Abstract faces in red and blue
- DC 089/3/1/1
- Item
- 1983-1987
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Almost 2 repeats. Industrially printed wool delaine.
*Not available / given
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Abstract faces in red and blue
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Almost 2 repeats. Industrially printed wool delaine.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
British. Scallop-edged cream taffeta apron. Silk and metal threads. Symmetrical floral design incorporating metal thread areas padded with cord. Extensive use of pearl and sequins. Framed.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
Portuguese. Part of peasant costume. Closely woven in red wool on white warp. Geometric design in bright colours in loom embroidery - extra weft pulled up in loops on the surface Yellow braid waistband, and pink braid edges.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
British. Muslin with border embroidered with floral design in ochre shades in chain stitch in worsted thread. Waistband embroidered.
*Not available / given
Rectangular yellow armchair cover. Thought to be by Ann Macbeth. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.
*Not available / given
Cream armchair cover. Thought to be by Ann Macbeth.
*Not available / given
William McCance's artist's smock.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
British. White lawn with hollypoint lace insertions on shoulders, incorporating initials 'A.M.' Hems finished with drawn-thread and embroidered edge.
*Not available / given
Long multi-coloured banner. Wefts and warps in shades of purple, orange, pink, green, yellow, grey and brown form an abstract design of gradated colours on a cream-coloured background. The warps have been left long in the lower edge and turned into a fringe.
*Not available / given
Double-faced fabric, in an even, regular weave. Grid design on a cream background in rectangles of red, orange, yellow and three shades of blue, with colour gradations in some parts of the design. It also has been quilted to add texture and weight to the lower half of the banner.
*Not available / given
Banner from The Glasgow School of Art Textile Department
Charles Rennie Mackintosh banner. Scaled replica of banner that the Hunterian owns, featuring a tall standing female figure with pink rose and green leaves details.
*Not available / given
Banner from The Glasgow School of Art Textile Department
Charles Rennie Mackintosh banner. Larger version of scaled replica of banner that the Hunterian owns, featuring a tall standing female figure with pink rose and green leaves details.
*Not available / given
Banner from The Glasgow School of Art Textile Department
Charles Rennie Mackintosh banner. Scaled replica of banner that the Hunterian owns, featuring a tall standing female figure with pink rose and green leaves details.
*Not available / given
Embroidered bed cover. White cotton with pink and cream embroidery decorative design with roses.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Beige binca with metallic silver and bronze stitching and gold wool.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Beige woollen backing with grey, pink and white stitches.
*Not available / given
Dull blue/green corded silk embroidered at each end. Thought to be by Ann Macbeth (the use of these particular strong shades of magenta and turquoise are distinctive of Macbeth's work at this time).
*Not available / given
Big Fat Sampler, large wall hanging with square design
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Bold style sampler in coarse yarn, on yellow fabric, backing of beige linen. Various patterns of stitched squares in yellow, orange, green, and white. 4 macrame hooks at top edge with wooden hanging pole.
*Not available / given
Blazer which was worn as part of a uniform by a student at The Glasgow School of Art.
*Not available / given
*Not available / given
Blue dots for Log and Loggerie Collection
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Welted edged, one edge unhemmed, looped at top edge for hanging. Industrially dyed wool.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
British. Black embroidery on white cotton of intertwining ribbon and flower design. Buttonhole and running stitches.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Sampler on brown binca backing with a variety of yellow, orange, brown and black stitches including couching, herringbone and chain stitch.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
Large plain weave sample woven with fine cotton threads in dark blue, light blue, silver blue, coral, and dark green, and finer multi-coloured threads. With a pattern of vertical stripes and bands, some of them with a puckered effect.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Romanian stitch with camel hair sampler.
*Not available / given
Carpet sample featuring floral repeat pattern
"Block print velvet, probably from USA, date approx. 1904" on reverse. "780 5/8, 34" also stencilled on reverse.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
Yugoslavian. Sleeveless dress with side seams and hem decorated with red, blue and black embroidery. Tasselled braid belt. From Bosnia. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.
*Not available / given
Part of Embroidered and Woven Textile Collection, Glasgow School of Art
Bobbin lace collar, cream cotton lace with floral net backing. 4 bones attached with fine looped netting stitches at shorter edge. Row of hooks on one side. Possibly has been previously attached to a garment.
*Not available / given
Colourful satin stitch sampler
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Colourful satin stitch wool sampler, square design.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Colourful satin stitch wool sampler on open weave canvas, with square design.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
Scottish. Floral corner decoration with over-elaborate initials which seem to have been added later. Deep vandyked edge. Lace fillings in pierced sections of design.
*Not available / given
Cream and yellow striped sampler
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Cream and yellow striped sampler with cotton and rayon embroidery.
*Not available / given
Cream cotton sampler, collage effect with beads
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
Cream pleated top curtain with an embroidered design of flowers and leaves. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.
*Not available / given
Cream pleated top curtain with an embroidered design of flowers and leaves. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.
*Not available / given
Cream pleated top curtain with an embroidered design of flowers and leaves. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.
*Not available / given
Cream pleated top curtain with an embroidered design of flowers and leaves. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Cream wool background with grey, green, pink, orange and yellow wool stitches.
*Not available / given
Possibly by Ann Macbeth.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Canvas padded and attached to wooden frame. Design of squares containing stylised flowers. Yellow, red, blue and grey with navy edging.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
Indian. Rust cotton background tie-dyed deep brown and embroidered with geometric design. Cotton and silk embroidery in subtle colour scheme.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Picture of female figure in blue dress wearing red scarf and carrying bowl on head. Embroidered in tapestry wool of various colours. Attached paper label "fish wife", Kath Whyte student piece.
*Not available / given
Embroidered Sample, 'Tree Garden'
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Sampler worked on loosely woven cream cotton and wool material. Abstract garden design with large loose straight stitches in variety of yarn types. Shades of green, brown, cream and orange.
*Not available / given
Embroidered sampler on woven raffia background
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Cream raffia plain woven fabric embroidered with coarse linen thread in grey, beige and cream. Stored with KW22 and KW23 in binder.
*Not available / given
Embroidered velvet in mauve and pink silks. Thought to be by Ann Macbeth.
*Not available / given
"Eskimo" doll with snowshoes, bag and "Eskimo" baby, holding a fish.
*Not available / given
Black, pink, green and cream woven fabric with paper cut sketch attached, mounted on black card.
*Not available / given
Paper test piece for textile design made from cut and rolled coloured paper in shades of brown with orange circular highlights.
*Not available / given
Cape sleeved jacket with long, mermaid style fishtail made of an iridescent synthetic fabric lined with green synthetic silk and decorated with strands of couched wool in a fish scale design. Thought to have been made and used as a costume for a masque or play at The Glasgow School of Art in the early-mid 20th century.
*Not available / given