the feet of the winged figure. From the bottom of the picture, and directly beneath the sun, rises a flight of menacing birds. They are presumably nocturnal birds of prey and they seem to be flying directly towards the viewers. This is one of Mackintosh's earliest uses of this strange bird, which was to become more stylised and to appear in many different forms, in several media in his oeuvre.' (Roger Billcliffe).
Mackintosh, Charles Rennie
Bound in the November 1894 edition of 'The Magazine'. It was designs such as this that earned the Mackintosh group the nickname of 'Spook School'.
Mackintosh, Margaret Macdonald
The Nativity ('And lo the star...')
Bound in the Spring 1896 edition of 'The Magazine'. It was designs such as this that earned the Mackintosh group the nickname of 'Spook School'.
MacNair, Frances Macdonald
From The Magazine, Spring 1896. The shadow does not correspond with the object in front; it touches it and echoes it but is different.
Mackintosh, Charles Rennie
From The Magazine, Spring 1896. Inscribed: The Tree of Influence, The Tree of Importance, The Sun of Cowardice, Charles Rennie Mackintosh, Jan 1895.
Mackintosh, Charles Rennie
From The Magazine, Spring 1896. Inscribed: The Tree of Personal Effort, The Sun of Indifference, Charles Rennie Mackintosh, January 1895.' The exact meaning of the symbolism of this work, and its companion, 'The Tree of Influence' has eluded all commentators on Mackintosh's early water-colours. The obvious source of the symbolism is nature, and Mackintosh here reaches his most extreme distortion of organic forms.' (Roger Billcliffe).
Mackintosh, Charles Rennie
Bound in volume, The Magazine, November, 1894.
Mackintosh, Charles Rennie
Bound in volume, The Magazine, Spring 1896. One of three watercolours depicting the seasons drawn for The Magazine.
Mackintosh, Charles Rennie