- NMC/1559
- Item
- Early 20th Century
Blazer which was worn as part of a uniform by a student at The Glasgow School of Art.
*Not available / given
16 results with digital objects Show results with digital objects
Blazer which was worn as part of a uniform by a student at The Glasgow School of Art.
*Not available / given
Single curtain with applied batik decoration.
Parker, Agnes Miller
Cummerbund with batik decoration.
Parker, Agnes Miller
Design for embroidered pulpit-fall, 'Be Ye Doers of the word not hearers only.' The words of the design are taken from James, chapter 1, verse 22 in the New Testament. Inscribed upper right: Design for a pulpit fall/J.R. Newbery Centre: "Be Ye Doers of the world not hearers only".
Newbery, Jessie Wylie
Embroidered collage of Eaglesham
The piece is a depiction of Eaglesham with trees in the foreground and houses in the background.
Whyte, Helen Kathleen R
4 pieces in mount. Two textile samples showing colour gradiations. One painted piece and corresponding photograph.
Stewart, Robert
This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014 and was conserved in 2018-19. The digital images attached to this record are of stencils which were loose inside the front cover of the book, and not pages of the book itself.
*Not available / given
'Homage to the Studio': Nails from Mackintosh Building, bound with tape
Three rusty nails from the Mackintosh Building, bound with cotton rust-dyed tape. Inspired by the 2014 fire in the Mackintosh Building. Stored along with textiles (NMC/1962C & D) in presentation box (NMC/1962A).
McQuarrie, Erin
'Homage to the Studio': Presentation box
Presentation box containing bound nails (NMC/1962B) and rust-dyed textiles (NMC/1962C & D) inspired by the 2014 Mackintosh Building fire.
McQuarrie, Erin
'Homage to the Studio': Rust-dyed and heat-manipulated crepe satin
Rust-dyed and heat-manipulated crepe satin. Inspired by the 2014 fire in the Mackintosh Building. Stored along with nails (NMC/1962B) and textile (NMC/1962C) in presentation box (NMC/1962A).
McQuarrie, Erin
'Homage to the Studio': Rust-dyed crepe de chine
Rust-dyed crepe de chine. Inspired by the 2014 fire in the Mackintosh Building. Stored along with nails (NMC/1962B) and textile (NMC/1962D) in presentation box (NMC/1962A).
McQuarrie, Erin
Mackintosh School of Architecture banner
Heavyweight unbleached cotton vertical banner with Mackintosh weather vane in brown and Mackintosh School of Architecture in red Mackintosh style lettering underneath.
The Glasgow School of Art
Remnant length of heavy cotton upholstery fabric printed in bold geometric design in shades of orange, red, purple and brown. Deposited by Crissie White.
Perritt, Peter R
Nails and plaster cast pattern on textile
Nails and plaster cast pattern on textile. Inspired by the fire at the Mackintosh building in 2014.
McQuarrie, Erin
'Ox-eye Daisy' textile design
Hill, Linda
Printed and hand painted textile length
Printed and hand painted textile length. Inspired by the fire at the Mackintosh building in 2014.
McQuarrie, Erin
Fringed, printed woolen stole in brightly coloured architecture-inspired patterns with applied plastic sequins.
Jack, Joanie
Fringed, printed woolen stole with a stylised figure design in shades of mustard, claret, navy blue and pink.
Jack, Joanie
Printed length for degree show
This length was created (as part of NMC/1579-1581) by Isobel Stirling for her Diploma Show in 1948 and produced under the supervision of Gladys Harrison. The design was based on an exercise using cut out paper, particularly the discarded pieces of paper rather than the shapes cut out.
Smyth, Isobel
Printed mat featuring three men design
Printed textile panel, signed by Stewart, which is unhemmed. The design features three stylised men in hats with beards and red royalist outfits. The background material is teal in colour.
Stewart, Robert
Printed mat featuring three men design
Printed textile panel, signed by Stewart, which is unhemmed. The design features three stylised men in hats with beards and red royalist outfits. The background material is green in colour.
Stewart, Robert
Long silk and linen woven scarf with fringed ends. It has geometric designs and subtle colour changes and blends, achieved through dip dyed warp. Scarf is in shades of purple, red and pink and has a maker's tag with the name Sarah Sumsion.
Sumsion, Sarah
Long silk and linen woven scarf with fringed ends. It has geometric designs and subtle colour changes and blends, achieved through dip dyed warp. Scarf is in shades of green, grey, orange and brown.
Sumsion, Sarah
Rectangular pieces of silk sewn together to form a geometric pattern in pink, black, blue, green, gold and cream.
Day, Lucienne
Small travelling bag with cotton ties.
Parker, Agnes Miller
Design depicting a horse.
Munro, Liz
Tapestry (after Bayeux Tapestry)
Annotated on reverse: "Sheena Crawford, 1st year 2nd Section, 1965-1966".
Crawford, Sheena
Textile design
Hill, Linda
Textile design
Hill, Linda
Design for printed hanging - flowers. Same design as NMC/115B. On mount: Design for printed hanging/ Violet McGlashan/76/Owen Jones competition.
McGlashan, Violet Meikle
Textile design - velvet brocade
Design for printed hanging - flowers. On mount: V/ McGlashan/76/Monthly competition 14/3/92.
McGlashan, Violet Meikle
Design for wall decoration - mermaids. On mount: Design for wall decoration/ Violet McGlashan/76/Owen Jones competition.
McGlashan, Violet Meikle
Design of frog and dragonfly.
Jackson, May
Design of bird and flowers.
Jackson, May
Ivory coloured full length dress in two layers, with a fine gauze silk over silk satin. Braided shoelace straps, fitted bodice and full skirt with decorative flounces. Eighteen covered buttons down back. Some damage through wear and from the metal parts of the buttons. Thought to have been designed and possibly also made by either Daisy or Violet Anderson (see DC 022).
The Anderson family
Wedding head dress. Thought to have been designed and possibly also made by either Daisy or Violet Anderson (see DC 022).
The Anderson family
Cream, synthetic velvet full-length dress coat. High neck, fitted bodice with long sleeves gathered on the shoulder and fastened with three double covered buttons at waist level. An open skirt falls in a narrow A line below with simple edge to edge closing on the front and a shaped central back panel to suggest a train. Badly marked by decay of metal sections of the covered buttons. Believed to have been designed and possibly made by either Violet or Daisy Anderson (see DC 022).
The Anderson family
This length was created (as part of NMC/1579-1581) by Isobel Stirling for her Diploma Show in 1948 and produced under the supervision of Agnes McCreadie. In brown, burgundy and blue.
Smyth, Isobel
This length was created (as part of NMC/1579-1581) by Isobel Stirling for her Diploma Show in 1948 and produced under the supervision of Agnes McCreadie.
Smyth, Isobel