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Architectural drawing showing sections through building.

Architectural drawing showing sub-basement plan.

Architectural drawing showing basement plan.

Architectural drawing showing second floor plan. The addition of this floor in the 1907-09 stage of building did not change the external appearance of Mackintosh's original two storey facade as the set back series of studios are not visible from street level. The plan shows how Mackintosh linked the two ends of the floor, by passing the already built Director's studio with the 'Hen-Run'.

Architectural drawing showing north elevation of building.

Architectural drawing showing back elevation of building.'Even after his revisions to the first half of the building, and the proposed alterations pencilled on the 1907 elevation, Mackintosh made a few others. This drawing, from a set made in 1910 of the completed building, shows the facade as it is, including the parts that are now virtually invisible' (McLaren Young).

Architectural drawing showing drainage plans for the building.

This sketch shows how accommodation was arranged in the East wing ground floor before the GSA was completed in 1906-09.

Architectural drawing showing various additions to building. The handwriting suggests that this sketch plan was not drawn by Mackintosh himself, but probably by a draughtsman in his office.

Architectural drawing of room in basement of Mackintosh Building. Signed: Artot (t.r.).

Bound in the November 1894 edition of 'The Magazine'. "It must have been something like this watercolour.... that evoked the 'critics from foreign parts' (as reported by Gleeson White in The Studio, pp88-9) to deduce 'the personality of the Misses MacDonald from their works' and see them as 'middle-ages sisters, flat footed, with projecting teeth and long past matrimony... gaunt, unlovely females'. Gleeson White who visited Glasgow to see the Mackintosh group was pleasantly surprised to meet two laughing comely girls scarce out of their teens." (MacLaren Young).

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.

Designed for original board room at Glasgow School of Art. The chairs were designed for the original Board Room in the East wing (now the Mackintosh Room). The Governors never used this room for meetings and it was initially used as a studio while space was short in the half-finished building. When the new Board Room was built in the second phase of the building, Mackintosh designed a more elaborate version of this chair for it, MC/F/61. Six chairs reupholstered in brown horsehair 1985, very similar to the original fabric found on one of the chairs. Two remaining chairs reupholstered in 1986. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

Poster for exhibition 'Robert Paul - Recent Original Prints', Printmakers Workshop, Edinburgh, 14 Jan 1984-04 Feb 1984.

Poster for exhibition 'Ann Beaty. D.A.' on the theme of gardens, University of Glasgow. The exhibition dates are 23 May-24 Jun and 25 Jun-20 Aug, no year is given but it is believed to be 1988 as it celebrates the Glasgow Garden Festival.

Poster for 'Glasgow Group, 29[th] Annual Exhibition: Paintings - Print - Sculpture', McLellan Galleries, Glasgow, 09 Jun 1986-21 Jun 1986. Artwork featured is 'Song of the Black Mirror' by Brian Kelly.

Poster for show 'Irony in Dorking' by Smith and Goody, Third Eye Centre, Glasgow. The dates of the show were 26 Apr-27 Apr, no year is given but it is believed to be either 1979 or 1984.

Source: http://first-night-records.co.uk/catalog/product_info.php?products_id=189

Poster for exhibition 'Like a Shadow: Representations of Death, Dying and Disposal in Art', Mackintosh Gallery, Glasgow, 03 Sep 1998-03 Oct 1998. The exhibition was held alongside the conference 'The Social Context of Death, Dying and Disposal' at Glasgow Caledonian University, Glasgow, 03 Sep 1998-06 Sep 1998.

The artwork featured on the poster is 'The Elegy' by John Bellany, 1993.

Poster for 'Please do not Bend', with signatures. June 2002.

Poster for exhibition 'James D. Robertson Paintings 1956-2000', The Glasgow School of Art, 22 Jul 2000-01 Sep 2000. The artwork featured is 'Inlet', 1980.

Architectural drawing of the GSA Mackintosh Building. Scale 1:20.

Line drawing showing the elevated rear (south) facade.

Line drawing showing the elevated section of the east half of the building (viewed from the South-west).

Line drawing showing an elevated, central section of the building, viewed from the South-east.

Line drawing showing the central section of the building, viewed from the south, and highlighting the entrance hall.

Line drawing showing section through the west half of the building including individual floor plans.

Line drawing showing a section through the first floor corridor, west.

Line drawing showing section through east staircase at second floor level.

Line drawing showing boiler room insulation and foul air exhaust.

Architectural drawing of the GSA Mackintosh Building. Scale 1:100.

Architectural drawing of the GSA Mackintosh Building. Scale 1:20.

Wooden display case showing process of wood and linoleum block printing, featuring ship design. Loose paper GSA label once attached to back of case with writing "Design. B-Block Printing". Due to information in archival documentation, display case can be dated pre-1943. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014 and was conserved in 2018.

This poster advertised an exhibtion which showcased the work of design students from The Glasgow School Of Art in the Cassina Gallery in Milan. The exhibition took place as a result of the connections between Cassina Design in Italy and The Glasgow School Of Art. The poster was designed by Gordon Huntly who was the head of graphic design at The Glasgow School Of Art at that time. It was printed in the Foulis Building on an offset lithography printing press. The information on the poster translates as: "Design from Glasgow School Of Art: Cassina in Milan, March 23rd to April 6th. Ceramics. Embroidery and fabrics. Design for furniture, furnishings and industrial products. Jewellery and Silverware. Art Graphics, Illustration. Printed Fabrics".

