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Art, Design and Architecture collection Design (arts)
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Ceramic tile fragment

Polychrome (blue, green, yellow, white) glazed ceramic tile fragment with hand-painted floral and plant designs. 'Shah Isfahan' handwritten on verso. Label on verso - 'Shah - 17th mosque Isfahan.' The Shah Mosque (Persian), also known as Imam Mosque (Persian), is a mosque in Isfahan, Iran. It is regarded as one of the masterpieces of Irania/Persian architecture and an example of Islamic era architecture of Iran. It employed the haft rangi (seven-colour) style of tile mosaic.

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Ceramic tile fragment

Polychrome (blue, brown, gold) glazed ceramic tile fragment with what might be hand-painted or transfer printing design of a seated human figure. Border along the left side on recto could possibly be script. Left edge has a pointed, triangular shape. The fragment appears to have been broken into 3 parts and then was glued back together. Label on verso - 'Persia 13th C.'

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Pottery fragment

1st piece of rim fragment with cream glaze and band of blue, light turquoise, and red/brown paint on recto. Small band of blue paint on verso.

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Pottery fragment

Slightly curved fragment with blue glaze and dark green hand-painted design and bands on recto. Blue glaze with dark green hand-painted Arabic writing and a green band on verso.

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Pottery fragment

Rim fragment with cream glaze and blue, turquoise, red, and dark brown hand-painted patterns on recto. '15 SAVEH' and '15' handwritten on verso. Saveh is a city in Iran.

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High-back settle

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. All that remains is a badly damaged copper repousse panel. This was assessed by a conservator but no conservation work was deemed possible. Settle with high back and wings. The style of the settle is very similar to work produced by Wylie & Lochhead and it is most likely that it was made by this firm. The fabric was probably designed by Samuel Rowe. The woven fabric covering of the settle was woven by the firm of A H Less of Birkenhead in 1897 and is jacquard woven and warp-printed wool and cotton. Warp printing was a special technique used by this firm. Although Lee's bought designs from a numbers of leading freelance designers it is uncertain who designed this particular piece although it is likely to have been by Samual Rowe.

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