Long silk and linen woven scarf with fringed ends. It has geometric designs and subtle colour changes and blends, achieved through dip dyed warp. Scarf is in shades of purple, red and pink and has a maker's tag with the name Sarah Sumsion.
Long silk and linen woven scarf with fringed ends. It has geometric designs and subtle colour changes and blends, achieved through dip dyed warp. Scarf is in shades of green, grey, orange and brown.
White linen and embroidery possibly made by Daisy McGlashan. The design and technique show the influence of Jessie Newbery's teaching. The table runner has the number "1911" printed on one edge in ink which could refer to the year it was made. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.
This padded and lined tea cosy was made by a Miss Robertson and features an intricate butterfly and leaf design with embroidery, applique and beadwork.
Blue and white linen with applique. Stitched inscription: "A McG". Possibly a student of Ann Macbeth. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.
Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.
Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.
Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.
Mackintosh's textile design: flower bulbs 1915-23 (2 of 3).
Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.
Mackintosh's textile design: flower bulbs 1915-23 (3 of 3).
Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.
Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.
Mackintosh's textile design: flower bulbs 1915-23 copied from watercolour in the Hunterian Collection, cat:GLAHA41999 (1 of 3).
Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.
Bedspread of heavy-weight beige fabric with rust coloured applique borders with green and cream needlework. Symmetrical geometrical design with decorative stitching and panels with zigzag and flower designs. Blue, pink, green and brown needlework. Small stain. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.
‘Useless Machines’ is a series of moving interlocking laser cut wooden panels, wrapped in waste-fabrics and hand-stitched. They move and look like idiosyncratic machines, but are entirely functionless, as foils to the useful machines lost to landfills.
Embroidered dark fawn silk and velvet collar. There are several reasons for the attribution to Jessie Newbery: the very fine quality of the fabrics used; the method of construction; the quality of the stitching; the colours used; the simplicity of the design which complements the shape of the collar so effectively and the use of silver metal clasps.