- NMC/1572B
- Item
- Mid 20th century
Woven screen with a loose check pattern with brown string and brown, cream and green thread on wooden supports. It has metal fasteners in the wooden beams at top and bottom for hanging purposes.
Lindsay, John Walter
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Woven screen with a loose check pattern with brown string and brown, cream and green thread on wooden supports. It has metal fasteners in the wooden beams at top and bottom for hanging purposes.
Lindsay, John Walter
Woven screen with a loose check pattern with brown string and brown, cream and green thread on wooden supports. It has metal fasteners in the wooden beams at top and bottom for hanging purposes.
Lindsay, John Walter
This length was created (as part of NMC/1579-1581) by Isobel Stirling for her Diploma Show in 1948 and produced under the supervision of Agnes McCreadie. In brown, burgundy and blue.
Smyth, Isobel
This length was created (as part of NMC/1579-1581) by Isobel Stirling for her Diploma Show in 1948 and produced under the supervision of Agnes McCreadie.
Smyth, Isobel
Short, collarless box jacket made from panels of loosely woven fabric with pink warp thread and yellow, orange, pale blue and lilac silk organza ribbon weft. Panel sections edged with tightly woven cream threads. A band of silk in graduated colours finnishes the inside hem. Very similar to a fabric sample in the Textile Student Work collection believed to be made by Pauline Mcconnachie.
McConnachie, Pauline
Woven square piece of fabric with lines and shapes of various earth colours.
*Not available / given
Cream, synthetic velvet full-length dress coat. High neck, fitted bodice with long sleeves gathered on the shoulder and fastened with three double covered buttons at waist level. An open skirt falls in a narrow A line below with simple edge to edge closing on the front and a shaped central back panel to suggest a train. Badly marked by decay of metal sections of the covered buttons. Believed to have been designed and possibly made by either Violet or Daisy Anderson (see DC 022).
The Anderson family
Wedding head dress. Thought to have been designed and possibly also made by either Daisy or Violet Anderson (see DC 022).
The Anderson family
Ivory coloured full length dress in two layers, with a fine gauze silk over silk satin. Braided shoelace straps, fitted bodice and full skirt with decorative flounces. Eighteen covered buttons down back. Some damage through wear and from the metal parts of the buttons. Thought to have been designed and possibly also made by either Daisy or Violet Anderson (see DC 022).
The Anderson family
Design of frog and dragonfly.
Jackson, May
Design of bird and flowers.
Jackson, May
Wall hanging depicting Hebridean village
Wall hanging, L-R design shows street of houses with mountains behind, church, trees, stone cross, cows and shore with moon.
Design by Scottish artist Eric Lounsbach, worked by primary and secondary school children.
Lounsbach, Eric
Green pelmet with an embroidered dark green stylised figure and leaf pattern.
*Not available / given
Green pelmet with an embroidered dark green stylised figure and leaf pattern.
*Not available / given
Green curtain with an embroidered dark green stylised figure and leaf pattern.
*Not available / given
Green curtain with an embroidered dark green stylised figure and leaf pattern.
*Not available / given
Green curtain with an embroidered dark green stylised figure and leaf pattern.
*Not available / given
Green curtain with an embroidered dark green stylised figure and leaf pattern.
*Not available / given
Embroidered dark fawn silk and velvet collar. There are several reasons for the attribution to Jessie Newbery: the very fine quality of the fabrics used; the method of construction; the quality of the stitching; the colours used; the simplicity of the design which complements the shape of the collar so effectively and the use of silver metal clasps.
Newbery, Jessie Wylie
‘Useless Machines’ is a series of moving interlocking laser cut wooden panels, wrapped in waste-fabrics and hand-stitched. They move and look like idiosyncratic machines, but are entirely functionless, as foils to the useful machines lost to landfills.
Tihngang, Kialy
Bedspread of heavy-weight beige fabric with rust coloured applique borders with green and cream needlework. Symmetrical geometrical design with decorative stitching and panels with zigzag and flower designs. Blue, pink, green and brown needlework. Small stain. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.
*Not available / given
Tweed motoring coat - ankle length and lined.
Parker, Agnes Miller
Tweed motoring cap (to match coat NMC/1780A) with wood engraving of two cats "Minnie and Jeannie" on fabric inserted behind clear lining.
Parker, Agnes Miller
Original embroidery depicting three fishermen.
*Not available / given
The Glasgow School of Art tie made by Rowans, Glasgow and Birmingham.
*Not available / given
The Glasgow School of Art scarf
The Glasgow School of Art scarf featuring the school emblem.
*Not available / given
The Glasgow School of Art painting smock
Blue linen artist's painting smock worn by a student of The Glasgow School of Art.
*Not available / given
The Glasgow School of Art cream blazer
The Glasgow School of Art uniform, worn by a previous student.
*Not available / given
The Glasgow School of Art blazer badge
Embroidered The Glasgow School of Art blazer badge.
*Not available / given
Design for wall decoration - mermaids. On mount: Design for wall decoration/ Violet McGlashan/76/Owen Jones competition.
McGlashan, Violet Meikle
Textile related to the Mackintosh Interpreted exhibition
'Stylised Daisies Deco'.
Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.
Begg, Vicky
Textile related to the Mackintosh Interpreted exhibition
'Wave Check'.
Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.
Begg, Vicky
Textile related to the Mackintosh Interpreted exhibition
'Dried Dahlias' by J.R.Campbell.
Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.
Centre for Advanced Textiles
Textile related to the Mackintosh Interpreted exhibition
Mackintosh's textile design: flower bulbs 1915-23 (2 of 3).
Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.
Centre for Advanced Textiles
Textile related to the Mackintosh Interpreted exhibition
Mackintosh's textile design: flower bulbs 1915-23 (3 of 3).
Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.
Centre for Advanced Textiles
Textile related to the Mackintosh Interpreted exhibition
'Gothic Bulbs'.
Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.
Begg, Vicky
Textile related to the Mackintosh Interpreted exhibition
Mackintosh's textile design: flower bulbs 1915-23 copied from watercolour in the Hunterian Collection, cat:GLAHA41999 (1 of 3).
Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.
Centre for Advanced Textiles
Textile design - velvet brocade
Design for printed hanging - flowers. On mount: V/ McGlashan/76/Monthly competition 14/3/92.
McGlashan, Violet Meikle
Textile design
Hill, Linda
Textile design
Hill, Linda
Design for printed hanging - flowers. Same design as NMC/115B. On mount: Design for printed hanging/ Violet McGlashan/76/Owen Jones competition.
McGlashan, Violet Meikle
White linen with embroidered cross stitch.
*Not available / given
White linen with embroidery. The design and technique shows influence of Jessie Newbery's teaching.
McGlashan, Daisy Agnes
Green linen with applique.
McGlashan, Daisy Agnes
Blue and white linen with applique. Stitched inscription: "A McG". Possibly a student of Ann Macbeth. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.
*Not available / given
This padded and lined tea cosy was made by a Miss Robertson and features an intricate butterfly and leaf design with embroidery, applique and beadwork.
Robertson, Miss
Fuschia design. Possibly made at one of The Glasgow School of Art's Saturday morning classes, c1905-1910.
*Not available / given
Embroidered tea cosy with flowers and butterfly motif. Possibly made at one of The Glasgow School of Art's Saturday morning classes, early 1900s.
*Not available / given
Blue tea cosy with white padded lining featuring geometric design embroidery, and gold, pink and black threadwork.
*Not available / given