- NMC/1583
- Item
- Mid 20th century
Mink fur wrap with tails.
*Not available / given
6 results with digital objects Show results with digital objects
Mink fur wrap with tails.
*Not available / given
Symbolic Masonic apron.
Linen dress, part of a costume used in Glasgow School of Art Masque.
McGlashan, Daisy Agnes
Fur, part of a costume used in a Glasgow School of Art Masque.
McGlashan, Daisy Agnes
Part of a costume used in Glasgow School of Art Masque. The wig may have been acquired separately, after the rest of the outfit, which at one point is believed to have included a cape and dagger.
McGlashan, Daisy Agnes
Part of a costume used in a Glasgow School of Art Masque.
McGlashan, Daisy Agnes
Pair of suede slippers, part of a Costume used in Glasgow School of Art Masque.
McGlashan, Daisy Agnes
Part of blue silk floral outfit worn by Miss Cranston.
*Not available / given
Part of blue silk floral outfit worn by Miss Cranston.
*Not available / given
Part of blue silk floral outfit worn by Miss Cranston.
*Not available / given
Artistic Dress made by a third year Interior Design student as a project for the 'Artistic Dress - Fashion, Style and identity' course. Full length, long sleeved 'A' line dress in dark blue, with a square neck and a central panel of applique in stylized floral shapes in cream, beige and lemon, with an orange/gold ribbon edging to the area. Also, an essay about Artistic dress and making a dress inspired by her studies.
Broger, Anna
Red woollen dress coat with purple pattern printed on top.
Ruddy, Meg
The Glasgow School of Art painting smock
Blue linen artist's painting smock worn by a student of The Glasgow School of Art.
*Not available / given
Green silk batik dress possibly made using the traditional Asian batik wax resist dyeing process.
*Not available / given
*Not available / given
Embroidered dress with belt, designed, worked and owned by Daisy Anderson (Daisy Agnes McGlashan).
McGlashan, Daisy Agnes
Silk evening dress. Possibly made by Ann Macbeth.
*Not available / given
Awaken Exhibition material - CD
Supporting material on CD for large scale textile work, 'Drawn Out'. The artist has posted images of the textile on display at the following link: http://digicloth.blogspot.com/2009/01/awaken-glasgow-school-of-art-archive.html
Campbell, J R
Awaken Exhibition material - textile sample
Large scale textile work, 'Drawn Out', designed to be stretched over a frame allowing the central neck opening and sleeves to pull forward from the rest of the work. Digitally printed in greyscale and black on stretch cotton fabric. The artist has posted images of the textile on display at the following link: http://digicloth.blogspot.com/2009/01/awaken-glasgow-school-of-art-archive.html
Campbell, J R
William McCance's artist's smock.
*Not available / given
Graduation gown belonging to William McCance.
*Not available / given
Striped cotton jumpsuit in cream, light and dark green, light and dark lilac, and khaki. The design of the garment suggests that the material was dyed to suit. Strapless fitted bodice with darts opening to wide legged trousers which gather at the ankles in a decorative thread weave cuff. Lace tie fastening on the front of the bodice with braided cord made from coloured threads that match the material. The garment demonstrates a variety of pattern cutting and construction skills and was probably made for a Glasgow School of Art fashion show.
*Not available / given
Short, collarless box jacket made from panels of loosely woven fabric with pink warp thread and yellow, orange, pale blue and lilac silk organza ribbon weft. Panel sections edged with tightly woven cream threads. A band of silk in graduated colours finnishes the inside hem. Very similar to a fabric sample in the Textile Student Work collection believed to be made by Pauline Mcconnachie.
McConnachie, Pauline
Cape sleeved jacket with long, mermaid style fishtail made of an iridescent synthetic fabric lined with green synthetic silk and decorated with strands of couched wool in a fish scale design. Thought to have been made and used as a costume for a masque or play at The Glasgow School of Art in the early-mid 20th century.
*Not available / given
Blazer which was worn as part of a uniform by a student at The Glasgow School of Art.
*Not available / given
The Glasgow School of Art blazer badge
Embroidered The Glasgow School of Art blazer badge.
*Not available / given
The Glasgow School of Art scarf
The Glasgow School of Art scarf featuring the school emblem.
*Not available / given
The Glasgow School of Art cream blazer
The Glasgow School of Art uniform, worn by a previous student.
*Not available / given
The Glasgow School of Art tie made by Rowans, Glasgow and Birmingham.
*Not available / given
Embroidered dark fawn silk and velvet collar. There are several reasons for the attribution to Jessie Newbery: the very fine quality of the fabrics used; the method of construction; the quality of the stitching; the colours used; the simplicity of the design which complements the shape of the collar so effectively and the use of silver metal clasps.
Newbery, Jessie Wylie
Orange silk velvet yoke/collar featuring a number of needlework techniques in silk thread worked by a student of The Glasgow School of Art, possibly under Ann Macbeth.