- DC 029/7/30B
- Item
- c1930s-1970s
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Done while studying with Ethel Marritt.
*Not available / given
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Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Done while studying with Ethel Marritt.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Done while studying with Ethel Marritt.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Done while studying with Ethel Marritt.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Done while studying with Ethel Marritt.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Done while studying with Ethel Marritt.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Done while studying with Ethel Marritt.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Done while studying with Ethel Marritt.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Done while studying with Ethel Marritt.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Done while studying with Ethel Marritt.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Done while studying with Ethel Marritt.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Done while studying with Ethel Marritt.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Done while studying with Ethel Marritt.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Done while studying with Ethel Marritt.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Done while studying with Ethel Marritt.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Done while studying with Ethel Marritt.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Done while studying with Ethel Marritt.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
A stone dome/over a porte cochere/to a large public building.
*Not available / given
Section through a stone dome.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Abstract embroidered picture using blue, white and green threads on teal linen background. Possibly machine embroidery.
*Not available / given
Abstract faces in red and blue
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Almost 2 repeats. Industrially printed wool delaine.
*Not available / given
Activities of the Sub-Committee on Silk, Rayon and Cotton Textile Manufacture
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Scottish Committee for Art and Industry.
*Not available / given
Part of Material relating to former GSA student, Kenneth Murray Fraser
The drawing depicts a perspective of a block of flats viewed from the east. The drawing does not refer to a location or date, but is labelled "PD", possibly referring to a Planning Department. The drawing may be by Sam Bunton & Associates, who were involved with the Clydebank Town Planning Department. Kenneth Murray Fraser may have been involved in the project or drawing as an assistant at Sam Bunton & Associates.
*Not available / given
Part of Papers of the Ballantine family, students at The Glasgow School of Art, Scotland
Taken in Kames.
*Not available / given
Part of Papers of the Ballantine family, students at The Glasgow School of Art, Scotland
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
Spanish. Copy of traditional design in brown wool on cream linen in cross-stitch, satin stitch and buttonhole stitch. Fringed with brown wool.
*Not available / given
Application form for female class, Glasgow Central School of Art
Part of Records of The Glasgow School of Art, Glasgow, Scotland
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
British. Scallop-edged cream taffeta apron. Silk and metal threads. Symmetrical floral design incorporating metal thread areas padded with cord. Extensive use of pearl and sequins. Framed.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
Portuguese. Part of peasant costume. Closely woven in red wool on white warp. Geometric design in bright colours in loom embroidery - extra weft pulled up in loops on the surface Yellow braid waistband, and pink braid edges.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
British. Muslin with border embroidered with floral design in ochre shades in chain stitch in worsted thread. Waistband embroidered.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
British. Floral design embroidered on green taffeta in silks and gold thread. Satin stitch and variety of fillings used. Background has shredded in places and has been backed on net.
*Not available / given
Arbroath High School Art Department Examination Paper
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Handwritten scenario for an examination.
*Not available / given
Architectural competition drawing
Large presentation drawing of Glasgow School of Art campus showing new public space on Renfrew Street in claret and crimson on cream paper.
*Not available / given
Rectangular yellow armchair cover. Thought to be by Ann Macbeth. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.
*Not available / given
Cream armchair cover. Thought to be by Ann Macbeth.
*Not available / given
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Questions arising on Sir Steven Bilsland's Memorandum (DIR/9/75/32).
*Not available / given
Art and Industry in Sweden, by Sir Steven Bilsland
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Art and Industry in Sweden, an outline of the movement which has secured co-operation between them, by Sir Steven Bilsland.
*Not available / given
Art Education in Scotland, Memorandum by Mr Cursiter
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Art Education in Scotland, Primary and Secondary Schools; The training of Teachers; the status of Art in Education; The Decoration of Schools; Continuation Classes; Art College. Mr Cursiter's 2nd Memo.
*Not available / given
Art in Schools in Relation to Industry
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Memorandum on Art in the Schools in Relation to Industry, by R M Allardyce, Director of Education.
*Not available / given
Traditional artist's easel. According to donor, the artist's wife Mrs Nina Herman, the easel was borrowed by her husband from GSA c1950. This had been made possible by Joan Eardley. The easel never returned. On the death of Josef Herman, his widow began clearing out his studio. The drawing (NMC/633) was gifted to GSA as a thank you for the 50 year loan of the easel.
*Not available / given
Artist's palette used by Sir James Guthrie.
*Not available / given
William McCance's artist's smock.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
Scottish. Long robe with richly embroidered central panel with side flounces running up over shoulders and round back of neck. Double flounced sleeves.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
Scottish. Of coarser cotton than other 2 robes in collection (GB 1694 NDS/GB/28 and GB 1694 NDS/GB/29). Bottom of centre panel, and bodice, richly embroidered and incorporating lace fillings. Short flounced sleeves.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
Scottish. Long robe with sprig embroidered traingular central panel, with side flounces, and bodice. A variety of lace fillings are used.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
British. White lawn with hollypoint lace insertions on shoulders, incorporating initials 'A.M.' Hems finished with drawn-thread and embroidered edge.
*Not available / given
View of the Bank of England from the corner of bank buildings.
*Not available / given
Long multi-coloured banner. Wefts and warps in shades of purple, orange, pink, green, yellow, grey and brown form an abstract design of gradated colours on a cream-coloured background. The warps have been left long in the lower edge and turned into a fringe.
*Not available / given
Double-faced fabric, in an even, regular weave. Grid design on a cream background in rectangles of red, orange, yellow and three shades of blue, with colour gradations in some parts of the design. It also has been quilted to add texture and weight to the lower half of the banner.
*Not available / given
Banner from The Glasgow School of Art Textile Department
Charles Rennie Mackintosh banner. Scaled replica of banner that the Hunterian owns, featuring a tall standing female figure with pink rose and green leaves details.
*Not available / given