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Material created for summer project relating to YWCA building at 1 Houston, Greenock including tracing paper showing drawing details of the building's plan, section, and elevations, all are in scale of 1:20.

Material created during Christopher Platt's fifth year of studies including the full time (CF5) technical study based on year 4 design.

Material created during Christopher Platt's fourth year of studies including the full time (CF4) projects relating to housing design, and detailed drawings.
Full time year tutor: Peter McGurn.

Material created during Christopher Platt's third year of studies including the part time (C3) repeated year projects relating to architectural design, detail drawing and analysis.
Part time year tutor: Derek Simpson.

Material created during Christopher Platt's third year of studies including the full time (CF3) projects relating to architectural design, initial studies, site analysis, and detailed drawings.
Full time year tutor: Alex Keith
Visiting tutors: Robin Webster, John Rae, and John Toumae.
Briggait project was an inspiration of Andy McMillan

Material created during Christopher Platt's third year of studies including part time projects relating to architectural design, details and analysis.

Material created during Christopher Platt's second year of studies including projects relating to architectural design, building construction, design drawing and analysis, and summer project.
Part time year tutor: Bill Paterson

Material created during Christopher Platt's first year of studies. including projects relating to: understanding architectural design, pre-design stage site analysis, studying historical buildings, building construction, selected objects analysis, summer project.

A copy of an architectural drawing on sheet paper related to the thesis project showing the south elevation of the Wellington Church. It shows the architectural details of the exterior view of the building. This item has another elevation but without a title, however, they all come from the original document designed by T. L. Watson.

A copy of an architectural drawing on sheet paper related to the thesis project showing section on the line of the Wellington Church. This material is a copy from an official document related to a "Proposed new buildings Hillhead". There is a signature of T L Watson, Thomas Lennox Watson, the architect who designed this church dated on Oct. 1882, Glasgow. This material has been used by the architect in the stage of the pre-design analysis study of the thesis project. It originally comes from "Strathclyde Regional Archives" with reference of: H/HIL/1882/152.

A copy of an architectural drawing on sheet paper related to the thesis project showing a section on the line of the Wellington Church. Although this material has no reference, it comes from the same official document that related to a "Proposed new buildings Hillhead" designed by Thomas Lennox Watson. It is in a small size (seems like it has been cut from a large sheet).

A copy of an architectural drawing on sheet paper related to the thesis project showing section A-A of the Wellington Church. It shows the architectural details of the main structural materials and construction system. This item has another section but without a title, however, its gives the architectural details of the building structure and comes from the original document designed by T. L. Watson.

A copy of an architectural drawing on sheet paper related to the thesis project showing the elevation to University Avenue of the Wellington Church and its front main entrance. Although this material has no reference, it comes from the same official document that related to a "Proposed new buildings Hillhead" designed by Thomas Lennox Watson. It is in a small size (seems it has been cut from a large sheet). This item has a torn edge (upper right hand side).

A copy of an architectural drawing on sheet paper related to the thesis project showing the elevation to the lane of the Wellington Church. This material is a copy from an official document related to a "Proposed new buildings Hillhead". There is a signature of T L Watson, Thomas Lennox Watson, the architect who designed this church dated Oct. 1882, Glasgow. This material has been used by the architect in the stage of the pre-design analysis study of the thesis project. It originally comes from "Strathclyde Regional Archives" with reference of: H/HIL/1882/152. This sheet has a tear.

A copy of an architectural drawing on sheet paper related to the thesis project showing the elevation to Ann street of the Wellington Church. This material is copy from an official document related to a "Proposed new buildings Hillhead". There is a signature of T L Watson, Thomas Lennox Watson, the architect who designed this church dated Oct. 1882, Glasgow. This material has been used by the architect in the stage of the pre-design analysis study of the thesis project. It originally comes from "Strathclyde Regional Archives" with reference of: H/HIL/1882/152. This item has a long tear on its right hand edge.

A copy of an architectural drawing on sheet paper related to the thesis project showing the back elevation and sections of the Wellington Church. This material is a copy from an official document related to a "Proposed new buildings Hillhead". There is a signature of T L Watson, Thomas Lennox Watson, the architect who designed this church dated Oct. 1882, Glasgow. This material has been used by the architect in the stage of the pre-design analysis study of the thesis project. It originally comes from "Strathclyde Regional Archives" with reference of: H/HIL/1882/152.

