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Collection of cloud and sky study photographs. Photographs are mounted on a supporting cardboard backing. Most have a stamp on the support that says "Glasgow School of Art and Haldane Academy".

Collection of various animal prints including sheep, cows, horses, dogs, and deer with focus on different parts of the anatomy (full body, heads, horns, hoofs, tails, etc). Many prints with French labels. Some prints signed by Robert Hills (1769-1844).

Includes two copies of architectural sketches for an early English doorway, entrance to Chapter House, Glasgow Cathedral. Sketch is dated 28 January 1903, supplement to The Builder's Journal and Architectural Record, measured and drawn by Charles Forsyth. Also includes collection of architectural lithograph prints, sketches, and watercolours of various locations including Paris, Rome, Cairo, and throughout the UK, some by E. Hildebrandt. Two have a stamp on corner of work, "Department of Science and Art, Specimen presented to schools". Also includes coloured prints of various rooms in the Great Kremlin Palace in Moscow, Russia. Views include halls, courtyard, indoor garden, holy vestibule, throne room. Labelled in Russian and French, some include English labels written in pencil. Also includes collection of printed architectural plans and designs including two ordinance surveys of Garnethill and City Centre/Sauchiehall St., three copies of a poster of "100 Years of British Architecture" by The Observer, a floor plan of the Great Kremlin Palace in Moscow, a poster of "James Caldwell & Co. Abbotsford Stained Glassworks" designs, and three small architectural sketches/plans/designs of Grey Friars Church in Edinburgh, Chartres Cathedral in France, and Candlish Memorial Church in Glasgow.

Collection of prints and sketches of flowers, fruits, and other plants. Includes empty portfolio used to store the collection of flower prints. Written in pencil on the front cover, "Photographs and Coloured Illustrations of Flowers".

Includes flower prints, animal prints, architectural prints, and a print of a painting of a rhinoceros.

Teaching aids include collections of prints, photographs, and calligraphy examples.

Poster for Sculpture and Environmental Art exhibition, 2013

Students named in poster are Brigid Daly, Hugh Pottiger, Dorothy Cairns, Ruaridh Macpherson, Todd Braylor Pleasants, Grace Anne Johnston, Sarah Garcia, Luca George, Sharon McBrearty, Krysia Kordeki, Caroline Gooch, Louis Shekal, Christopher A W Milligan, Rachel Levine, Amy Pickles, Gordon Andrew McKerrow, James MacEachran, Jamie Kane, Gordon Douglas, Muyan Gao, Chris Silver, Delphine Dallison, Jen Martin, Rosie Sillitoe, Justyna Ataman, Aleksandra Roch, Patrick Queen, Dawn Mackinnon, Julia Wylie and Holly Goldsworthy.

A poster advertising "Haldane Connections" exhibition.

