Bust of Haldane (obverse); figure of Minerva (reverse). Awarded to Catherine C. Peacock, Stage 17A. The GSA was known as the Glasgow School of Art and Haldane Academy from 1869-1892. Inscribed: "Glasgow School of Art and Haldane Academy Awarded by the Haldane Trustees (with figure of Minerva) Catherine C. Peacock, Stage 17A, 1870".
Bust of Haldane (obverse); figure of Minerva (reverse). Awarded to Mrs Kershaw Stage 15A. The GSA was known as the Glasgow School of Art and Haldane Academy from 1869-1892. Inscribed: "Awarded by the Haldane Trustees. Mrs Kershaw, Stage 15A".
Ceramic blank decorated with pink image of north-west façade of The Glasgow School of Art. "Wedgwood of Etruria & Barlaston - A - Made in England" stamped on verso.
This item is an identification key showing each student depicted in the photograph on the poster under the reference number GSAA/EPH/10/204. It was created by Katie Hawson who was a volunteer at The Glasgow School Of Art Archives and Collections in 2013. Eddie Stewart, a former painting and printmaking tutor at the school helped Katie to identify each individual.
Large red glazed ceramic vase with red marking on bottom "GSA 581". Due to information in a 1958 inventory, vase can be dated pre-1958. It may be a student piece or could have been bought and used as a teaching aid.
GSA will not pay claim for third grade preparation, refers to money received by Simmonds for students' work undertaken under Greenless, former GSA Headmaster, in 1881. Attached is a list of students in 1885 Third Grade Certificate class (with marks achieved).
Affirms GSA claim of £5 for every student awarded the Art Class Teachers' Certificate. GSA Committee may choose whether or not to inform Mr Simmonds of any correspondence passed between them and the Department of Science and Art.
Claim for payments for art class teachers and Third Grade students who have passed parts of the Department of Science and Art examinations, and part due to Simmonds.
Request to know porportion of the Department of Science and Art grant is due to Headmaster, and to know from whom Simmonds heard that the Department and GSA were corresponding.
This screen printed banner with a large photo of Mackintosh depicts his signature and the Glasgow School of Art emblem reading: "There is honour in honest error none in the icy perfection of the mere stylist".
This master clock was provided by the Glasgow firm of Dykes Brothers. However, the stylised clock face with distinctive numbering is likely to have been to a design by Mackintosh. Electrically operated, the 'master' clock' powered all the numerous wooden 'slave' clocks by means of an electrical pulse every 30 seconds. This item was assessed for conversation in 2010 as part of the Mackintosh Conservation and Access project (2006-2010), and then again in 2018 following the fire in the Mackintosh Building in June 2018.
The newscutting informs of the reception and dance that were held at The Glasgow School of Art on the day it was published. The evening entertainment included the presentation of two plays by Francis H. Newbery. It shows photographs of four principals in the plays: Miss J. Cameron, Mr A. G. Crombie, Mr J. C. M'Fayden, and Mr J. Huck.
The newscutting features a photograph of Dame Laura Knight with some of the principals inspecting diploma work during her visit to The Glasgow School of Art.
Pewter mug with handle. Red marking on bottom, "SCH.298". Small indented markings on side "QUART", "A8", "Wood & Sons, Glasgow", and Queen Victoria royal cypher. Due to information in an inventory, mug can be dated pre-1958.
This poster advertised various events happening during The Glasgow School Of Art's activities week in 1971. The poster details a number of film screenings and talks which took place in the Mackintosh Lecture Theatre. Other events included visits to the National Engineering Laboratory in East Kilbride and to an exhibition of prints by the London based printmaking organisation Editions Alecto. There was also an exhibition of work by John McInnes which was held in the Mackintosh Museum.
This poster was used to advertise courses available at The Glasgow School Of Art. The poster invites potential applicants to write to the school's academic registrar.
This poster advertised the undergraduate BA Honours degree courses offered by The Glasgow School of Art. The poster states that those interested should write to The Glasgow School Of Art registrar for more information.
This poster advertised the masters course in design offered by The Glasgow School of Art in the mid 1980s. The poster details the objectives and benefits of studying for a postgraduate qualification at The Glasgow School Of Art, including the multidisciplinary opportunities available, the different course options, the Mackintosh legacy and the Glasgow style. The design of the poster suggests it could also have been used as a promotional leaflet. This particular copy has an Irn Bru sticker attached to it that dates back to the 1980s.
This poster promoted the new one year long Master of Design course offered at The Glasgow School Of Art. The course offered a variety of creative disciplines including ceramics, embroidered textiles, graphic design with illustration and photography, interior design, printed and knitted textiles, product design and silversmithing and jewellery. It ran from January to December and was split into four terms of study with each student's programme tailored to their statement of intent.
This poster advertised the undergraduate BA Honours in Product Design course offered at The Glasgow School of Art. The back of the poster answers a number of questions potential applicants might have had, including: Why Glasgow? Why Glasgow School of Art? What are the aims of the course? Will it appeal to me? What are the career prospects? How can I apply? What entrance qualifications do I need? The front of the poster states "There has never been a greater need for product design graduates to take up their crucial role in guiding the future prosperity of society, commerce and culture. The Department of Product Design at Glasgow School of Art is well placed to answer this exciting challenge, offering a rich programme which has earned an international reputation for producing versatile, creative designers."
This poster advertised a ceilidh that was held in the Haldane Hall on the 19th of February 1972 as part of The Glasgow School Of Art's activities week. Activities week was an annual programme of talks, film screenings and social events that ran from 1971 to 1985. Playing at the ceilidh were a number of notable Scottish folk musicians including Cliff Hanley, Billy Connolly, Robin Hall, Jimmy McGregor and Charlie Williamson. An image of this poster can be found in the 1973 Glasgow School Of Art prospectus on page 21.
This poster is for a Charles Rennie Mackintosh exhibition at the Glasgow School of Art, which ran from 1st July to 30 September 1988. The poster has a black and white design with orange font. It uses a geometric pattern which mimicks a Charles Rennie Mackintosh chair design.
This poster is for a Charles Rennie Mackintosh exhibition at the Glasgow School of Art, which ran from 1st July to 30 September 1988. The poster has a black and white design with orange font. It uses a geometric pattern which mimicks a Charles Rennie Mackintosh chair design.
In 1988, a Mackintosh architecture exhibition opened in Certaldo in Tuscany, Italy. It was organised by Comune di Certaldo in Palazzo Vicariale di Certaldo from 31st July to 30th September. A book was published by Electa Firenze about the exhibition including images of architectural drawings, photographs, sketches and paintings. This image is of a blue, beige, and black coloured architectural drawing.
This poster showing an image of a Mackintosh chair advertised an exhibition of the work of Charles Rennie Mackintosh at the Museum of Applied Arts in Helsinki from 10th December 1982 to 16th January 1983.
This poster features white images of twenty chairs with grey text to advertise an exhibition held in Jugendstilsenteret, Ålesund, Norway, from 6th June to the 12th Oct 2003. The exhibition of twenty Mackintosh chairs from the Glasgow School of Art's collection formed part of the opening celebrations at Norway’s newest cultural attraction, the Jugenstilsenteret (Art Nouveau Centre), in Ålesund. Similar to Glasgow, this city is one of the founding partners of the EU-funded Réseau Art Nouveau Network. The School’s contribution was hoped to inspire further cultural and artistic ties between the two countries.