Showing 191 results

Bar of three first world war medals, awarded to Pte. H. Alison, Cameron Highlanders.

One of a set of 2 flat brass coolie style metal light shades with cut out motifs from the Mackintosh Building.

One of a set of 2 flat brass coolie style metal light shades with cut out motifs from the Mackintosh Building.

"Flight Mask" from degree show collection 'Kinetic Nature' made from milk bottle plastic and metal.

Artist's statement on "Kinetic Nature" collection: Biomimicry, which is innovation inspired by nature, through emulating, ethos and reconnection is the focus of this body of work. These jewellery pieces heighten the presence of nature in the wider landscape and its relationship to the human body, through texture, form, repetition, transformation and movement. The Caddisfly Larva use materials found around them to make intricate adorning cocoons in order to blend with their surroundings and in some respects personifies the idea of a sustainable existence. During the Covid-19 lockdown, this same ethos has been applied to practice, in giving new life to discarded objects, transforming these into body adornments. Milk bottle plastic, for example, has beautiful, ethereal and translucent qualities, that are used here in interactive sculptural pieces. It gives a new purpose to the continued existence of this material, transforming it from an everyday product to a desirable object. The concept of biomimicry sits usefully in Michel Serres’ understanding of human-to-non-human relations. In ‘The Five Senses: A Philosophy of Mingled Bodies’ (2008), Serres argues that our sense-experiences should be foregrounded in social and cultural life and that humans should recall from nature how to adapt and trust our intuitive bodily impressions. In this respect, the pieces of jewellery presented here are sculptures intended to become animated once positioned on the body; to become an extension of the body. As nature changes it gifts us with fleeting phenomena and these moments are captured in these activated body adornments, such as the life cycle of the dandelion head changing first from yellow to translucent, and then as motion, like that of a bird in flight.

The section title '1 Form and Function' appears in white on black mountboard. The second piece of mountboard is cream with two windows cut into it. Both contain writing on the organisation, order, form and function of insects.

Foulis Medal. One of 31 made in 2017/18. Medal first presented at the first GSA winter graduation in December 2017, to the top graduating student from a taught post graduate programme at the GSA.

Also includes background material describing design. The design was inspired by the Mackintosh Building and 18th century block print.

Source: http://gsapress.blogspot.com/2017/12/innovation-design-graduate-callum-nash.html

The section title '3 Framework/Articulation' appears in white on black mountboard. A second piece of mountboard is cream with three windows cut into it. Within one is handwritten text detailing the structured framework which insects possess instead of a skeleton. In the second and third windows are watercolours showing two different insects from different angles.

A bronze medal from the 2014 Glasgow Commonwealth Games, including a lapel pin and presentation case.

Decorative wooden quaich presented to medal winning athletes, Glasgow Commonwealth Games.

A gold medal from the 2014 Glasgow Commonwealth Games, including a lapel pin and presentation case.

A silver medal from the 2014 Glasgow Commonwealth Games, including a lapel pin and presentation case.

Classical figure (obverse): Lion Rampant/Glasgow Coat of Arms (reverse). Awarded to D Ballantine. Inscribed obverse: "Glasgow Drawing Competition"; reverse: "Qui Meruit Ferrat Palmam".

Medal awarded to Robert Elder for excellence.

Circular medal, designed with decorative columns. Won for Excellence in Architecture. Possible master-blank as not awarded to a student.

Medal awarded to Robert Elder for excellence.

Silver medal, blank on reverse.

Two male figures set against architectural columns. Inscribed: "In memory of a student of the Glasgow School of Architecture/Authur Leslie Hamilton H.L.I/Killed in action 25th October 1918/Aged 26 years/Founded by his father J. Whitelaw Hamilton ARSA".

Design of art deco figures. Awarded to Janet May Crawford. Inscribed obverse: "Evening School Awarded for Excellent work". Reverse: "Glasgow School of Art/Janet May Crawford/Metalwork/1914-15".

Bust of Haldane? (obverse): figure of Minerva (reverse). Awarded to Charles Eadie. Stage 19B. The GSA was known as the Glasgow School of Art and Haldane Academy from 1869-1892. Inscribed obverse: "Glasgow School of Art and Haldane Academy"; On rim: "Charles Eadie Stage 19B".

Bust of Haldane? (obverse): figure of Minerva (reverse). Awarded to Alex C W Duncan. The GSA was known as the Glasgow School of Art and Haldane Academy from 1869-1892. Inscribed obverse: "Glasgow School of Art and Haldane Academy"; On rim: "Alex. C.W.Duncan, Stage 9A".

Bust of Haldane? (obverse): figure of Minerva (reverse). The GSA was known as the Glasgow School of Art and Haldane Academy from 1869-1892. Inscribed obverse: "Glasgow School of Art and Haldane Academy".

Bust of Haldane (obverse); figure of Minerva (reverse). Awarded to Jessie Rowat (Mrs Fra Newbery). The GSA was known as the Glasgow School of Art and Haldane Academy from 1869-1892.