Mixed correspondence, papers and reports about courses, departments, assessments, visits, and other Art Colleges. Includes: circular letter to Staff about the removal of casts from their correct rooms, 1953; The Silk Centre, 'Second Report of the Education Committee'; correspondence with C d'O Pilkington Jackson, about a visit to the Art School and a 'Proposal for the Reorganisation of the Teaching into a Professional Diploma', 1954; Paper- 'Proposal for the State Patronage of the Visual Arts'; correspondence from LCC Central School of Arts and Crafts outlining entry requirements, courses, fees, etc., paper titled 'Visit to English Schools of Art, 28th April to 8th May [1952]'; correspondence from James Stewart; correspondence from Kathleen Whyte; correspondence from Peter Osborne; correspondence from Mario M Rossi; correspondence from J Smillie; correspondence from Winneba Training College about a proposed Bliss visit; correspondence and suggested syllabus for students at Ross Hall (Interior Design); copies of Reyner Banham's 'The Bauhaus Gospel', Joseph Rykwet's 'The Dark Side of the Bauhaus', and Peter Lloyd-Jones' 'The Fallacy of Basic Design'; correspondence outlining requirements for photographic exhibition of Scottish architecture; note on Architectural Assessors and the difficulty of getting someone to cover all four schools; report on session 1952-53; correspondence detailing problems with kiln and impact on students' work; note on 'Development of the Textile Department'; notes on departments' apparatus and equipment estimates (1953-54); correspondence from Jade Fleming about visits to Art Schools and reports; questionnaire and results for 'Art Schools and the Training of Craftsmen'; memorandum titled 'State of the Crafts in Scotland'; notes on 'Proposals for the Development of the Textile Department'; correspondence from R W Baker (Royal College of Art, School of Ceramics); notes on General Course; Diploma results (1911-1947); Diploma Adjudications: report on Architecture (1952, by Donald E E Gibson); Design & Crafts Adjudications (1952, report by Edward Bawden); Adjudication of Diplomas in Commercial and Graphic Art (1952, report by Cosmo Clark); Diploma Adjudications (1952, report on Design & Crafts by Grace Lovat Fraser); Diploma Adjudications (1952, reports on Drawing & Painting by Henry Lamb); Diploma Adjudications (1952, report on Sculpture by Siegfried Charoux); note on 'A Suggested Scheme for a System of Inter-Cooperation Between the Four Art School Libraries in Scotland'; Diploma Adjudication Reports, 1959 for: Commercial and Graphic Art (Mischa Black), Sculpture (Gilbert Ledward), Drawing and Painting (Ruskin Spear), Design and Crafts (Marianne Straub), Design and Crafts (FHX Henrion).

Itineraries, reports and correspondence about the visits of Mr Bliss and Mr Armour to the English Provincial Schools of Art and to London Schools, 28 Apr 1952 to 08 May 1952.

Papers relating to the Scottish Certificate of Education and other papers relating to training in Art. Includes: Minutes of Scottish Certificate of Education, Advanced Grade Art Committee meetings; programme for 'The Industrial Designer' conference; report on 'Comparison of Advanced Art Requirements in England'; draft exam paper for History & Appreciation of Art & Architecture (Advanced); report from Council of Industrial Design, Scottish Committee on problem of training of designers acceptable to industry.

2 folders of papers about Honours Courses at the Glasgow School of Art. Papers include: Correspondence and notes relating to entrance requirements and introduction of Honours courses; booklet titled 'First Report of the National Council for Diplomas in Art and Design'; correspondence relating to Three Dimensional Design courses with Interior Design and Industrial Design (Engineering) as chief studies; papers on Associateship/Honours Courses; minutes of meeting of Heads of Four Colleges of Art; report on number of final year students in various departments of 'four colleges'; report on 'Complementary Studies'; Duncan of Jordanstone's (Dundee) and Gray's (Aberdeen) proposals for Honours Course; Programme of Study for General Course, 1st & 2nd year; report on 'Alternative Proposal for the Introduction of a Diploma or Associateship Course with Honours Recognition and the Award of Diplomas with Distinction; memorandum by Scottish Education Department, 'Courses in Colleges of Art', detailing needs, problems, and proposals; report on 'The Claymore'. DIR/12/2/28/1: Honours Courses, 1961-1963 DIR/12/2/28/2: Honours Courses II (a continuation of the previous folder), 1961-1963

[Folder closed in line with Data Protection] Papers about the Drawing & Painting Department; Including: Notes on requirements for the Diploma Thesis; list of applicants for post of Head of Department of Drawing & Painting;  list of students, with marks, presented for Diploma.

2 folders of papers about the study of Architecture. Folders as follows: DIR/12/2/25/1: Architecture and Planning Papers, 1960-1964. Includes correspondence relating to Town Planning course; a part-time course in Architecture; notes on annual assessment of Certificate Course and Post-Certificate Course in Architecture; report on Architectural Education in Glasgow; note on RIBA prizes and studentships; note on students selected to proceed with final drawings for Soane Medallion; other records of RIBA prize winners including J B Browne, William M Dunlop, and Graeme M Morland from Glasgow School of Art; notes on structures of Architecture courses; list of 'buildings of architectural and historic interest in the City of Edinburgh'; resignation letter from John D Kelly (Chairman of GSA Governors); note on Dept of Architecture & Planning accommodation and requirements; notes on award of Diplomas and Prizes; correspondence from Keppie, Henderson & Partners re. proposed mezzanine floor of Assembly Hall. DIR/12/2/25/2: Architecture and the Governors of GSA, 1964 Includes: Agenda for meeting of Chairman's Committee, 01 May 1964; excerpts from minutes of Extraordinary Meeting of Governors on state of architectural education in Glasgow (with accompanying report) 25 Mar 1964; and report on 'Proposed Courses in Architecture in the School of Art, Present and Future Carricula'.

