British. Large panel depicting daytime carnival scene and nightime bacchanal. Worked in bright coloured wool in solid stitchery. Framed. By Molly Booker, London.
Scottish. Crewel work on natural linen. Art Noveau influence in curving stems of flowers. Predominantly green and pink. Has label of G.S.A. Needlework Exhibition of 1916. Designed by Mrs. Newbery (Jessie Newbery) and worked by Mrs. Rowat, Glasgow (her mother).
Scottish. Crewel work on natural linen. Basket of flowers motif, worked predominently in shades of green, orange and pink. Woollen fringe. Has label from G.S.A. Needlework Exhibition of 1916. Designed by Mrs. Newbery (Jessie Newbery). Worked by Mrs. Rowat (her aunt), Glasgow.
Booklet illustrating some of the works belonging to the collection acquired by the four central art institutions of Scotland under a scheme for the development of needlework in Scotland.
A 'And So to Sew' branded packet containing a series of bulletins from the NDS publication series. Copies of Bulletins include: 1A-11A, 15A, 18A, 20A. 23A, 28A.
A black hardcover book published by NDS on different embroidery stitches and techniques based on the contents of the Needlework Development Scheme embroidery bulletins (see NDS/PUB/5). Contains 144 pages.
A 'And So to Embroider' branded packet containing a series of bulletins from the NDS publication series. Copies of Bulletins include: And So to Sew Embroidery Section 1B-7B, And So to Embroider 8B-14B.
A 'And So to Embroider' branded packet containing a series of bulletins from the NDS publication series. Copies of Bulletins include: 26B-29B, 30, 33-38.
Cretan. Traditional design of scrolling pattern of animals, figures, birds and flowers. Dark blue silk embroidery on natural linen background, mostly in Cretan stitch.
British. Pale blue linen cloth, embroidered with 'Grace before meals' in a border, also featuring figures between the words. In white and lime green in a wide variety of textured stitches. By Pat Miller, Glasgow School of Art.
British. Made in sections of cut-work embroidered linen and fillet lace, in a wide variety of designs. The monograph of the maker and her husband are included on the centre section. By Mrs. Peiniger, Southsea.
Indian. Type of work known as 'Bagh'. Rust hand-woven cotton ground almost entirely covered with formal geometirc shapes. Worked with darning stitch. Rich border of gold silk embroidery at each end. Note purple stripe to spoil symmetry to avoid insulting God by attempting to produce perfect work. From Punjab.
British. Exotic flower and bird motifs in bright colours chain stitched on linen. Several motifs recur in different colours. Influenced by imported painted cottons from Far East.
Dutch (Holland). Large hanging showing angels making music. Applique and gold thread work. Angels dressed in cloth-of-gold and silver. This hanging was made in 1937 and won the Grand-Prix at the World Exposition of that year in Paris.
British. Applique curtain in shades of yellow shading to dark brown at the bottom. Art Deco design with pink and silver stripes. Patched together from irregular jigsaw shaped pieces.
Hungarian. Traditional peasant work, linen with drawn thread work on sleeves within borders of black cross-stitch embroidery and sequins. A few of the sequins applied to the sleeves still remain. Acquired from the Isabella home industry, Budapest.
Scottish. Long robe with richly embroidered central panel with side flounces running up over shoulders and round back of neck. Double flounced sleeves.
Scottish. Of coarser cotton than other 2 robes in collection (GB 1694 NDS/GB/28 and GB 1694 NDS/GB/29). Bottom of centre panel, and bodice, richly embroidered and incorporating lace fillings. Short flounced sleeves.
Chinese. Yellow silk robe, richly embroidered with coloured silks and gold thread. The symbolic decoration includes representations of the sun, moon, and stars only worn by Emperors. Also Imperial dragons, earth, sea, sky and sacred mountains.
British. Reproduction of wedding smock. Smocked centre front and back and embroidered in fawn in fether stitch over the shoulders. Smocked cuffs. Made by G. Hamilton, Sussex.
Deep turquoise silk with black ends. Applique designs with satin stitch outline. Two stars at top and lily with butterfly at bottom. Possibly by Ann Macbeth.
Scottish. Sixteen samples, one of which is signed 'E McG 1837'. Worked by E McGaan of Ayrshire, 1837. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.
British. Embroidered floral motifs, worked through cambric mounted underneath net, which was carefully cut away after outlines completed. Variety of interesting lace fillings.
British. Made from tan, black and plum felts. Richly decorated with applied felts, beads and metal threads. South American flavour to design and colouring. By Shirley Tweedale, Rochdale Grammar School.
British. Small round mat with machine embroidery and art work with hand embroidered fillings. Double layers of organdie used in places. By Lilian Willey, Bromley.
British. Blue and white checked gingham with smocked bodice and embroidered hem. The smocking and embroidery exploit the check design already existing. Buttons on shoulders. By Margaret Boyd, Edinburgh.
British. Three interpretations of a steeple design in different types of metal threads used in differing techniques. Designed by Geraldine White, worked by Beryl Dean, London.
British. Fine pale turquoise linen with simple star shapes in white embroidery arranged in circle. Variety of fillings including drawn thread work in centre of motifs. By Mrs. N. Jones, Watford.
British. Even-weave blue linen mat with black work border design worked with one strand of cotton, and adapted to make central motif. By Jean Lawrie, Alness.
British. Machine embroidered in grey, pink and black on white silk background. Showing a cupid or angel dancing through flowers and leaves. By Rebecca Crompton.
British. Worked on blue and white decked gingham, tucked on bodice and hem to give areas of blue. Smocking at the sides. Embroidery in white, navy and yellow cotton. By Mrs. Harrison, West Hartlepool.
British. Of white linen with central circular motif in black and orange embroidery in a wide variety of stitches, so mat could have been made as a sampler. Framed.
British. Machine embroidered with design of horse and flowers in black, grey and pink on white silk. Back embroidered with spots. Quilted lining. By Rebecca Crompton.