Study of mills at Bromley, Kent and Dulwich Common, Surrey. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Typeset poster, lettering reads, 'Communication can be overbearing...'
*Not available / given
Typeset poster, lettering reads, 'Communication can be well mannnered, academic.....'
*Not available / given
Typeset poster designed by typochondriacs, lettering reads, 'Redpath...'
*Not available / given
Typeset poster, lettering reads, 'Communication can be emotional...'
*Not available / given
Typeset poster, lettering reads, 'Communication can be brief...'
*Not available / given
Typeset poster, lettering reads, '18 line grotesque'
*Not available / given
Typeset poster, lettering reads, 'Communication can be stinging...'
*Not available / given
Typeset poster, lettering reads, 'Communication can be deep, clumsy...'
*Not available / given
Typeset poster, lettering reads, 'GSA interior Design Dept Big Show'
*Not available / given
Typeset poster, lettering reads, 'I'm having a crisis...'
*Not available / given
Typeset poster, lettering reads, 'Communication can be old fashioned..'
*Not available / given
Subject matter derived from Dylan Thomas' 1954 radio drama/play "Under Milk Wood". The wood engraving shows three figures seated around a breakfast table.
Chapman, June Crisfield
Old buildings set around courtyard/quadrangle.
*Not available / given
Etching.
Sander, Thomas Edward
Landscape with farmhouse. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
View of part of Battle Abbey, Sussex
View of Battle Abbey with sheep grazing in foreground. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Study of cottage in North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Etching. Abstract design suggesting concertina folded heavily embossed or anaglypta paper.
Parry, Jacki
Study of Water Mill. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Waterside cottage with boats and fisherman
First colour block - red ink.
*Not available / given
Waterside cottage with boats and fisherman
Third colour block - blue on ochre and red ink.
*Not available / given
Waterside cottage with boats and fisherman
Second colour block - ochre on red ink.
*Not available / given
Waterside cottage with boats and fisherman
Fourth and final colour block - black on blue, ochre and red ink.
*Not available / given
We are Happy cup and saucer (Version 1)
We are Happy cup and saucer (Version 2)
We are Happy cup and saucer (Version 3)
We are Happy cup and saucer (Version 4)
Windmill with labourers in foreground. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Group of native women working in a field.
Addo-Osafo, Emmanuel
Wood printing block of portrait of man with building in background. Annotated on reverse: stamped name "Lawrence", artist's name handwritten.
Small, William Farquharson
Wood scene near Sevenoaks, Kent. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
You are Everything plate (Version 1)
You are Everything plate (Version 2)
You are Everything plate (Version 3)