Folder of papers regarding Design & Crafts and the arrangement of courses. Includes: Notices for accompanying displays of student work; Pottery Department's 'Rules for the Guidance of all Students'; records of department staff and student numbers; report on importance of drawing from natural sources; report on leaking roof in room 6; itinerary for Seminar on Industrial Design Teaching; correspondence regarding Glasgow School of Art-related work with Vehicle Ferry Vessels.

Papers and Report of the Working Party on the Curriculum of Senior Secondary School. Handwritten report by Robert K Simpson, notes, and correspondence with the Scottish Art Teachers' Association.

Papers, minutes, reports and correspondence relating to the training of Art Teachers. Including: correspondence relating to provisions for the training of art teachers in both Scotland and England, and occasional difficulties of students trained in Scotland being accepted for work in England; Prospectus for Birmingham College of Art and Crafts, School for Training Art Teachers, 1955-1956; notes about Leicester College of Art's School of Teacher Training; the 'Scheme and Procedure of the Clearning House for Graduate Art Teacher Training Centres', Jan 1961; correspondence with the Graduate Art Teacher Training Centres Clearing House; correspondence to the Burnham Committees; information about Glasgow School of Art Endowments and Prizes; 'Report on Measures to Improve the Supply of Teachers in Scotland', by the Scottish Education Department, 1959; correspondence with the Scottish Education Department about the subject; 'Report on Proposed Changes in the Art Examinations and in the Length of the Diploma Course', The Ministry of Education National Advisory Committee on Art Examinations, 1957; Statutory Instrument No 1634, 'The Teachers (Training Authorities) (Scotland) Regulations', 1958; reports and minutes of meetings of the Joint Council for Scottish Central (Art) Institutions, 1958-1959.

