Showing 322 results

A copy of an architectural drawing on sheet paper related to the thesis project showing a block plan of the Wellington Church. This material is a copy from an official document related to a "Proposed new buildings Hillhead". There is a signature of T L Watson, Thomas Lennox Watson, the architect who designed this church dated Oct. 1882, Glasgow. This material has been used by the architect in the stage of the pre-design analysis study of the thesis project. It originally comes from "Strathclyde Regional Archives" with reference of: H/HIL/1882/152.

A copy of an architectural drawing on sheet paper related to the thesis project showing section on the line of the Wellington Church. This material is a copy from an official document related to a "Proposed new buildings Hillhead". There is a signature of T L Watson, Thomas Lennox Watson, the architect who designed this church dated on Oct. 1882, Glasgow. This material has been used by the architect in the stage of the pre-design analysis study of the thesis project. It originally comes from "Strathclyde Regional Archives" with reference of: H/HIL/1882/152.

A copy of architectural drawing on sheet paper related to the thesis project showing the plan of basement floor of the Wellington Church. This material is a copy from an official document related to "Proposed new buildings Hillhead". There is a signature of T L Watson, Thomas Lennox Watson, the architect who designed this church, dated Oct. 1882, Glasgow. This material has been used by the architect in the stage of the pre-design analysis study of the thesis project. It originally comes from "Strathclyde Regional Archives" with reference of: H/HIL/1882/152.

A copy of an architectural drawing on sheet paper related to the thesis project showing the plan of gallery floor of the Wellington Church. This material is copy from an official document related to "Proposed new buildings Hillhead". There is a signature of T L Watson, Thomas Lennox Watson, the architect who designed this church, dated Oct. 1882, Glasgow. This material has been used by the architect in the stage of the pre-design analysis study of the thesis project. It originally comes from "Strathclyde Regional Archives" with reference of: H/HIL/1882/152.

A copy of an architectural drawing on sheet paper related to the thesis project showing a plan of area floor of the Wellington Church. This material is a copy from an official document related to a "Proposed new buildings Hillhead". There is a signature of T L Watson, Thomas Lennox Watson, the architect who designed this church dated Oct. 1882, Glasgow. This material has been used by the architect in the stage of the pre-design analysis study of the thesis project. It originally comes from "Strathclyde Regional Archives" with reference of: H/HIL/1882/152.

A copy of an architectural drawing on sheet paper related to the thesis project showing the plan of attics and ceiling of the Wellington Church. This material is a copy from an official document related to a "Proposed new buildings Hillhead". There is a signature of T L Watson, Thomas Lennox Watson, the architect who designed this church dated Oct. 1882, Glasgow. This material has been used by the architect in the stage of the pre-design analysis study of the thesis project. It originally comes from "Strathclyde Regional Archives" with reference of: H/HIL/1882/152.

A copy of an architectural drawing on sheet paper related to the thesis project showing the elevation to the lane of the Wellington Church. This material is a copy from an official document related to a "Proposed new buildings Hillhead". There is a signature of T L Watson, Thomas Lennox Watson, the architect who designed this church dated Oct. 1882, Glasgow. This material has been used by the architect in the stage of the pre-design analysis study of the thesis project. It originally comes from "Strathclyde Regional Archives" with reference of: H/HIL/1882/152. This sheet has a tear.

A copy of an architectural drawing on sheet paper related to the thesis project showing the back elevation and sections of the Wellington Church. This material is a copy from an official document related to a "Proposed new buildings Hillhead". There is a signature of T L Watson, Thomas Lennox Watson, the architect who designed this church dated Oct. 1882, Glasgow. This material has been used by the architect in the stage of the pre-design analysis study of the thesis project. It originally comes from "Strathclyde Regional Archives" with reference of: H/HIL/1882/152.

A copy of an architectural drawing on sheet paper related to the thesis project showing the elevation to Ann street of the Wellington Church. This material is copy from an official document related to a "Proposed new buildings Hillhead". There is a signature of T L Watson, Thomas Lennox Watson, the architect who designed this church dated Oct. 1882, Glasgow. This material has been used by the architect in the stage of the pre-design analysis study of the thesis project. It originally comes from "Strathclyde Regional Archives" with reference of: H/HIL/1882/152. This item has a long tear on its right hand edge.

Material related to an essay submitted as part of sociology course in the form of comb binding with 15 handwritten pages. This paper studied the social life of people in the industrial era in the 19th and early 20th century from some of cities and towns across Britain. It addresses the development of both urban and suburban design associated with the style of massive house building programmes that accommodated immigrant factory employees.

Material related to a booklet to study the constructional system of the Elgin Park Centre Greenhouse. It consists of a hard cover for both front and back with 6 pages (on comb binding) done in the form of hand writing with free hand sketches. The aim is to explore how the building of the Greenhouse was built starting from site preparation, foundation, floors, external and internal walls, roofing and other constructional elements.

