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The library was destroyed by fire on 23 May 2014, though many metal and glass fragments from the lights were subsequently salvaged. Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. This complete light, constructed from multiple, original parts salvaged from the library was made by Rodney French of Lonsdale and Dutch, Edinburgh. This was the first light reconstructed as part of the restoration of the Library and provided valuable evidence as to how the original lights had been manufactured between 1907-09.

The library was destroyed by fire on 23 May 2014, though many metal and glass fragments from the lights were subsequently salvaged. Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. This incomplete light, was one of the largest single pieces salvaged from the floor of the library and the decision has been taken not to try and restore it but rather to keep it in its current condition as a visual record of the tragedy.

Designed as individual lights within the Library at Glasgow School of Art. Very similar in design to the thirteen lampshades which make up the central light fitting in the Library.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Designed as individual lights within the Library at Glasgow School of Art. Very similar in design to the thirteen lampshades which make up the central light fitting in the Library.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Designed as individual lights within the Library at Glasgow School of Art. Very similar in design to the thirteen lampshades which make up the central light fitting in the Library.

Designed to hang in front of the lecture theatre screen.

The original position of the fifth lamp is not known. In 1985 it was cleaned and placed above the School outer front doors, at the same time as these were repainted white.

The original position of the fifth lamp is not known. In 1985 it was cleaned and placed above the School outer front doors, at the same time as these were repainted white.

The original position of the fifth lamp is not known. In 1985 it was cleaned and placed above the School outer front doors, at the same time as these were repainted white.

The original position of the fifth lamp is not known. In 1985 it was cleaned and placed above the School outer front doors, at the same time as these were repainted white.

The original position of the fifth lamp is not known. In 1985 it was cleaned and placed above the School outer front doors, at the same time as these were repainted white.

One of a number of shades designed for Mackintosh's flat at 78 Southpark Avenue, Glasgow. Mackintosh used a number of these lampshades in his flat at Southpark Avenue which he bought in 1906 and photos of the interiors show them hanging in the dining room and the drawing room and studio. They are just slightly different versions of the fittings used at Mains Street (originally made for gas) which can be seen hanging in clusters of four in the Annan photos of the drawing room and studio and the bedroom.  About 1919 William Davidson bought the Southpark Avenue flat and some of its furniture from the Mackintoshes, on his death Glasgow University bought it from his sons Hamish and Cameron who presented much of the furniture that had been used in it.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Designed for Windyhill, Kilmacolm. Identical to MC/F/39 except that the ladder-back is continued below the seat with three slats instead of the one thin rail in MC/F/39. The provenance is unknown. Mackintosh's list of objects sent to the Turin exhibition includes 'two small green chairs' which were not sold and so returned to Glasgow. From the price and description it seems possible they were the same as the ladder-back chairs designed for the Windyhill bedroom. Possibly MC/F/40 is one of these.

This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Designed for Windyhill, Kilmacolm. A letter from Mackintosh to Davidson states that two of these chairs were intended for the main bedroom, but Annan photographs of the time show one in the bedroom and one in the drawing room at Windyhill.

Designed for the Willow Tea Rooms, Glasgow. These chairs were 'the most successful solution of Mackintosh's attempts to use traditional, vernacular designs' (Roger Billcliffe). However they evidently proved too fragile in use, for all the surviving examples have had an additional cross piece fixed to the top of the uprights (apparently at an early date) to support them. This chair was used in conjunction with the low boxy chair as the main seating unit in the Willow Tea Rooms. This item was assessed for conversation in 2010 as part of the Mackintosh Conservation and Access project (2006-2010), and then again in 2018 following the fire in the Mackintosh Building in June 2018.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Designed for the Willow Tea Rooms, Glasgow. These chairs were 'the most successful solution of Mackintosh's attempts to use traditional, vernacular designs' (Roger Billcliffe). However they evidently proved too fragile in use, for all the surviving examples have had an additional cross piece fixed to the top of the uprights (apparently at an early date) to support them. This chair was used in conjunction with the low boxy chair as the main seating unit in the Willow Tea Rooms.

