- NMC/0421
- Item
- c1908-1914
Dull blue/green corded silk embroidered at each end. Thought to be by Ann Macbeth (the use of these particular strong shades of magenta and turquoise are distinctive of Macbeth's work at this time).
*Not available / given
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Dull blue/green corded silk embroidered at each end. Thought to be by Ann Macbeth (the use of these particular strong shades of magenta and turquoise are distinctive of Macbeth's work at this time).
*Not available / given
'Indignation loosened Peter's tongue' (two male figures). Several of these illustrations appeared in 'Good Words' 1863.
*Not available / given
'He followed them through the fire...' (male figure). Several of these illustrations appeared in 'Good Words' 1863.
*Not available / given
Part of Plaster Casts
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Small statue of angel, original wings lost.
*Not available / given
Plaster cast of baptismal font
Part of Plaster Casts
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.
Gilt plaster circular font. Damage sustained when student put water into the cast.
*Not available / given
Plaster cast of capital with monk
Part of Plaster Casts
*Not available / given
Plaster cast of corbel of angel playing lute
Part of Plaster Casts
Medieval style.
*Not available / given
Plaster cast of Madonna and child maquette
Part of Plaster Casts
Mary holding the Christ child.
*Not available / given
Plaster cast of Mater Dolorosa
Part of Plaster Casts
Mater Dolorosa (Latin) refers to the Virgin Mary in relation to the sorrows in her life.
*Not available / given
Part of Plaster Casts
plaster cast of Saint Jerome, the patron saint of libraries.
*Not available / given
Plaster cast of Sarcophagus of Giustina
Part of Plaster Casts
Original: Attributed to Gregorio di Allegretto, 1476. Marble. Church of Santa Giustina, Padua, Italy. On the front of the sarcophagus the body of the saint is carved in relief, lying on a bier and covered with a cloth. At the ends are reliefs of angels swinging censers.
*Not available / given
Plaster cast of section of architrave with vines and eagle in clipeus
Part of Plaster Casts
Original: Lorenzo Ghiberti, 1452. Bronze. Gates of Paradise, Baptistry di San Giovanni, Florence, Italy. Currently in the collection of the Museo dell'Opera del Duomo, Florence, Italy. In 2019, this item was conserved and now includes a central fragment, which was originally catalogued as a separate cast (PC/187).
*Not available / given
Plaster cast of the Dead Christ Tended by Angels
Part of Plaster Casts
Original: Donatello, c1435–1443. Carved marble in low relief. Original currently in the collection of the Victoria and Albert Museum, London, UK. previously incorrectly referenced as 'Pieta' meaning a depiction of the Virgin cradling Christ's body, due to similarity to Donatello's relief sculpture of the same subject and style.
*Not available / given
Plaster cast of Virgin adoring the Child, with God the Father and angels
Part of Plaster Casts
Original: Andrea della Robbia, c1479. Glazed terracotta. A variant of the Brizi Adoration relief at La Verna, Italy. Currently in the collection of the Courtauld Institute of Art, London, UK. Annotated: "2168".
*Not available / given
Plaster cast of Virgin and Child
Part of Plaster Casts
Original: Andrea della Robbia, c1487. Blue and white tin-glazed terracotta. Florence, Italy. The original relief is believed to have been commissioned by Gabriele di Cambio de' Medici, whose marriage to Lucrezia di Alessandro Rondinelli took place in 1487-88. The style of the relief is related to that of Andrea del Verroccio.
*Not available / given
Poster advertising 'Man Walks Among Us - A Sculpture by Kenny Hunter', Glasgow
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster advertising 'Man Walks Among Us - A Sculpture by Kenny Hunter', St Mungo Museum of Religious Life and Art, Glasgow. The poster advertised the Jesus 2000 Commission, to mark the millennium.
*Not available / given
Plaster and resin cast, possibly taken from an older wood carving showing a nativity scene on the long face and an Annunciation and Joseph on either end. The reverse is hollow with rough resin marks. Shape suggests it is copied from a capital at the top of a pilaster. Formerly located in the Director's office.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
German. On white silk with woven spot design. Embroidered with silk, black cotton and metal threads in cross, four-sided, running, back, fly, satin stitches, couching and French knots. Shades of brown and oragne with naive figures and sacred emblems. The stylised figures and text are similar to those on the Hungertuch (Hunger cloth) Lenten cloth also made by the Munster school in the late 1920s. This was inspired by the 1623 Hungertuch Lenten hangings in Telgte, near Munster.
*Not available / given