Material related to designing a board game to be used as a teaching tool for students of architecture and construction courses. Created by both Chis Platt and another student, David Smith, as they decided to design this game instead of writing a 10,000 words essay. Features two items: the commission report, and the game equipment in a wooden box. This special subject output was submitted in October 1980.

Commission game equipment all kept in a wooden box, consisting of:
1- Small yellow cards, some of them with letter A, and others with letter C: "Architect and contractor boards for each commission received";
2- "Commission cards in envelopes";
3- "Surprise cards, for both architect and contractor";
4- "Plastic counters for movement through board";
5- "Typed calculation pads, blank pads, pencils";
6- "Two dice";
7- Rules booklet

Leaflet for an exhibition of work by four local students architects from the Mackintosh School of Architecture. The is called "Inclined to Design", and the leaflet explains the concept behind the exhibit which is built on the idea of architectural drawings as paintings and sculptures rather than just as end products for buildings, following London and New York architectural drawings that sold as paintings. The leaflet has the signatures of the four architects (students): Alan Fullarton, Brain Hendry, Christopher Platt, and Richard Robb. The leaflet made by a printed white paper attached to hard sheet.

A written sheet including a brief of the basic design requirements including function, occupation, construction, and location. The most important design criterion is: "the building must blend in with the surrounding landscape as camouflage".

A report with 27 pages done using typewriter. It also consists of seven coloured photos related to the game. The idea of the game is help students learn more about the building process from commission stage to completion as it shows the relationship between client, architect, and contractor. The idea was developed with the help of the tutor Drew Mackie, game consultant. The report gives instructions and explains how to complete the tasks at each stage.

Essay submitted as part of sociology course with 11 typewritten pages (no binding). This paper is a comparison of tenements and terraces in the West End of Glasgow. The aim is to study if there are any similarities rather than differences in their architectural design. It includes some photos and free hand sketches.
This study concluded that the terraces often had the similar façade design (neo-classical style) and the only difference occurred with the use of trees and landscape factor.

Third Year Part Time material, featuring two essays.

Material related to the writing of a history essay studying the art and craft movement in the UK influenced by three architects, Augustus Pugin, John Ruskin, and William Morris. It consists of a hard back cover page with 20 pages (on white plastic strip binding) done in the form of hand writing. The aim is to study the architectural movement in Britain after the Industrial Revolution with its social and economic aspects and how the architects criticised the missing aspect of art and craft that marked by the "battle of styles" between the Classic and Gothic styles.

Material related to the writing of a history essay studying the urban design of the city of Cambridge, especially streets' types and outdoor features connected to the roads design vertically and horizontally. It consists of a cover page ( made of cartridge) with 12 pages (with no binding) done in the form of hand writing with some photos, maps, and free hand sketches. The aim is to understand the quality of the city's streets and roads and how building elements can affect the visual appearance and the psychological dimension.

Essay submitted as part of sociology course in the form of comb binding with 15 handwritten pages. This paper studied the social life of people in the industrial era in the 19th and early 20th century from cities and towns across Britain. It addresses the development of both urban and suburban design associated with the style of massive house buildings programme that accommodates immigrant factory employees.

Material related to a booklet to study the constructional system of the Elgin Park Centre Greenhouse.

A sheet of six tickets for the exhibition "Inclined to Design". Each ticket has two sides, the front side is a small copy of the main poster, and the reverse side shows the invitation to a private view of the exhibition including the date and the time. Each ticket is 62 x 104 mm.

Studio design report related to a project to design a sports council headquarters. It is in a comb binding form, handwritten, and including information about design criteria like: zoning, structure, circulation and other strategic design criteria. It consists of 29 pages, some with free hand sketches.

Material related to the submission of a case study as part of post Year 5 professional practice and practical training experience, RIBA Part 3.

Material related to the submission of a case study as part of post Year 5, RIBA Part 3. It consists the details of the construction stage of two stories blocks of bedsits and large block of 1 bedroom flats for elderly people, Surrey. This case study submitted by the architect when he was joined Hutchison Locke and Monk's offices in Richmond, October 1981. As described by the architect, the submission includes his observations during his visits to the site, recording the official site meetings, and sub-contractors meetings. The submission is in the form of comb binding document of typewritten style with some maps, photos from the site, minutes from meetings, and progress reports.

Material related to the writing of a history essay studying three Victorian buildings from Glasgow.

A poster design on tracing paper for an exhibition of work by four local students architects from the Mackintosh School of Architecture. The poster has the title of "Inclined to Design", held at The Arts Guild, Campbell Street, Greenock, from 9th to 20th September (mentioned with no year). Designed by: Alan Fullarton, Brain Hendry, Christopher Platt, and Richard Robb. The exhibition is built on the idea that the architectural drawings become paintings and sculptures rather than just as end products for buildings, following London and New York architectural drawings sold as paintings. The main theme of the poster is centred around an arch, and a pendant hanging in the centre of the arch (from a drawing by David MacAuley), screen-printing by Colin Johnstone. The poster is rolled, and is in two pieces of tracing paper attached together by tape.