Correspondence of Douglas Percy Bliss, 1950. Including correspondence with: the Arts Council of Great Britain about meetings; William Armour, about salary scales for teachers; correspondence with Principals of other Art Schools: Dundee, Edinburgh and Aberdeen; Rev James Brown, about his collection of Art books; the British School at Rome about the Rome Scholarship Exhibition; James Bateman about his position at the Art School, and personal matters; the Council of Industrial Design, Scottish Committee; Fyffe Christie, informing them that they won the Newbery Medal; Sylvia Chalmers, about her Post-Diploma Year; Report on Design in the School; Elder Film Productions Ltd, about making a film of the work of the students; the Corporation of Glasgow, about the potato harvest; correspondence with the Governors of the Art School; correspondence about Hospitalfield and minutes of Trust meetings; W O Hutchison about School matters; Inverness Arts Society about Bliss delivering a lecture for them; correspondence about 'Lettering'; the Lord Provost of Glasgow about a commission; correspondence about the Library; Mrs Masterton, Bliss thanking her for her excellent service to the School as teacher of Bookbinding; Conrad McKenna, about his travels in Rome; William J Macaulay, Glasgow Art Gallery & Museums, about a loan of embroidered items to the Art School; correspondence about the Needlework Development Scheme; the National Committee for the Training of Teachers; correspondence with the Office of the High Commissioner for Pakistan in the UK, Bliss providing information about the Art School; Nikolaus Pevsner about his Mackintosh book; correspondence with the Publicity Club of Glasgow; personal correspondence of D P Bliss; the Royal College of Art, with references for students; the Rayon Industry Design Centre, about an Exhibition; the Royal Society of Arts about a Competition on Industrial Design; correspondence with the Student Representative Council; correspondence with the Scottish Education Department; correspondence with the Victoria & Albert Museum; Dr G Lithgow Wilson, about a gift to the School of his uncle's art materials. Folders as follows: DIR/12/1/6/1: Index of Correspondence for the year 1950 DIR/12/1/6/2: Correspondence, 'A', 1950 DIR/12/1/6/3: 'Art Schools, Principals', 1950 DIR/12/1/6/4: Correspondence, 'B', 1950 DIR/12/1/6/5: Correspondence, 'C', 1950 DIR/12/1/6/6: Correspondence, 'D', 1950 DIR/12/1/6/7: Correspondence, 'E', 1950 DIR/12/1/6/8: Correspondence, 'F', 1950 DIR/12/1/6/9: Correspondence, 'G', 1950 DIR/12/1/6/10: 'Governors Correspondence', 1950 DIR/12/1/6/11: Correspondence, 'H', 1950 DIR/12/1/6/12: Correspondence, 'I', 1950 DIR/12/1/6/13: Correspondence, 'J', 1950 DIR/12/1/6/14: Correspondence, 'K', 1950 DIR/12/1/6/15: Correspondence, 'L', 1950 DIR/12/1/6/16: 'Library', 1950 DIR/12/1/6/17: Correspondence, 'M', 1950 DIR/12/1/6/18: Correspondence, 'Mc', 1950 DIR/12/1/6/19: Correspondence, 'N', 1950 DIR/12/1/6/20: Correspondence, 'O', 1950 DIR/12/1/6/21: Correspondence, 'P', 1950 DIR/12/1/6/22: 'Personal Correspondence', 1950 DIR/12/1/6/23: Correspondence, 'R', 1950 DIR/12/1/6/24: Correspondence, 'S', 1950 DIR/12/1/6/25: Correspondence, 'T', 1950 DIR/12/1/6/26: Correspondence, 'V', 1950 DIR/12/1/6/27: Correspondence, 'W', 1950 DIR/12/1/6/28: Correspondence, 'Y', 1950 DIR/12/1/6/29: Correspondence, 'Z', 1950

The photograph features a group of eleven male students. One of them is lying on an elevated flat surface with his core undressed, while the others gather around him.

The reverse of the photograph shows the text "E; J; C. Haswell doing a tableau of Rembrandt's Anatomy Lesson at Glasgow School of Art (1903-4?)".

The photograph features a group of nineteen female students in an anatomy drawing class.

The photograph features a group of sixteen male and nine female students.

The photograph features Archibald Haswell Miller holding a palette and portraying a female figure.

The photograph features Archibald Haswell Miller holding a palette.

The photograph features Archibald Haswell Miller dressed as a medieval King. The annotations show the text "Glasgow 1910 / I stood in [...] A. L. Jackson (a handsome fellow student or staff [...]) as a King in a [...] which in retrospect was quite a fine production at the School of Art. (I [...] the [...] grown beard did it for me!)".

An annotation on the top right corner shows "1909-10".

The photograph features a group of nineteen female students in an anatomy drawing class.

An annotation on the top right corner of the cardboard shows "1914".

The photograph features fourteen women representing a scene. One of the women is on her knees, head bowed. There is a sign with the words 'A daft lot'.

The reverse of the photograph shows a text addressed to Archibald Haswell Miller.

The item shows two different portrait photographs of Archibald Haswell Miller. The annotation of the first photograph shows the text "London 1912 at 25". The annotation of the second photograph shows the text "Venice 1910 at 23".

An annotation on the top right corner of the cardboard shows "1910-12".

The photograph features Archibald Haswell Miller in the centre of the image, alongside a group of sixteen males and one female in a studio. The man on the right end of the image seems to be an academic. The annotations show the text "MARR SCHULE. MUNICH ACADEMY April 1909", lists the names of some of the people in the photograph and is supported by a map placing them in the photograph.

An annotation on the top right corner of the cardboard shows "1909".