A copy of an architectural drawing on sheet paper related to the thesis project showing the plan of gallery floor of the Wellington Church. This material is copy from an official document related to "Proposed new buildings Hillhead". There is a signature of T L Watson, Thomas Lennox Watson, the architect who designed this church, dated Oct. 1882, Glasgow. This material has been used by the architect in the stage of the pre-design analysis study of the thesis project. It originally comes from "Strathclyde Regional Archives" with reference of: H/HIL/1882/152.

A copy of architectural drawing on sheet paper related to the thesis project showing the plan of basement floor of the Wellington Church. This material is a copy from an official document related to "Proposed new buildings Hillhead". There is a signature of T L Watson, Thomas Lennox Watson, the architect who designed this church, dated Oct. 1882, Glasgow. This material has been used by the architect in the stage of the pre-design analysis study of the thesis project. It originally comes from "Strathclyde Regional Archives" with reference of: H/HIL/1882/152.

A copy of an architectural drawing on sheet paper related to the thesis project showing the plan of attics and ceiling of the Wellington Church. This material is a copy from an official document related to a "Proposed new buildings Hillhead". There is a signature of T L Watson, Thomas Lennox Watson, the architect who designed this church dated Oct. 1882, Glasgow. This material has been used by the architect in the stage of the pre-design analysis study of the thesis project. It originally comes from "Strathclyde Regional Archives" with reference of: H/HIL/1882/152.

A copy of an architectural drawing on sheet paper related to the thesis project showing a plan of area floor of the Wellington Church. This material is a copy from an official document related to a "Proposed new buildings Hillhead". There is a signature of T L Watson, Thomas Lennox Watson, the architect who designed this church dated Oct. 1882, Glasgow. This material has been used by the architect in the stage of the pre-design analysis study of the thesis project. It originally comes from "Strathclyde Regional Archives" with reference of: H/HIL/1882/152.

A copy of an architectural drawing on sheet paper related to the thesis project showing a block plan of the Wellington Church. This material is a copy from an official document related to a "Proposed new buildings Hillhead". There is a signature of T L Watson, Thomas Lennox Watson, the architect who designed this church dated Oct. 1882, Glasgow. This material has been used by the architect in the stage of the pre-design analysis study of the thesis project. It originally comes from "Strathclyde Regional Archives" with reference of: H/HIL/1882/152.

A copy of an architectural drawing on sheet paper includes the main site plan related to the thesis project showing the main blocks and streets of the City of Glasgow focusing on Wellington Church at Glasgow University campus. This material is a copy from an official document related to The City of Glasgow urban site plan and has been used by the architect in the stage of the pre-design analysis study of the thesis project. It includes a few freehand sketches on the Wellington Church block, with some notes about: views, orientation, exits, pedestrian routes, and special places. This item has some torn edges.

Free hand sketch showing the upper floor plan showing two bedrooms, staircase, and the roof.

Free hand sketch showing the upper floor plan in scale 1:100 representing the third attempt to develop the weaver's workshop design especially issues related to the staircase position and the spatial arrangement of the two bedrooms and bathroom.

Free hand sketches showing the tools required for weaving tasks taken from measured drawings by Gordon McLean. Tasks include: Table loom, warping frame, spool rack, spinning wheel, and tapestry frame.

Architectural drawings on tracing paper representing the final submission of the weaver's house project on Colonsay. The paper includes drawings of axonometric sections.

Architectural drawings on cartridge paper representing the final submission of the weaver's house project at Colonsay. The paper includes drawings of an enlarged section CC in scale 1:20, showing the construction materials which represents the vernacular building type, and finishing materials used on the building interior and exterior. Such drawing shows the architect's understanding on how to use the vernacular material and construction method to design new buildings suitable for new functions.

Free hand sketches showing the roof plan and section AA, BB, and CC all in scale 1:100 representing the third attempt to develop the weaver's workshop roof plan. The sheet includes the drawings of three cross sections all showing the main structural elements and materials used.

Free hand sketch showing the initial idea to design a weaver's workshop including a plan in scale 1:100. This first submission represents the architect's idea to use a semi-circular shape to accommodate the functional spaces and the tools required for the weaving tasks.

Free hand sketches showing another design idea for the workshop including plan and section all in scale 1:100. The sheet includes feedback and notes from the examiner.

Free hand sketch showing the ground floor plan in progress representing the second attempt to improve the design idea showing more details and rearranging the functional spaces and furniture accordingly.

Free hand sketches showing the ground floor plan of the selected design idea including the main access to the site, wind direction, and North signal. This drawing represents the second stage of the development design process.

Free hand sketch showing the ground floor plan in scale 1:100 representing the third attempt to develop the weaver's workshop design.