Material related to the writing of a history essay studying three Victorian buildings from Glasgow situated in the pedestrian precircuit area of Buchanan Street (No. 21-31, 106-112, and 123-129). It consists of 23 pages (with no binding) done in the form of hand writing with some photos and free hand sketches. The aim is to identify if there is any similarities among these buildings in terms of architectural façade styles and interior functional spaces.

Coloured poster on a black background representing events from drama society, The Glasgow School of Art, from 25th to 28th February (mentioned with no year). Location is: Bourdon Assembly Hall, Renfrew Street. The productions are:

• The Wedding (Bertholt Brecht),
• The Bear (Anton Chekhov),
• Edward & Agrippina (Rene de Obaldia),
• The Stronger (August Strindberg).

Material related to the writing of structural report related to a project to design a sports council headquarters. It consists of a cover page ( made of cartridge) with 19 pages (with no binding) done in the form of hand writing with some free hand sketches including information about design criteria like: development of structural system from concept, integration of structural system into building fabric, influence of structural material, appropriateness of fabric/structure design & detail, and relationship between structural system & services system.

Site map. Free hand sketch shows some features of the vernacular houses including information of the heating and lighting elements.

Construction drawing in details for different types of foundations: Strip foundation, Narrow foundation, Brick foundation.

Free hand sketch showing The Glasgow School of Art elevation from Pitt Street including some architectural descriptions, for example, the view of The Glasgow School of Art showing west side and part of south side and how different is was to the Neo-Classical buildings that were being built at the same time which belonged to where they originated in Italy and Greece whereas the Art School was designed with Scottish influences.

Free hand coloured drawings for different vernacular buildings in Scotland and England: Greenock, Fife, and Cumbria. The aim of these drawings is to study and understand the materials used at that type of buildings which are locally produced and manually built establishing Scottish vernacular building style.

Architectural drawings on a large rolled greaseproof sheet to study the design of The Third Eye Centre in Glasgow as a side project which is directed by the tutor of the third full-time year course. This large rolled sheet consists of the architectural drawing of the building's ground floor plan in scale 1:100 showing its main functional spaces. It also consists of an enlarged part of the ground floor taken from the front side of the building with its upper floor plan, both in scale 1:50. This sheet also includes a sectional perspective in scale 1:20 taken from cash desk booking focal point looking towards its both sides to upstairs floor. This drawing consists of several human figures with humourous comments to give a sense of the real life of this social space. The rolled sheet also includes a coloured drawing of the front façade in scale 1:20, where the architect coloured this drawing from the back of the sheet.

Architectural drawing on tracing paper showing part of the entrance elevation, in scale 1:50, from the left hand side of the graduation hall for Strathclyde University. For presentation purposes, this sheet has been drawn to be attached to the next item to complete the elevation/section panorama. The enlarged scale allows the architect to create as much architectural details within the entrance elevation as this design stage presents the technical study. This drawing comes with no materials indicated.

Sketchbook created throughout Christopher Platt's study at The Mackintosh School of Architecture covering different buildings, locations, and landscape.

Sketchbook containing free-hand sketches created throughout Christopher Platt's study at The Mackintosh School of Architecture covering different buildings, locations, and landscape. These drawings show architectural details from indoor and outdoor views as self-observation undertaken by the student.

Entire range of student work from year 1 to year 5 with the exception of the year 3 part-time which he failed.
There is a small number of reports and essays as well and a boxed game and accompanying report which a student friend and Platt designed to teach students professional practice. This was their way of "avoiding writing a 4th year 10,000 word dissertation".

Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.

Free hand sketches of buildings facades of Stehekin School. Details about design-awareness of the outdoor natural environmental elements and their impacts on the indoor built environment.

Free hand sketches of the Site map of The Clyde Valley, showing its major Towns and Industries.

Free hand sketches of some of Glasgow's building facades, including Glasgow Cathedral, Tenements, and Multi-storey flats. The drawing gives some architectural details and historical information, especially comparing their external appearance.

Free hand sketch showing the location of the Parthenon where it was erected on the Acropolis.

Architectural details of the exterior column showing the basic elements.

Free hand sketch showing two outline perspectives of the Parthenon with a brief history of the Parthenon. Timeline starting from the 6th century to1831 consists of 6 stages:
6th century: converted to Christian church
A.D. 1204: became Latin church
A.D. 1456: converted onto mosque
A.D. 1687: damage by shell during capture of Athens by Venetians
A.D. 1688: Athens restored to Turks and Parthenon suffered in their hands
1831: sculptures removed to British Museum.

Material created for Project 4, First Year which relates to the analysis of selected objects, a new idea for uninhabited building, photograph analysis.

Free hand sketch of two types of spoon: soup spoon, and teaspoon. Details and dimensions show the differences between the two types in appearance, weight, and performance. A description of the preferred materials is provided as well.

A tracing paper showing the typical day "A day in the life", consists of two charts: one for the day-time activities and the other for the night-time activities.

Free hand sketches of space requirements showing the furniture dimensions and the space around them to meet the movement and functional standard.