The item shows two different photographs. The first photograph features Archibald Haswell Miller smoking a pipe in the centre of the image, alongside a group of seventeen male and one female students. The annotations below the photograph inform it was taken at the Academy of Fine Arts of Munich. The text reads "The Marrschule. Munich Akademie 1909. [...] as G.C. with halo hold by Baliut".

The second photograph features John R. Covert sitting in a rocket chair. The annotations on the left hand side show the text "John R. Covert. American faint abstract painter. In Munich 1910". The annotation on the right hand side show the text "Here he is – a malen. Oh see [...] he sits and [...]. He'll paint – perhaps. And perhaps? –".

An annotation on the top right corner of the cardboard shows "1909-10".

The reverse of the cardboard lists the names and background of the nineteen students in the first photograph. It is supported by a map placing the subjects in the photograph.

The photograph features Archibald Haswell Miller in the centre back of the image alongside three other students of the Academy of Fine Arts of Munich. The annotations below the photograph show the names "John R. Covert", "Oliver Smock", A Haswell Miller ("Glasgow-Muller"), and "Louis ("Consul") Miller". They also show the text "Vier Kunstakademiker. München 1909 - / John R. Covert / Oliver Smock / A Haswell Miller ("Glasgow-Muller") / Louis ("Consul") Miller. I [...] taken at a small fair in Munich Spring 1909. The screen represents the [...] of a Zeppelin airship the first of which had just visited Munich with great excitement."

An annotation on the top right corner of the cardboard shows "1909".

The photograph features Archibald Haswell Miller and Josephine Haswell Miller alongside a group of males and females.

The supporting text reads "A group at the meeting of the Governors of the Glasgow School of Art this week, when Mr John D. Revel (centre), of Chelsea, was introduced to the board on the occasion of his taking up duty.–"Bulletin" Photo." The newscutting is supported by a handwritten map located below it. It offers the list of names and the location of the subjects in the photograph.

The cardboard also displays additional annotations by Haswell Miller: "We accepted him with all kindness and welcome. After a few weeks he called the staff together and practically told us he was going to sack the lot! I anticipated this by accepting the keepership of the National Galleries. Edinburgh. (Not very well qualified but standard were low in 1930)".

An annotation on the top right corner of the cardboard shows "c1928". Additional annotations below the photograph identify the people featured in it.

The photograph features a senior group of ten men and two women. Archibald Haswell Miller is standing in the back, fourth from the left.

The supporting text reads "Yesterday was "touching-up day" for the R.S.W. Exhibition in the M'Lellan Galleries, Glasgow, where our camera man secured this interesting study. The group includes Robert Eadie, Norah Neilson Gray, R. C. Young, James Kay, Haswell Miller, A. M'Bride, J. W. Wright, A. P. Thomson (sitting), Tom Hunt, Miss Raeburn, Arch. Kay, and D. Fulton."

An annotation on the top right corner of the cardboard shows "1928?".

The photograph features a group of six men looking at a set of paintings hung on the wall.

The newscutting is titled "At a Scottish Art Club's Show". The supporting text reads "A group of artists and members of the Hanging Committee at the annual exhibition of work by members of the Glasgow Art Club, which is being held in the club's premises just now.–"Bulletin" Photograph."

An annotation on the top right corner of the cardboard shows "1926?".

The photograph features a close-up shot of Josephine Haswell Miller.

The photograph features Archibald Haswell Miller holding a palette and portraying a female figure.

The cardboard shows the text "H.M. at Glasgow School of Art c1907 (under Maurice Greiffenhagen)".

An annotation on the top right corner shows "1907".

The photograph features a close-up shot of a woman wearing a light-coloured hat and outfit.

The photograph features a male and a female dressed with period clothing.

The photograph features Archibald Haswell Miller in the centre back of the image alongside three other students of the Academy of Fine Arts of Munich. The annotations below the photograph show the text "R. Covert" and "A Haswell Miller".

The reverse of the photograph shows the text "AEHM in Germany (Munich) as a student (about 21 yrs)".

The photograph features a close-up shot of Josephine Haswell Miller.

The reverse shows the text "Jessie Thomson 319 Sauchiehall St" stamped on the cardboard.