This sketchbook consists of 81 pages of sketches made by Charles Rennie Mackintosh during his trip to Italy in 1891 funded by his Greek Thomson travelling scholarship prize money. The subjects he sketched are mainly architectural, with the one he felt to be most impressive being labelled 'A Caution'. Each sketch is labelled with the name of the city or town in which it was sketched. In 1890 Mackintosh won the Alexander 'Greek' Thomson Travelling Scholarship with a design for a public hall, which enabled him to take an extensive tour abroad from February to July 1891. He left Glasgow for London on 21 March 1891, sailing from Tilbury on the Thames on 27 March and arriving in Naples on 5 April. He then visited Palermo in Sicily, Rome, Orvieto, Siena, Florence, Pisa, Pistoia, Bologna, Ravenna, Ferrara, Venice, Padua, and Vicenza, arriving in Verona on 10 June 1891. The Sketchbook contains drawings from the later part of Mackintosh's tour, from 10th June, with sketches, mostly of architectural and sculptural details, beginning with Verona. It covers Verona (11-14 June); Mantua (14 June); Cremona (14-15 June); Brescia (16 June); Bergamo (17 June); Lecco (18 June); Cadenabbia and Lake Como (19-25 June); Como (26-27 June); Milan (28 June-6 July); Pavia (7 July-?); Certosa di Pavia (probably several days around 12 July); Paris and Chateau d'Ecouen (late July?); Antwerp (late July? - briefly visited on his return journey). It also contains several pages of designs for the Glasgow Art Club (1892-3) and the Glasgow Herald Building (1893-5). The drawings themselves are almost all pencil sketches, some of which are now quite faint.

Designed for the Director's Room, Glasgow School of Art. One chair reupholstered in blue/black horsehair 1970s, One chair reupholstered in brown horsehair 1984 and repaired. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Designed for the Director's Room, Glasgow School of Art. One chair reupholstered in blue/black horsehair 1970s, One chair reupholstered in brown horsehair 1984 and repaired.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Designed for 120 Mains Street, Glasgow and also for the Luncheon Room, Argyle Street Tea Rooms, Glasgow. Stylistically, the most advanced piece of furniture designed for Argyle Street and used by Mackintosh again in his own flat. The examples in the Museum of Modern Art in New York and the V&A in London were formerly in the GSA collection and donated by Douglas Percy Bliss, GSA director, in 1958. The horsehair and rush seats were reupholstered 1985-86. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Designed for 120 Mains Street, Glasgow and also for the Luncheon Room, Argyle Street Tea Rooms, Glasgow. Stylistically, the most advanced piece of furniture designed for Argyle Street and used by Mackintosh again in his own flat. The examples in the Museum of Modern Art in New York and the V&A in London were formerly in the GSA collection and donated by Douglas Percy Bliss, GSA director, in 1958. The horsehair and rush seats were reupholstered 1985-86. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

Designed for 120 Mains Street, Glasgow and also for the Luncheon Room, Argyle Street Tea Rooms, Glasgow. Stylistically, the most advanced piece of furniture designed for Argyle Street and used by Mackintosh again in his own flat. The examples in the Museum of Modern Art in New York and the V&A in London were formerly in the GSA collection and donated by Douglas Percy Bliss, GSA director, in 1958. The horsehair and rush seats were reupholstered 1985-86. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

Designed for 120 Mains Street, Glasgow and also for the Luncheon Room, Argyle Street Tea Rooms, Glasgow. Stylistically, the most advanced piece of furniture designed for Argyle Street and used by Mackintosh again in his own flat. The examples in the Museum of Modern Art in New York and the V&A in London were formerly in the GSA collection and donated by Douglas Percy Bliss, GSA director, in 1958. The horsehair and rush seats were reupholstered 1985-86. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

Designed for 120 Main Street, Glasgow. An armchair version of F14 possibly one of a pair made for Mackintosh's Mains Street flat. In the 1899 Art & Craft exhibition Mackintosh showed an armchair with 'lacquer panel by Miss Margaret Mackintosh'. The only chair which fits this description is the one in Copenhagen which was bought by Koloman Moser at the Vienna Secession exhibition in 1900. The GSA chair is identical but lacking the lacquer plaque. It was possibly made later c1901 as a replacement for that bought by Moser. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Two of the metal coat hooks, both damaged, were salvaged and have undergone conservation and consolidation work. Designed for the Room de Luxe, Willow Tea Rooms, Glasgow. 'Apparently designed some time later than the rest of the furniture for the Willow Tea Room. Only two stands are visible in contemporary photographs (one each side of the gesso panel) but it is probable that another two flanked the fireplace on the opposite side of the room.' At some time the umbrella stand was over painted with a brownish varnish. In 1986 this was removed and the piece repainted with an aluminium-based silver paint. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

Includes:

• chairs
• tables
• benches
• ettles
• periodical and writing desks
• smokers' cabinets
• beds
• mirrors
• washstands
• bookcases
• cabinets
• linen presses
• dressers
• fenders
• hat, coat and umbrella stands
• a baptismal font, letter racks
• light-fittings
• clocks.