Bust of Haldane? (obverse): figure of Minerva (reverse). Awarded to John Rogerson. The GSA was known as the Glasgow School of Art and Haldane Academy from 1869-1892. Inscribed obverse: "Glasgow School of Art and Haldane Academy"; On rim: "John Rogerson, 1887".

Bust of Haldane? (obverse): figure of Minerva (reverse). Awarded to James Brough. The GSA was known as the Glasgow School of Art and Haldane Academy from 1869-1892. Inscribed obverse: "Glasgow School of Art and Haldane Academy"; On rim: "James Brough, Stage 23c".

Bust of Haldane (obverse); figure of Minerva (reverse). Awarded to Catherine C. Peacock, Stage 17A. The GSA was known as the Glasgow School of Art and Haldane Academy from 1869-1892. Inscribed: "Glasgow School of Art and Haldane Academy Awarded by the Haldane Trustees (with figure of Minerva) Catherine C. Peacock, Stage 17A, 1870".

Bust of Haldane (obverse); figure of Minerva (reverse). Awarded to Mrs Kershaw Stage 15A. The GSA was known as the Glasgow School of Art and Haldane Academy from 1869-1892. Inscribed: "Awarded by the Haldane Trustees. Mrs Kershaw, Stage 15A".

Decorative medal, designed with Glasgow coat of arms (obverse). Awarded to May Crawford. Inscribed obverse: "Who Hath Deserved" Reverse: "Awarded to May Crawford in Decorative Metal 1911-12".

Decorative medal, designed with Glasgow coat of arms (obverse). Inscribed obverse: "Who Hath Deserved".

Evening school medal with winged figure. Awarded to William Gray.

Glasgow School of Art lapel badge, featuring Glasgow School of Art coat of arms. No pin attached.

Badge creator: Peter Wylie Davidson

Badge designer: Jessie M King.

Badge designed by Jessie M King, with Glasgow School of Art coat of arms.

Portrait of Newbery (obverse); Mackintosh Building (reverse). Inscribed obverse: "To commemorate the services of Fra H. Newbery as Director of the Glasgow School of Art 1885-1918". Design includes portrait of Newbery and Glasgow coat-of-arms. Reverse: "Awarded for distinction in diploma work".

Portrait of Newbery (obverse); Mackintosh Building (reverse). Inscribed obverse: "To commemorate the services of Fra H. Newbery as Director of the Glasgow School of Art 1885-1918". Design includes portrait of Newbery and Glasgow coat-of-arms. Reverse: "Awarded for distinction in diploma work".

Portrait of Newbery (obverse); Mackintosh Building (reverse). Inscribed obverse: "To commemorate the services of Fra H. Newbery as Director of the Glasgow School of Art 1885-1918". Design includes portrait of Newbery and Glasgow coat-of-arms. Reverse: "Awarded for distinction in diploma work".

This medal was awarded to Dorothy Campbell Smith who studied Design-Embroidery.

Portrait of Newbery (obverse); Mackintosh Building (reverse). Inscribed obverse: "To commemorate the services of Fra H. Newbery as Director of the Glasgow School of Art 1885-1918". Design includes portrait of Newbery and Glasgow coat-of-arms. Reverse: "Awarded for distinction in diploma work".

Glasgow style circular brooch, stylised leaf design and leaf drop.

Medal commemorating 500th anniversary of founding of the University of Glasgow. Inscribed obverse: "University Glasgow MCCCLI-MDCCCLI Via Veritas Vita" (with coat of arms); reverse: "Nicolaus V Pont. Max. Univ. Glasg. Condidit. A.D. VII ID IAN AS MCCCLI" (with portrait bust of pope). Designed by the artist Walter Pritchard.

One of a set of 10 green "Coolicon" coolie style metal light shades thought to be from the Hen Run and elsewhere in the Mackintosh Building. 3 are in good condition while 7 show signs of fire damage.

One of a set of 10 green "Coolicon" coolie style metal light shades thought to be from the Hen Run and elsewhere in the Mackintosh Building. 3 are in good condition while 7 show signs of fire damage.

One of a set of 10 green "Coolicon" coolie style metal light shades thought to be from the Hen Run and elsewhere in the Mackintosh Building. 3 are in good condition while 7 show signs of fire damage.

One of a set of 10 green "Coolicon" coolie style metal light shades thought to be from the Hen Run and elsewhere in the Mackintosh Building. 3 are in good condition while 7 show signs of fire damage.

One of a set of 10 green "Coolicon" coolie style metal light shades thought to be from the Hen Run and elsewhere in the Mackintosh Building. 3 are in good condition while 7 show signs of fire damage.

One of a set of 10 green "Coolicon" coolie style metal light shades thought to be from the Hen Run and elsewhere in the Mackintosh Building. 3 are in good condition while 7 show signs of fire damage.

One of a set of 10 green "Coolicon" coolie style metal light shades thought to be from the Hen Run and elsewhere in the Mackintosh Building. 3 are in good condition while 7 show signs of fire damage.