This poster advertised a screening of Sam Peckinpah's 1974 film 'Bring Me The Head Of Alfredo Garcia', and Kevin Brownlow and Andrew Mollo's 1966 film 'It Happened Here'. The event was organised by The Glasgow School Of Art Film Society and was held in the Mackintosh Lecture Theatre on The Glasgow School Of Art campus on the 3rd of May. The reverse of the poster is annotated with "Chris Webster Graphics 1979".

This poster advertised an exhibition of work by both past and present students from the School of Design and the Mackintosh School of Architecture at The Glasgow School Of Art. It features a quote from John Kenneth Galbraith who was a prominent economist during this period. He stated "It is on the artistic not less than on the engineering and scientific excellence that economic security and economic progress now depend," The exhibition was held between Kelvingrove Art Gallery and Museum and the Mackintosh Museum at The Glasgow School Of Art. It ran from the 9th of February to the 1st of March 1985.

This poster advertised a series of lectures that were held in the Mackintosh Lecture Theatre on the 18th of February. The talks provided students with advice about life after graduation.

This poster advertised a lecture given by architect, teacher and writer Cedric Price. Price was known for his eccentric architectural designs that were perceived as both socially enabling and playful. The lecture was held in the Haldane Building at The Glasgow School Of Art on the 10th of February.

This poster advertised an exhibition of work by John Macfarlane who was a student at The Glasgow School Of Art before moving to Wales to work as a set and costume designer. The exhibition was held in the Bourdon building on The Glasgow School Of Art campus from the 5th to the 18th of December 1979. Interestingly, John Macfarlane's name has been misspelled on the poster where his surname has been spelled as 'McFarlane'.

This poster advertised a lecture by economist Brian Griffiths which was held in the Mackintosh Lecture Theatre at The Glasgow School Of Art in December 1972. At this time, Griffiths worked as lecturer at the London School of Economics and Political Science, however he would later become advisor to Baroness Thatcher during her time as Prime Minister. He then became the Vice Chairman of Goldman Sachs. This lecture focused on the topic of Christianity, capitalism and revolution and was organised by David Dobson who was head of the Sculpture department at The Glasgow School Of Art in 1972.

This poster advertised the retirement party of William Drummond Bone which was held in the Mackintosh Board Room on the 12th of January 1973. Bone was part of both The Royal Society of Arts and The Royal Scottish Society of Painters in Watercolour and taught drawing and painting at The Glasgow School Of Art between 1934 and 1973. The poster was designed and printed by Robert Stewart who was a senior lecturer in design at this time.

This poster appears to advertise a lecture and discussion by Dendler, Dendler and Dunlop which took place on Wednesday the 9th of December. The poster is annotated with ‘Sandy Prentice processed by Chuck Mitchell’.

One of three posters for the Big Screen Film Festival at Glasgow School of Art in June 2012.

One of three posters for the Big Screen Film Festival at Glasgow School of Art in June 2012.

One third section of a poster advertising a series of films that were shown in The Mackintosh Lecture Theatre at The Glasgow School Of Art. Screening were documentaries about artists including Mackintosh, Rousseau, Klee, McLaren, Giacometti, Hamilton, Paolozzi, Jones, Kitaj, Bosch and Spencer as well as a film entitled 'A Short Vision'. This section screenprinted in CMYK inks using both drawn elements and half dot images.

Part of 'The City As Setting'.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Annie Ricard Strauss has designed a poster advertisting a screening of avant-garde films, the poster has been created using screen printing techniques.

This poster advertised a lecture given by the photographer Gus Wylie which was held in the Mackintosh Lecture Theatre on the 12th of November 1986. Wylie is known for his monochrome photography work and has taught at both University of the Arts in London and Rochester Institute of Technology in New York.

This poster is believed to advertise a lecture by Theodore Roszak entitled 'Conscience and Consciousness in the Art of Mackintosh'. It is believed to have been designed and made by Sandy Prentice and Chuck Mitchell.

This poster advertised an exhibition showcasing work by graduating postgraduate fine art students from The Glasgow School Of Art in 1990. The exhibition took place between the 23rd and the 29th of June and was held in the Mackintosh Building. It included work by Alexander Dempster, James Hamlyn, Rachael Harris, Peter McCaughey, Donna Rae, Craig Richardson, Julie Roberts, Andrew Sneddon, Edward Stewart and Catherine Whippey. The photograph on the poster was taken by John Shankie and shows the exhibiting students posing inside the elevator in the Mackintosh Building. The poster was designed at The Glasgow School Of Art and printed by David J. Clark Limited.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Grace Gallacher has designed a poster for the Adam Curtis documentary 'Century of the Self: Happiness Machines'. The poster has been created using screen printing techniques.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Aileen Crossley has designed a poster for the Virrorio Di Sica film 'Umburto D'. Crossley has created the poster using lithography techniques.