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The Tree of Personal Effort

From The Magazine, Spring 1896. Inscribed: The Tree of Personal Effort, The Sun of Indifference, Charles Rennie Mackintosh, January 1895.' The exact meaning of the symbolism of this work, and its companion, 'The Tree of Influence' has eluded all commentators on Mackintosh's early water-colours. The obvious source of the symbolism is nature, and Mackintosh here reaches his most extreme distortion of organic forms.' (Roger Billcliffe).

Mackintosh, Charles Rennie

The Descent of Night

Appears in The Magazine, April 1894. 'The central figure is based upon that used in the 1893 design for a diploma for the GSA and like that in 'The Harvest Moon', has wings like an angel. Here, however, she appears naked and her outstretched arms and hair merge and are transformed into barren tree-like forms. These descend to the horizon behind which the sun is gradually disappearing under the feet of the winged figure. From the bottom of the picture, and directly beneath the sun, rises a flight of menacing birds. They are presumably nocturnal birds of prey and they seem to be flying directly towards the viewers. This is one of Mackintosh's earliest uses of this strange bird, which was to become more stylised and to appear in many different forms, in several media in his oeuvre.' (Roger Billcliffe).

Mackintosh, Charles Rennie

Autumn

Bound in volume, The Magazine, November 1894. 'Behind a stylised tree stands another of Mackintosh's mysterious female figures, but this is the first one to appear that is not meticulously drawn. Only the head is shown in any detail, and the shape of the body is hidden by a voluminous cloak from which not even its limbs appear. This figure was to be repeated many times, becoming more and more stereotyped until, with the banners designed for the Turin Exhibition in 1902, the head is the only recognisably human part of a figure with a twelve-foot long, pear shaped torso. In 1895-96, Mackintosh was to develop this drawing into a poster for the Scottish Musical Review (Howarth, p1, 9F). The same cloaked figure appears with similar formal emblems at the ends of the branches of the bush.' (Roger Billcliffe).

Mackintosh, Charles Rennie

Fragments of lampshade(s) for Library, Glasgow School of Art

The library was destroyed by fire on 23 May 2014, though many metal and glass fragments from the lights were subsequently salvaged. Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. This small selection of salvaged lights fragments has been retained as evidence of the fire tragedy. These fragments are also surplus to the needs of Rodney French of Lonsdale and Dutch, Edinburgh who has been tasked with reconstructing the entire set of library lights, whilst reusing as much of the surviving fragments as possible.

Mackintosh, Charles Rennie

Sheet 3, The Glasgow School of Art, West and East Elevations

West elevation: drawn from a contract drawing of 1907 re-design of the original 1896 and altered by architect amending doorway, architrave, and corbels.
East elevation: drawing shows the building as built originally planned except for slight modifications.

Platt, Christopher

Italian Sketchbook

This sketchbook consists of 81 pages of sketches made by Charles Rennie Mackintosh during his trip to Italy in 1891 funded by his Greek Thomson travelling scholarship prize money. The subjects he sketched are mainly architectural, with the one he felt to be most impressive being labelled 'A Caution'. Each sketch is labelled with the name of the city or town in which it was sketched. In 1890 Mackintosh won the Alexander 'Greek' Thomson Travelling Scholarship with a design for a public hall, which enabled him to take an extensive tour abroad from February to July 1891. He left Glasgow for London on 21 March 1891, sailing from Tilbury on the Thames on 27 March and arriving in Naples on 5 April. He then visited Palermo in Sicily, Rome, Orvieto, Siena, Florence, Pisa, Pistoia, Bologna, Ravenna, Ferrara, Venice, Padua, and Vicenza, arriving in Verona on 10 June 1891. The Sketchbook contains drawings from the later part of Mackintosh's tour, from 10th June, with sketches, mostly of architectural and sculptural details, beginning with Verona. It covers Verona (11-14 June); Mantua (14 June); Cremona (14-15 June); Brescia (16 June); Bergamo (17 June); Lecco (18 June); Cadenabbia and Lake Como (19-25 June); Como (26-27 June); Milan (28 June-6 July); Pavia (7 July-?); Certosa di Pavia (probably several days around 12 July); Paris and Chateau d'Ecouen (late July?); Antwerp (late July? - briefly visited on his return journey). It also contains several pages of designs for the Glasgow Art Club (1892-3) and the Glasgow Herald Building (1893-5). The drawings themselves are almost all pencil sketches, some of which are now quite faint.

