- NMC/0240
- Item
- 1924
Thought to have been lost in the fire in the Mackintosh Building, 23rd May 2014.
Forsyth, Gordon M
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Thought to have been lost in the fire in the Mackintosh Building, 23rd May 2014.
Forsyth, Gordon M
This item was badly damaged in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This was assessed by a conservator but no conservation work was deemed possible. Brown glazed ceramic lugged pot with two small knobs on either side.
Gilmour, Judith
Gray ceramic wavy bowl with incised circular designs. Possible engraved initials "AT" (artist's variant name is Anne J Taylor) and date "24/8/80" engraved on bottom.
Pickard, Baajie
Large plate from tea service (Version 2)
Large plate from tea service (Version 1)
This large plate forms part of a painted china tea service. Orange lustre-glaze, and flower paintings on a white china blank. Initialled by the artist on the base.
Macbeth, Ann
Large bowl with brown underglaze (Version 2)
Large bowl with brown underglaze (Version 1)
Large bowl with brown underglaze
Large bowl with blue and black hand-painted, floral pattern on inside and brown underglaze. Green and brown glaze cover the outside of the bowl. Signed 'Sinclair' on the bottom along with the marking 'ST' (creator's initials) and another marking of a circle with an X over it (maker's mark). Label on bottom - 'NMC 1382.'
Thomson, Robert Sinclair
Thought to have been lost in the fire in the Mackintosh Building, 23rd May 2014.
Macbeth, Ann
Large blue ornamental vase with lid (Version 7)
Large blue ornamental vase with lid (Version 6)
Large blue ornamental vase with lid (Version 5)
Large blue ornamental vase with lid (Version 4)
Large blue ornamental vase with lid (Version 3)
Large blue ornamental vase with lid (Version 2)
Large blue ornamental vase with lid (Version 1)
Large blue ornamental vase with lid
Large and wide white ornamental vase with light and dark blue hand-painted floral patterns. Hand-painted bands of designs along the mouth and the bottom. Has a lid with several hand-painted bands of light and dark blue patterns. '18-24' handwritten in black on bottom of vase and lid. Glaze over the vase and lid. Was given to one of the school's directors as a gift.
*Not available / given
Large beige glazed vase. About half of the body, the bottom, and a band around the neck are tan. Neck is long and has an uneven, almost oval shape. 'NMC 606' handwritten on bottom. 'Stewart' - artist's signature - is incsied on the bottom.
Stewart, Fergus
Kitchen store jar: flour (Version 4)
Kitchen store jar: flour (Version 3)
Kitchen store jar: flour (Version 2)
Round kitchen store jar with a white bottom complete with yellow, black, and grey transfer designs. Top half is gold. Labelled 'FLOUR' in black towards the center. Lid is white with some gold. Has 2 relief bands of gold circles.
Stewart, Robert
Round white storage jar with lid. Gold/tan, blue, and black transfer design. Labelled 'Lentils' in black at centre. Metallic gold band across lid and bottom of jar.
Stewart, Robert
Kitchen store jar - currants (Version 5)
Kitchen store jar - currants (Version 4)
Kitchen store jar - currants (Version 3)
Kitchen store jar - currants (Version 2)
Kitchen store jar - currants (Version 1)
This item suffered significant damage in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. It was salvaged and has undergone conservation and consolidation work. Round white storage jar with lid. Tan, green, and black transfer desgin on jar with 'Currants' in black near the centre. Thin gold band on the bottom. Lid is white with a gold band.
Stewart, Robert
'Obstruct': 1 of a set of 5 ceramic pots, wheel thrown with hand-built adjustments.
Artist statement: "Hostile architecture is a phenomenon with rase rise significantly throughout urban design this century. A widely recognised example of this type of design is the 'uncomfortable bench'. Interventions of this kind are now familiar, and can even be a cause of comfort to privileged audiences, but it is important to consider their sociological effects. We have replaced human interaction, nuance and empathy with hard, physical and non-negotiable solutions. Identifying five core aspects of hostile urban design - limit, control, obstruct, impede and deter - I have developed a series of ceramic cups which each embody one of these qualities."
Source: https://drive.google.com/file/d/1Pe53s2N6laNXHxxQ-RrjA5cjvuFNeUPC/view
Gray, Arvinda
'Limit': 1 of a set of 5 ceramic pots, wheel thrown with hand-built adjustments.
Artist statement: "Hostile architecture is a phenomenon with rase rise significantly throughout urban design this century. A widely recognised example of this type of design is the 'uncomfortable bench'. Interventions of this kind are now familiar, and can even be a cause of comfort to privileged audiences, but it is important to consider their sociological effects. We have replaced human interaction, nuance and empathy with hard, physical and non-negotiable solutions. Identifying five core aspects of hostile urban design - limit, control, obstruct, impede and deter - I have developed a series of ceramic cups which each embody one of these qualities."
Source: https://drive.google.com/file/d/1Pe53s2N6laNXHxxQ-RrjA5cjvuFNeUPC/view
Gray, Arvinda
'Impede': 1 of a set of 5 ceramic pots, wheel thrown with hand-built adjustments.
Artist statement: "Hostile architecture is a phenomenon with rase rise significantly throughout urban design this century. A widely recognised example of this type of design is the 'uncomfortable bench'. Interventions of this kind are now familiar, and can even be a cause of comfort to privileged audiences, but it is important to consider their sociological effects. We have replaced human interaction, nuance and empathy with hard, physical and non-negotiable solutions. Identifying five core aspects of hostile urban design - limit, control, obstruct, impede and deter - I have developed a series of ceramic cups which each embody one of these qualities."
Source: https://drive.google.com/file/d/1Pe53s2N6laNXHxxQ-RrjA5cjvuFNeUPC/view
Gray, Arvinda
'Deter': 1 of a set of 5 ceramic pots, wheel thrown with hand-built adjustments.
Artist statement: "Hostile architecture is a phenomenon with rase rise significantly throughout urban design this century. A widely recognised example of this type of design is the 'uncomfortable bench'. Interventions of this kind are now familiar, and can even be a cause of comfort to privileged audiences, but it is important to consider their sociological effects. We have replaced human interaction, nuance and empathy with hard, physical and non-negotiable solutions. Identifying five core aspects of hostile urban design - limit, control, obstruct, impede and deter - I have developed a series of ceramic cups which each embody one of these qualities."
Source: https://drive.google.com/file/d/1Pe53s2N6laNXHxxQ-RrjA5cjvuFNeUPC/view
Gray, Arvinda
'Control': 1 of a set of 5 ceramic pots, wheel thrown with hand-built adjustments.
Artist statement: "Hostile architecture is a phenomenon with rase rise significantly throughout urban design this century. A widely recognised example of this type of design is the 'uncomfortable bench'. Interventions of this kind are now familiar, and can even be a cause of comfort to privileged audiences, but it is important to consider their sociological effects. We have replaced human interaction, nuance and empathy with hard, physical and non-negotiable solutions. Identifying five core aspects of hostile urban design - limit, control, obstruct, impede and deter - I have developed a series of ceramic cups which each embody one of these qualities."
Source: https://drive.google.com/file/d/1Pe53s2N6laNXHxxQ-RrjA5cjvuFNeUPC/view
Gray, Arvinda