Large plain weave sample woven with fine cotton threads in dark blue, light blue, silver blue, coral, and dark green, and finer multi-coloured threads. With a pattern of vertical stripes and bands, some of them with a puckered effect.
Large brown pottery bottle vase with black leaf pattern. No obvious makers mark, but believed to be by John Calderwood who worked as a technician in the ceramics department of the Art School during the 1990s.
A 'Progressive Proofs' file containing a reproduction print of the cover of 'Broughty Ferry - The Pleasure Beach of Dundee" brochure, which William Drummond Bone painted. An accompanying newspaper article provides more detail.
Persian. Silk satin hanging with repeating design showing a hunter on horseback, musicians and figures at a hookah. The hanging is lined with block printed cotton. Gray-green with soft colours.
Brass lantern treated with gold finish with cut-out ornamental design on top and bottom. Has glass covering for light, cut wires on bottom which would have been attached to light bulb inside. Lantern would have been attached to the wall. Back of lantern has red marking, "SCH-302". Indented stamp on top front of lamp, "ALLAN & CO". Due to information in an inventory, lantern can be dated pre-1958.
Classical scene; three figures. Awarded to David Broadfoot Carter. Inscribed obverse: "Glasgow School of Art, Bram Stoker Medal for the best imaginative work of the year/ D.Broadfoot Carter 1903".
Elevation and plan of Bolten House at Grantham. The bottom right corner of the paper has been removed and a photograph of the house taken from a magazine has been attached.
Blue glazed ceramic rabbit with black glazed eyes with red marking on bottom of rabbit, "SCH-83". Includes wooden stand painted black with four small feet, shaped for rabbit to sit. Bottom of stand has red marking "SCH-83B". Due to information in an inventory, rabbit can be dated pre-1958.
Mantel border or stole. Open tape lace with stylised floral pattern. Symmetrical design with some paisley shaped flowers. Wave pattern along lower edge.
Bold style sampler in coarse yarn, on yellow fabric, backing of beige linen. Various patterns of stitched squares in yellow, orange, green, and white. 4 macrame hooks at top edge with wooden hanging pole.
Dull blue/green corded silk embroidered at each end. Thought to be by Ann Macbeth (the use of these particular strong shades of magenta and turquoise are distinctive of Macbeth's work at this time).
British. Plaited green silk belt with silver fastening. Purse and pincushion are tapestry woven in silks and metal thread, and are attached to belt with plaited cords. Purse has drawstring fastening finished with woven tassels made over wooden beads. Purse has floral design and pincushion features a small bird.
Skirt with small bib at top edge. 8 bands differently patterned floral lace horizontally across skirt. Vent of fine netting at back of skirt and strip of black net at lower edge.
British. Made in sections of cut-work embroidered linen and fillet lace, in a wide variety of designs. The monograph of the maker and her husband are included on the centre section. By Mrs. Peiniger, Southsea.
Charles Rennie Mackintosh banner. Scaled replica of banner that the Hunterian owns, featuring a tall standing female figure with pink rose and green leaves details.
Charles Rennie Mackintosh banner. Larger version of scaled replica of banner that the Hunterian owns, featuring a tall standing female figure with pink rose and green leaves details.
Charles Rennie Mackintosh banner. Scaled replica of banner that the Hunterian owns, featuring a tall standing female figure with pink rose and green leaves details.
Long multi-coloured banner. Wefts and warps in shades of purple, orange, pink, green, yellow, grey and brown form an abstract design of gradated colours on a cream-coloured background. The warps have been left long in the lower edge and turned into a fringe.
Double-faced fabric, in an even, regular weave. Grid design on a cream background in rectangles of red, orange, yellow and three shades of blue, with colour gradations in some parts of the design. It also has been quilted to add texture and weight to the lower half of the banner.
Scottish. Long robe with richly embroidered central panel with side flounces running up over shoulders and round back of neck. Double flounced sleeves.
Scottish. Of coarser cotton than other 2 robes in collection (GB 1694 NDS/GB/28 and GB 1694 NDS/GB/29). Bottom of centre panel, and bodice, richly embroidered and incorporating lace fillings. Short flounced sleeves.