200 results with digital objects Show results with digital objects
Study of river valley. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Group of figures seated at a table.
Russell, Avishai
Miller, Archibald E Haswell
Miller, Archibald E Haswell
Views of Windsor Castle and Conway Castle. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Fish market on the beach, Hastings. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Riverside composition. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Morning at Eton College. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
View on the Thames near Chertsey. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Bridge and pollard willows. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Midday, view of a cornfield. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Cottage near Birmingham. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Horsemen.
*Not available / given
Study of two ducks with reeds to background. Possibly by G W Lennox Paterson.
*Not available / given
Possibly portrait of fellow GSA staff member, Danny Ferguson.
Laurie, John
Still life with mackerel. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Abstract design.
Kuusik, Alexander
Liturgical Text for Non-Believers
Digital print of text on chiffon.
Gill, Rebecca
Nude figure, head bent forward with gnarled hands clasping around the crown central to viewer.
Spence, Judith
Lithographic print of factory gates and view into yard. McCall, Munro and Co Ltd sign on closed gate.
Walsh, Thomas
Fractured rock formation.
Palmer, Joan
Stylised landscape.
Furlong, Michael
Landscape with walled gardens and greenhouses.
Ross, John Ferguson
*Not available / given
Part of Kenilworth Castle with sheep grazing to foreground. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Installation and takedown of Antiphon
One of five jpeg images documenting the installation and take down of Antiphon, by the artists.
Gill, Rebecca
Installation and takedown of Antiphon
One of five jpeg images documenting the installation and take down of Antiphon, by the artists.
Gill, Rebecca
Installation and takedown of Antiphon
One of five jpeg images documenting the installation and take down of Antiphon, by the artists.
Gill, Rebecca
Installation and takedown of Antiphon
One of five jpeg images documenting the installation and take down of Antiphon, by the artists.
Gill, Rebecca
Installation and takedown of Antiphon
One of five jpeg images documenting the installation and take down of Antiphon, by the artists.
Gill, Rebecca
Possibly by Z. Duclett.
*Not available / given
Abstract ice crystals.
Palmer, Joan
Possibly by "Chaliboni".
*Not available / given
Possibly by "Chaliboni".
*Not available / given
Uncut lino block showing Hengler's Circus, Sauchiehall Street, Glasgow, as viewed from The Glasgow School of Art.
Harris, Margaret Helena
Black and white etching.
Sander, Thomas Edward
Fishermen and labourers with wagons. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Studies of various Hastings fishing boats. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Two studies of farm workers at harvest time. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Hampton in Arden, Warwickshire
Study of farm buildings with church tower in background. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Male figure holding a glass to a candle. Possibly by A. Sauer.
*Not available / given
Male figure examining model boats. Possibly by A. Sauer.
*Not available / given
Glasgow street scene.
Goodhall, John
Stone archway.
Palmer, Joan
Glasgow School of Art from Muirhead Moffat's Shop
View of the Mackintosh building (south-west facade), seen from Sauchiehall Street. Cinema in foreground.
Scott, Isobel Maclagan
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.
Fleming, Ian
"An attempt at dental flossing".
Esson, Michael
Miller, Archibald E Haswell