Architectural photos on a cartridge paper representing the final submission of the weaver's house project on Colonsay. The paper includes four photos of a 3D model, described as:

• "View looking towards entrance"
• "Elevation facing prevailing wind"
• "Courtyard side"
• "Interior view showing double height work space & sleeping gallery".

Architectural drawings on cartridge paper represents the final submission of the weaver's house project on Colonsay. All in full details including furniture, levels, staircase, services, interior materials as well as the construction methods and materials. The paper includes drawings of:

• Site plan scale 1:200
• Lower plan scale 1:100
• Upper plan scale 1:100
• Section AA and BB scale 1:100.

Architectural drawings on cartridge paper represents the final submission of the weaver's house project at Colonsay. The paper includes drawings of four elevations (north view, east view, west view, and south view). All drawing are in scale 1:100, showing the finishing materials used on the building exterior elevations.

Free hand sketches showing two elevations all in scale 1:100 representing the third attempt to develop the weaver's workshop elevation facing west and the other facing the east using the main finishing materials.

Free hand sketches showing first submission sections AA , BB, and CC as well as two elevations - one facing east and the other facing west all in scale 1:100. These drawings show the basic elements within the workshop structure.

Free hand sketches showing the upper floor plan in scale 1:100 representing the third attempt to develop the weaver's house upper plan including more details with the roof plan. The sheet includes the drawing of the elevation looking east according to the new edition of the floor plans.

Free hand coloured detail drawings for different types of walls which all formed "a boundary between gardens or parks and the pavement". The aim of these drawings is to study the types and methods of using the local materials in Scottish and English vernacular buildings.

Free hand coloured drawings for different vernacular buildings in Scotland and England: Greenock, Fife, and Cumbria. The aim of these drawings is to study and understand the materials used at that type of buildings which are locally produced and manually built establishing Scottish vernacular building style.

A tracing paper showing the typical day "A day in the life", consists of two charts: one for the day-time activities and the other for the night-time activities.

A free hand drawings consisting of the external view of two old churches in British Columbia.

Third Year Part Time material, featuring two projects.

Material related to studying the work of Richard Meier including architectural drawings of some of his public projects all on greaseproof paper using Rotring drawing ink pens, like: Fredonia P.E. building 1968, Twin Parks N.E. housing 1969, Olivetti Dormitory 1971, Cornell University undergraduate housing 1974, Bronx Development Centre 1970, and Monroe Development Centre 1969. The drawings include site plans, floor plans, elevations, and several enlarged sections showing the use of new building materials such as porcelain-enamelled metal cladding panels and explaining the main design criteria.

Material related to studying the work of Richard Meier including architectural drawings of some of his private projects as well as written information about his career and firms he worked with. All on greaseproof paper using Rotring drawing ink pens. In the written information, Platt studied Richard Meier's career related to the firms he worked with, such as:

• American monumental tradition: Mies Van Der Rohe, Philip Johnson, Eero Saarinen, and Skidmore and their relations to Le Corbusier
• Walter Gropius and other architects from the post war generation
• The New York Five: Peter Eisenman, Michael Graves, John Hejduk, and Gwathmey & Siegel.

The aim of this study is to address the priorities taken from Le Corbusier's private buildings: clarity & expression of structure, vertical circulation as a major design element, use of double height living spaces, and natural influence.
Then, the architect moved to study some examples from Richard Meier's houses, like: Smith house, Saltzman house, and Shamberg house. The architect aimed to address the priorities used in all houses, for example: definition of public and private spaces, open space revealed by entry through closed space, and many other issues.

A copy of the architectural drawings related to "A family house in the style of Richard Meier, Structural arrangement" sheet.

Material related to studying a family house designed by Richard Meier including architectural detail drawings on tracing paper using Rotring drawing ink pens. The architectural drawings consist of: foundation plan, floor plans scale 1:200, elevations (west, east, south, and north) scale 1:200, and cut-away isometric view scale 1:100. The aim of such detailed drawings is to study the structural arrangement, from foundation to roof, the structural grid of the steel columns and timber beams and how the mechanical services aligned within the structural system.

A second copy of the architectural drawings related to "A family house in the style of Richard Meier, Structural arrangement " sheet.

Material related to studying a family house designed by Richard Meier including architectural drawings on greaseproof paper using Rotring drawing ink pens. The architectural drawings consist of: ground floor plan, first floor plan, second floor plan, and roof plan, all in scale 1:100. These drawings show the functional spaces and horizontal and vertical circulations.