Mackintosh, Charles Rennie

Poster for an exhibition of work by fine art postgraduates

This poster advertised an exhibition of work by postgraduate fine art students in 1985. The exhibition was held in the Mackintosh Building at The Glasgow School Of Art and included work by students studying drawing and painting, photography, printmaking, sculpture and stained glass. The exhibition ran from the 14th to the 20th of June and the image on the poster shows exhibiting students. The photograph was taken by H. Kerr and was printed at David J. Clark Limited. The reverse of the poster is annotated with "Photo by Harry Kerr, Graphics".

Kerr, Harry

Poster for an exhibition of work by Neil Macdonald

This poster advertised an exhibition of work by The Glasgow School Of Art graduate Neil Macdonald. Macdonald had recently returned from travelling around Belgium and Italy having been awarded the John David Cargill Travelling Scholarship. The exhibition ran from Wednesday the 21st to Friday the 30th of April 1982 and was held in the Mackintosh building on The Glasgow School Of Art campus.

*Not available / given

Poster for a 'New Music Group' event

This poster advertised an event featuring the New Music Group which was held in architecture studio 30 in the Mackintosh Building. According to previous deputy director of the school Jimmy Cosgrove, the New Music Group was a fusion of medieval and modern musical styles. This event is believed to be associated with Neil Morrison who was a tutor at The Glasgow School Of Art. Morrison was known for making his own lutes and playing numerous concerts at both the Third Eye Centre and The Glasgow School Of Art.

*Not available / given

Poster for the Master of Design degree show entitled 'Formal Facts: Form Follows Function'

This poster advertised The Glasgow School Of Art Master of Design degree show in 1985. The exhibition ran from the 7th to the 13th of December and was held in the Mackintosh Building on The Glasgow School Of Art campus. Exhibitors included Willie Aitken, Janice Kirkpatrick, Adele Patrick, Heather McMurchie, Gary Morgan and Iain Roberts. Janice Kirkpatrick went on to found Glasgow based design consultancy Graven Images.

*Not available / given

Poster for an exhibition of work by postgraduate fine art students

This poster advertised an exhibition which showcased the work of graduating postgraduate fine art students from 1989. Exhibitors included: Suzanne Applefold, Reuben Kench, Raymond Lee, John Shankie and Zandra Thomson. The exhibition was held in The Glasgow School Of Art's Mackintosh Building from the 17th to the 22nd of June 1989. The poster was designed at The Glasgow School Of Art and features a photograph which was taken by David Kenmillshank.

David J Clark Ltd

Poster for the Master of Design degree show

This poster advertised the work of graduating students from the Master of Design course which was part of The Glasgow School Of Art graduate degree show in 1983. The exhibition was held in the Mackintosh Building on The Glasgow School Of Art campus from the 10th to the 16th of December. The style of this poster is similar to that of a poster for the Master of Design fashion show which was designed by illustrator Ingeborg Smith and can be found under the reference number GSA/EPH/10/13.

Smith, Ingeborg

Foulis medal

Foulis Medal. One of 31 made in 2017/18. Medal first presented at the first GSA winter graduation in December 2017, to the top graduating student from a taught post graduate programme at the GSA.

Also includes background material describing design. The design was inspired by the Mackintosh Building and 18th century block print.

Source: http://gsapress.blogspot.com/2017/12/innovation-design-graduate-callum-nash.html

Marriott, Helen

Poster for a photography exhibition at the Victoria Cafe

This poster advertised an exhibition of photography held in the Victoria Cafe from the 9th to the 20th of October 1978. Exhibiting in this show were a number of artists including: Elizabeth Urquhart, Ray McKenzie, Douglas Bryce, Chris Webster, Denis Crossan and Jack Fordy. The Victoria Cafe, where the show was held, was part of the original student union across from the Mackintosh building on GSA campus. The name "Douglas R. Bryce Graphics '78" is handwritten on the back of the poster.

