- NMC/0962
- Item
- c1900s-1910s
Henderson, Andrew Graham
166 results with digital objects Show results with digital objects
Henderson, Andrew Graham
Henderson, Andrew Graham
Henderson, Andrew Graham
Henderson, Andrew Graham
Henderson, Andrew Graham
Chigi Chapel, Santa Maria del Popolo, Rome, centre pattern of pavement
Henderson, Andrew Graham
Henderson, Andrew Graham
Henderson, Andrew Graham
Henderson, Andrew Graham
Henderson, Andrew Graham
Henderson, Andrew Graham
Chigi Chapel, Santa Maria del Popolo, Rome, half section through chapel
Henderson, Andrew Graham
Chigi Chapel, Santa Maria del Popolo, Rome, half elevation to church
Henderson, Andrew Graham
Chigi Chapel, Santa Maria del Popolo, Rome, panel mouldings in spandrils
Henderson, Andrew Graham
Chigi Chapel, Santa Maria del Popolo, Rome, circular cornice to drum of dome
Henderson, Andrew Graham
Decorative Cap, Nine Altars Chapel, Durham Cathedral
Henderson, Andrew Graham
Henderson, Andrew Graham
Henderson, Andrew Graham
Henderson, Andrew Graham
Henderson, Andrew Graham
Chigi Chapel, Santa Maria del Popolo, Rome, 1/4 plan
Henderson, Andrew Graham
Chigi Chapel, Santa Maria del Popolo, Rome, circular cornice to drum of dome
Henderson, Andrew Graham
Piece of experimental sandblasted glass made by the artist as a postgraduate student. This item was made as sample for possible commission for an architect in relation to a shop front for Leeds Building Society. The final piece was made with kiln-fired fused and lustred glass panels.
The image is one of a series based loosely on a setting sun behind a pyramidal island.
Cosgrove, James
Stained glass panel. Inscribed above: "Glasgow School of Art"; below: "Isolde Mark's wife who gave the love potion to Tristan". It was one of Fra Newbery's considerable achievements to see the need for training students in industrial art and design and persuade the governors to establish a decorative arts department. His annual report of 1893 announces 'This room has been specially fitted up and artist craftsmen have been engaged to give instruction in such subjects as glass staining, pottery, repousse and metalwork, wood carving and book binding, beside Artistic Needlecraft taught by a Lady.' Early teachers of stained glass at the GSA included Norman Macdougall, Harry Roe and William Stewart. Among the students were Jessie Rowat, Emily Hutcheson, Herbert MacNair, Stephen Adam Jr, W.G Morton and Dorothy Carleton Smyth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for performance of Salome.
Smyth, Dorothy Carleton
Costume design for performance of Parsifal.
Smyth, Dorothy Carleton
Costume design for performance of Parsifal.
Smyth, Dorothy Carleton
View of the main auditorium.
T & R Annan & Sons Ltd
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
A Room, The English King's Palace, Sc III (from Macbeth)
Design for stage set - Shakespeare's Macbeth.
Smyth, Dorothy Carleton
The English King's Palace. Sc III (from Macbeth)
Design for stage set - Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Act V, Sc I/Sc III (from Macbeth)
Design for stage set - Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Design for stage set - Shakespeare's Macbeth.
Smyth, Dorothy Carleton