*Not available / given

Poster for The Glasgow School Of Art degree show

This poster advertised The Glasgow School Of Art's annual degree show which showcased the work of graduating students in 2001. Undergraduate students exhibited in the Mackintosh Building at The Glasgow School Of Art while the Masters of Fine Art students exhibited in Tramway, a local arts centre. The degree show ran from the 23rd to the 30th of June 2001 and was sponsored by Beat 106 radio station.

*Not available / given

Poster for the embroidered and woven textiles degree show

This poster advertised an exhibition of work by graduating students from the embroidered and woven textiles department as part of The Glasgow School Of Art's annual degree show in 1983. The exhibition was held in the Newbery Tower from the 11th to the 21st of June.The image on the front of the poster shows the exhibiting students standing in the Loggia space at the top of the Mackintosh Building. The reverse of the poster is annotated with 'Sarah son'.

*Not available / given

Poster for an exhibition of work by postgraduate students

This poster advertised an exhibition of work by postgraduate fine art students in 1985. The exhibition was held in the Mackintosh Building at The Glasgow School Of Art and included work by students studying drawing and painting, photography, printmaking, sculpture and stained glass. The exhibition ran from the 14th to the 20th of June and the image on the poster shows the exhibiting students. The photograph was taken by H. Kerr and was printed at David J. Clark Limited.

Kerr, Harry

Poster for the murals and stained glass degree show

This poster advertised the work of graduating students from the murals and stained glass department which was exhibited as part of The Glasgow School Of Art Degree Show in 1983. The exhibition ran from the 14th to the 21st of June and was held in the Mackintosh Building on The Glasgow School Of Art Campus. The murals and stained glass department later went on to become the sculpture and environmental art department in 1985.

*Not available / given

David Donaldson and the 2nd Year Class, Back Studio, GSA, 42

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of GSA art students, including Dorothy Ballantyne, Marion Fletcher, Sheila Wilson, Tom Gardner (the artist), Jimmy Spiers, Audrey Scarle, Florence Jamieson, Fay Campbell as well as tutor David Donaldson, his wife Pat and son David, plus a life model who is thought to be a music student from Falkirk who studied at The Atheneum.

Gardner, Tom

Poster for an event entitled 'New Music Group'

This poster advertised an event featuring the New Music Group held in the Mackintosh Building in architecture studio 30. According to Jimmy Cosgrove, who was the previous deputy director of The Glasgow School Of Art in the 1990s, the New Music Group was a fusion of medieval and modern music styles of the 70s. It is believed that this event was associated with Neil Morrison, a tutor who made lutes and played numerous concerts at both The Glasgow School Of Art and the Third Eye Centre.

*Not available / given

Poster for the furniture, interior and product design degree show

This poster advertised the work of graduating furniture, interior and product design students as part of the 1984 degree show at The Glasgow School Of Art. The exhibition ran from the 15th to the 21st of June and was held in the Newbery Lounge in the Newbery Tower on The Glasgow School Of Art campus. The poster is illustrated with a drawing of the Newbery Lounge from the vantage point of the Mackintosh Building.

*Not available / given

Ship block printing display case

Wooden display case showing process of wood and linoleum block printing, featuring ship design. Loose paper GSA label once attached to back of case with writing "Design. B-Block Printing". Due to information in archival documentation, display case can be dated pre-1943. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014 and was conserved in 2018.

*Not available / given

Sample cabinet for William Douglas

Trade cabinet designed to hold various wood samples. Made for William Douglas, a decorator and friend of Mackintosh who worked on several of his commissions, especially Hous'hill. Reputedly designed by Mackintosh but some of the detailing suggests he did not closely supervise the execution. Each drawer holds samples of different woods, stains, paints and finishes. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

Mackintosh, Charles Rennie

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